Concerto for Marimba and Concert Band - Revision history

Admin at 04:34, 31 July 2015

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	See Also [[Concerto for Marimba and Orchestra (Bodine)]]<Br>		See Also [[Concerto for Marimba and Chamber Orchestra (Bodine)]]<Br>
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Admin at 04:34, 31 July 2015

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	[[G. Bradley Bodine]]		[[G. Bradley Bodine]]
			<br>

			See Also [[Concerto for Marimba and Orchestra (Bodine)]]<Br>
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	== General Info ==		== General Info ==

	'''Year''': ~~200~~<br /-->		'''Year''': 2002<br /-->
	'''Duration''': c. <br /-->		'''Duration''': c. <br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
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	[[Marimba]]<br>		[[Marimba]]<br>

	[[~~Title~~]]<br>		[[Concert Band]]<br>


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	== Program Notes ==		== Program Notes ==
			Concerto for Marimba and Band is an re-orchestration of G. Bradley Bodine's Concerto for Marimba and Orchestra. Commissioned by Drew Lang, this re-orchestration was completed in 2002. Mr. Lang premiered the work in 2003 with the New Mexico State University Wind Ensemble under the direction of Ken Van Winkle.

			The opening movement of the three-movement composition is cast in double exposition form with a cadenza before the recapitulation. After a short introduction, the marimbist plays the first and second themes in succession. The trumpet and flute pick up the next statement of the first theme. The marimbist answers by completing the statement of the theme begun by the trumpet and flute. The dialogue between the band and the soloist continues throughout the statement of the second theme as a codetta ends the exposition. The dialogue between the band and soloist continues throughout the development section. Eventually, the marimbist breaks into thirty-second note runs against a background of motives from the first theme. The development section continues with the development of both themes. Eventually, the band takes over with a powerful crescendo. The marimba cadenza leads to the recapitulation.

			The second movement is cast in a rondo song form: a-b-a (inversion)-b (inversion)-c-c (retrograde)-b (retrograde-inversion)-a. The marimbist plays rolled chords throughout the movement. The orchestration of this movement is particularly subtle and colorful.

			The finale movement of this concerto is cast in a sonata-rondo form: a - b - a - development - b - a - coda. The development section of this final movement develops materials from both of the preceding movements and thus creates a cyclic form for the work. For the climax of the movement, the main theme of the preceding movement is presented in the form of African-based rhythmic structures.

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[[G. Bradley Bodine]]



== General Info ==

'''Year''': 200 
'''Duration''': c. 
'''Difficulty''': (see [[Ratings]] for explanation) 
'''Publisher''': [[G. Bradley Bodine]] 
'''Cost''': Score and Parts - $0.00   |   Score Only - $0.00 

==Movements==



== Instrumentation ==
[[Marimba]] 

[[Title]] 



== Program Notes ==

=== Review ===

== Errata ==



== Awards ==


== Commercial Discography==

===Online Recordings===




==Recent Performances==

{{performances}}



== Works for Percussion by this Composer ==
{{Bodine, G. Bradley Works}} 



== Additional Resources ==



 
 

== References ==
<references/>


 
 

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