Bill Holab Music - Revision history

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2025-02-01T05:24:14Z

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	[[Category:~~Publisher~~]]		[[Category: Publishers]]



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Admin at 16:49, 14 July 2015

2015-07-14T16:49:33Z

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	In 1980, while studying composition at Juilliard, Holab began work for Music Publishing Services, an autography firm that prepared high-end engraving for publication. He later moved on to become an editor at C.F. Peters Corp., Director of Publications for G. Schirmer/Associated Music Publishers, Director of Production for Universal Edition, and Director of Sales and Publishing for Schott Music Corp.		In 1980, while studying composition at Juilliard, Holab began work for Music Publishing Services, an autography firm that prepared high-end engraving for publication. He later moved on to become an editor at C.F. Peters Corp., Director of Publications for G. Schirmer/Associated Music Publishers, Director of Production for Universal Edition, and Director of Sales and Publishing for Schott Music Corp.
	During this period the industry converted its various manual methods of music engraving to computer-based notesetting. The first program to be used was Leland Smith’s SCORE program. Holab wrote the technical documentation for this program and consulted extensively on its development. Holab continues to consult for MakeMusic (Finale) and Sibelius on the details of fine engraving and how to translate its principles to computer-based note setting.		During this period the industry converted its various manual methods of music engraving to computer-based notesetting. The first program to be used was Leland Smith’s SCORE program. Holab wrote the technical documentation for this program and consulted extensively on its development. Holab continues to consult for MakeMusic (Finale) and Sibelius on the details of fine engraving and how to translate its principles to computer-based note setting.
	Holab is a contributing author to Insights and Essays on the Music Performance Library (Meredith Music/Hal Leonard), and contributes articles to numerous publications and periodicals on topics relating to the industry. He presents workshops to composers and music professionals throughout the country on engraving, copyright, contracts, and commissions.</ref>http://www.billholabmusic.com/about-us/		Holab is a contributing author to Insights and Essays on the Music Performance Library (Meredith Music/Hal Leonard), and contributes articles to numerous publications and periodicals on topics relating to the industry. He presents workshops to composers and music professionals throughout the country on engraving, copyright, contracts, and commissions.<ref>http://www.billholabmusic.com/about-us/</ref>
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Admin at 16:49, 14 July 2015

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	In 1980, while studying composition at Juilliard, Holab began work for Music Publishing Services, an autography firm that prepared high-end engraving for publication. He later moved on to become an editor at C.F. Peters Corp., Director of Publications for G. Schirmer/Associated Music Publishers, Director of Production for Universal Edition, and Director of Sales and Publishing for Schott Music Corp.		In 1980, while studying composition at Juilliard, Holab began work for Music Publishing Services, an autography firm that prepared high-end engraving for publication. He later moved on to become an editor at C.F. Peters Corp., Director of Publications for G. Schirmer/Associated Music Publishers, Director of Production for Universal Edition, and Director of Sales and Publishing for Schott Music Corp.
	During this period the industry converted its various manual methods of music engraving to computer-based notesetting. The first program to be used was Leland Smith’s SCORE program. Holab wrote the technical documentation for this program and consulted extensively on its development. Holab continues to consult for MakeMusic (Finale) and Sibelius on the details of fine engraving and how to translate its principles to computer-based note setting.		During this period the industry converted its various manual methods of music engraving to computer-based notesetting. The first program to be used was Leland Smith’s SCORE program. Holab wrote the technical documentation for this program and consulted extensively on its development. Holab continues to consult for MakeMusic (Finale) and Sibelius on the details of fine engraving and how to translate its principles to computer-based note setting.
	Holab is a contributing author to Insights and Essays on the Music Performance Library (Meredith Music/Hal Leonard), and contributes articles to numerous publications and periodicals on topics relating to the industry. He presents workshops to composers and music professionals throughout the country on engraving, copyright, contracts, and commissions.		Holab is a contributing author to Insights and Essays on the Music Performance Library (Meredith Music/Hal Leonard), and contributes articles to numerous publications and periodicals on topics relating to the industry. He presents workshops to composers and music professionals throughout the country on engraving, copyright, contracts, and commissions.</ref>http://www.billholabmusic.com/about-us/
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Admin at 16:49, 14 July 2015

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	== Publishers Information ==		== Publishers Information ==
	We are providers of services to publishers, composers, performing organizations, and other institutions that require publishing professionals. We offer the following services:		We are providers of services to publishers, composers, performing organizations, and other institutions that require publishing professionals. We offer the following services:
	<ul>Composer Representation		<ul>Composer Representation</ul>
	<ul>Music Engraving		<ul>Music Engraving</ul>
	<ul>Book Design		<ul>Book Design</ul>
	<ul>Typesetting		<ul>Typesetting</ul>
	<ul>Production Management		<ul>Production Management</ul>
	<ul>Print Supervision		<ul>Print Supervision</ul>

	William Holab (owner) comes from a long line of Chicago-area plumbers. At the age of 7 he realized that his destiny was not at the back end of a sewer drain, and focused his attention on less odoriferous output.		William Holab (owner) comes from a long line of Chicago-area plumbers. At the age of 7 he realized that his destiny was not at the back end of a sewer drain, and focused his attention on less odoriferous output.

Admin at 16:48, 14 July 2015

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	== Contact Information ==		== Contact Information ==
	Website: <br>		Website: [http://www.billholabmusic.com/ http://www.billholabmusic.com/]<br>

	Email: <br>		Email: bill@holabmusic.com<br>

	Phone: <br>		Phone: (718) 499-3946 <br>

			Fax: (718) 310-6190<br>

	Address: <br>		Address: <br>
			Bill Holab Music <br>
			377 Sterling Place, No. 4 <br>
			Brooklyn, NY 11238 US <br>

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	== Publishers Information ==		== Publishers Information ==
			We are providers of services to publishers, composers, performing organizations, and other institutions that require publishing professionals. We offer the following services:
			<ul>Composer Representation
			<ul>Music Engraving
			<ul>Book Design
			<ul>Typesetting
			<ul>Production Management
			<ul>Print Supervision

			William Holab (owner) comes from a long line of Chicago-area plumbers. At the age of 7 he realized that his destiny was not at the back end of a sewer drain, and focused his attention on less odoriferous output.
			In 1980, while studying composition at Juilliard, Holab began work for Music Publishing Services, an autography firm that prepared high-end engraving for publication. He later moved on to become an editor at C.F. Peters Corp., Director of Publications for G. Schirmer/Associated Music Publishers, Director of Production for Universal Edition, and Director of Sales and Publishing for Schott Music Corp.
			During this period the industry converted its various manual methods of music engraving to computer-based notesetting. The first program to be used was Leland Smith’s SCORE program. Holab wrote the technical documentation for this program and consulted extensively on its development. Holab continues to consult for MakeMusic (Finale) and Sibelius on the details of fine engraving and how to translate its principles to computer-based note setting.
			Holab is a contributing author to Insights and Essays on the Music Performance Library (Meredith Music/Hal Leonard), and contributes articles to numerous publications and periodicals on topics relating to the industry. He presents workshops to composers and music professionals throughout the country on engraving, copyright, contracts, and commissions.
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Admin: Created page with "{{subst:Publishers}}"

2015-07-14T16:46:04Z

Created page with "{{subst:Publishers}}"

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== Contact Information ==
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== Publishers Information ==




== References ==
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[[Category:Publisher]]