https://tekpercussion.com//index.php?action=history&feed=atom&title=Areas_1%3A_Voices%E2%80%A6a_dead_person%E2%80%99s_things_%282016%29Areas 1: Voices…a dead person’s things (2016) - Revision history2026-04-20T02:23:45ZRevision history for this page on the wikiMediaWiki 1.39.17https://tekpercussion.com//index.php?title=Areas_1:_Voices%E2%80%A6a_dead_person%E2%80%99s_things_(2016)&diff=56981&oldid=prevZdrum212: Created page with "Areas 1: Voices…a dead person’s things (2016) – Solo for 2 Snare Drums & Controlled Feedback Published by Kreating SounD<br/> Duration: 10:04 ==Instrumentation== 2 sn..."2025-11-11T22:05:45Z<p>Created page with "Areas 1: Voices…a dead person’s things (2016) – Solo for 2 Snare Drums & Controlled Feedback Published by Kreating SounD<br/> Duration: 10:04 ==Instrumentation== 2 sn..."</p>
<p><b>New page</b></p><div>Areas 1: Voices…a dead person’s things (2016) – Solo for 2 Snare Drums & Controlled Feedback<br />
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Published by Kreating SounD<br/><br />
Duration: 10:04 <br />
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==Instrumentation==<br />
2 snare drums, 3 HoneyTone mini-guitar amps w/microphones<br />
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==Notes==<br />
Areas 1: Voices…a dead person’s things (2016) is scored for two snare drums and three miniature, battery-powered guitar amplifiers with microphones. The battery power directly affects the feedback response of the amplifiers and thus different battery powers are required for each amp and the battery power changes during the performance, affecting the ability to execute the piece as intended, because of this an alternate ending is composed so that two outcomes are possible based on the battery power at the end of the work. FYI, the “noise” heard most prominently at the beginning and end of each take is created by the mini-amps and is part of the composition; it is not “noise” (i.e. unintended sound) introduced during the recording process. Also, throughout the work the sounds of the amps and microphones being manipulated on the snare drum heads and min-amp switches being turned on/off is unavoidable and considered part of the composition. Two takes are included to demonstrate the compositional integrity of the work alongside the aleatoric/unpredictable nature of the feedback and batteries. <br />
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==Recordings==<br />
small axe https://roncoulter.bandcamp.com/album/small-axe-2<br />
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==Performances==<br />
Betty’s (Nashville, TN), November 16, 2018, Performer: Ron Coulter<br/><br />
Volunteer State College (Gallatin, TN), November 15, 2018, Performer: Ron Coulter<br/><br />
Youngstown State University (Youngstown, OH), November 13, 2018, Performer: Ron Coulter<br/><br />
Ohio State University (Columbus, OH), November 9, 2018, Performer: Ron Coulter<br/><br />
Blo Back Gallery (Pueblo, CO), September 15, 2018, Performer: Ron Coulter<br/><br />
Kickstand Kafé (Flagstaff, AZ), September 14, 2018, Performer: Ron Coulter<br/><br />
Arizona State University (Tempe, AZ), September 14, 2018, Performer: Ron Coulter<br/><br />
Northern Arizona University (Flagstaff, AZ), September 13, 2018, Performer: Ron Coulter<br/><br />
Wheeler Concert Hall, Casper College (Casper, WY), November 27, 2016), Performer: Ron Coulter<br/><br />
Harris Fine Arts Center, Brigham Young University (Provo, UT), October 27, 2016, Performer: Ron Coulter<br/><br />
Studio Dada (Provo, UT), October 27, 2016, Performer: Ron Coulter<br/><br />
Southern Utah University (Cedar City, UT), October 26, 2016, Performer: Ron Coulter<br/><br />
Diabolical Records (Salt Lake City, UT), July 7, 2016, Performer: Ron Coulter<br/><br />
Wheeler Concert Hall, Casper College (Casper, WY), January 31, 2016, (World Premiere), Performer: Ron Coulter<br/></div>Zdrum212