Double Take - Revision history

Rubyng2004: /* Recent Performance */

2022-09-13T07:30:27Z

Recent Performance

← Older revision		Revision as of 03:30, 13 September 2022
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	==Recent Performance==		==Recent Performance==
	[https://www.youtube.com/watch?v=bmoeS2ZlUx0 ~~Paul G. Ross faculty recital at Harper College]~~		<embedvideo service="youtube"> https://www.youtube.com/watch?v=bmoeS2ZlUx0 </embedvideo>

	==Review==		==Review==

S03625411: /* Reference */

2021-12-12T11:48:28Z

Reference

← Older revision		Revision as of 07:48, 12 December 2021
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	==Reference==		==Reference==

	[[Category: Percussion ~~Duet~~ Works]]		[[Category: Percussion Duo Works]]
	[[Category: Multiple Percussion ~~Duet~~ Works]]		[[Category: Multiple Percussion Duo Works]]

S03625411: /* Review */

2021-12-12T11:43:52Z

Review

← Older revision		Revision as of 07:43, 12 December 2021
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	==Review==		==Review==
	The title of this work is reflected in the near mirror-image setups for this multiple percussion duet. With a large, shared bass drum in the middle, each player’s setup consists of a snare drum, bongos, cowbell, splash cymbal, woodblock or Jamblock, and an opera gong on a trap table. Along with the musical sounds, there will be an interesting visual component for the audience as the musicians move around the identical setups.		The title of this work is reflected in the near mirror-image setups for this multiple percussion duet. With a large, shared bass drum in the middle, each player’s setup consists of a [[snare drum]], [[bongos]], [[cowbell]], [[splash cymbal]], [[woodblock]] or [[Jamblock]], and an [[opera gong]] on a trap table. Along with the musical sounds, there will be an interesting visual component for the audience as the musicians move around the identical setups.

	As the composer states, this is “a very groove-oriented multi-percussion duet.” After an opening figure on the drums, the piece moves to a long section played on the rims. Accents are passed back and forth between the players, creating interesting composite rhythms. Accents on the drums and other instruments are gradually added. At times these rhythms become quite complex, moving through sections of odd meters, mixed meters, and metric modulation. A short improvisation section occurs near the end of the work, allowing one player to solo while the other plays a repetitive accompaniment pattern. After another softer section on the rims, the piece comes to a rousing conclusion.		As the composer states, this is “a very groove-oriented multi-percussion duet.” After an opening figure on the drums, the piece moves to a long section played on the rims. Accents are passed back and forth between the players, creating interesting composite rhythms. Accents on the drums and other instruments are gradually added. At times these rhythms become quite complex, moving through sections of odd meters, mixed meters, and metric modulation. A short improvisation section occurs near the end of the work, allowing one player to solo while the other plays a repetitive accompaniment pattern. After another softer section on the rims, the piece comes to a rousing conclusion.

	This is a well-written piece that will appeal to anyone who has played in drum corps, as many of the figures suggest marching tenor drum patterns. But the piece is inventive and will be a real crowd pleaser. The music comes with a CD containing the parts to download along with recording		This is a well-written piece that will appeal to anyone who has played in drum corps, as many of the figures suggest marching tenor drum patterns. But the piece is inventive and will be a real crowd pleaser. The music comes with a CD containing the parts to download along with recording.
	~~Written~~ by Tom Morgan <ref>Percussive Notes Volume 48, No. 4, July 2010 </ref>
			This review was written by [[Tom Morgan]] <ref>Percussive Notes Volume 48, No. 4, July 2010 </ref>

	==Works for Percussion by this Composer==		==Works for Percussion by this Composer==

S03625411: /* Reference */

2021-12-12T11:42:52Z

Reference

← Older revision		Revision as of 07:42, 12 December 2021
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	[[Category: Percussion Duet Works]]		[[Category: Percussion Duet Works]]
			[[Category: Multiple Percussion Duet Works]]

S03625411: Created page with "Jamieson Carr ==General Info== Release Date: 2009
Publisher: Tapspace
Level: Intermediate
Duration: 00:07:00
Price: $26.00
==Descriptio..."

2021-12-12T11:42:11Z

Created page with "Jamieson Carr ==General Info== Release Date: 2009 Publisher: Tapspace Level: Intermediate Duration: 00:07:00 Price: $26.00 ==Descriptio..."

New page

[[Jamieson Carr]]

==General Info==
Release Date: 2009 
Publisher: [[Tapspace]] 
Level: Intermediate 
Duration: 00:07:00 
Price: $26.00 

==Description==
Written for two multi-percussion stations configured in mirror image and split by a shared [[bass drum]], Double Take launches at a blistering speed for nearly 7 minutes of exciting counterpoint. Each player rides a steady, aggressive ostinato on the rim of the snare drum. Sparse interjections occur on [[bongos]], [[woodblocks]], [[cowbells]], [[splash cymbals]] and ascending [[opera gongs]]. These gradually increase in frequency while a steady groove ensues. From the urgent downbeat through the final climax, Double Take will capture an audience's excitement while providing a perfect vehicle to feature a pair of aggressive percussionists.

==Instrumentation==
===Player 1===
Drums: concert [[snare drum]] & [[bongos]] & concert [[bass drum]] (shared with player 2) 
Cymbals & gongs: [[splash cymbal]] & [[opera gong]] 
Accessories: [[woodblock]] & [[cowbell]] 
===Player 2===
Drums: concert [[snare drum]] & [[bongos]] & concert [[bass drum]] (shared with player 1) 
Cymbals & gongs: [[splash cymbal]] & [[opera gong]] 
Accessories: [[woodblock]] & [[cowbell]] 

==Recent Performance==
[https://www.youtube.com/watch?v=bmoeS2ZlUx0 Paul G. Ross faculty recital at Harper College]

==Review==
The title of this work is reflected in the near mirror-image setups for this multiple percussion duet. With a large, shared bass drum in the middle, each player’s setup consists of a snare drum, bongos, cowbell, splash cymbal, woodblock or Jamblock, and an opera gong on a trap table. Along with the musical sounds, there will be an interesting visual component for the audience as the musicians move around the identical setups.

As the composer states, this is “a very groove-oriented multi-percussion duet.” After an opening figure on the drums, the piece moves to a long section played on the rims. Accents are passed back and forth between the players, creating interesting composite rhythms. Accents on the drums and other instruments are gradually added. At times these rhythms become quite complex, moving through sections of odd meters, mixed meters, and metric modulation. A short improvisation section occurs near the end of the work, allowing one player to solo while the other plays a repetitive accompaniment pattern. After another softer section on the rims, the piece comes to a rousing conclusion.

This is a well-written piece that will appeal to anyone who has played in drum corps, as many of the figures suggest marching tenor drum patterns. But the piece is inventive and will be a real crowd pleaser. The music comes with a CD containing the parts to download along with recording
Written by Tom Morgan <ref>Percussive Notes Volume 48, No. 4, July 2010 </ref>

==Works for Percussion by this Composer==
{{Carr, Jamieson Works}}

==Reference==

[[Category: Percussion Duet Works]]

Double Take - Revision history

Rubyng2004: /* Recent Performance */

S03625411: /* Reference */

S03625411: /* Review */

S03625411: /* Reference */

S03625411: Created page with "Jamieson Carr ==General Info== Release Date: 2009 Publisher: Tapspace Level: Intermediate Duration: 00:07:00 Price: $26.00 ==Descriptio..."

S03625411: Created page with "Jamieson Carr ==General Info== Release Date: 2009
Publisher: Tapspace
Level: Intermediate
Duration: 00:07:00
Price: $26.00
==Descriptio..."