Out of the Woodwork - Revision history

Admin at 04:10, 26 April 2018

2018-04-26T04:10:06Z

← Older revision		Revision as of 00:10, 26 April 2018
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	<br />		<br />
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	~~[[Category:Template]]~~
	[[Category:Solo Works]]		[[Category:Solo Works]]
			[[Category:Mallets Works]]
	[[Category:Marimba Works]]		[[Category:Marimba Works]]


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Admin at 21:26, 28 March 2018

2018-03-28T21:26:04Z

← Older revision		Revision as of 17:26, 28 March 2018
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	'''Duration''': c. <br /-->		'''Duration''': c. <br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': [[~~TapSpace~~]]<br /-->		'''Publisher''': [[Tapspace]]<br /-->
	'''Cost''': Score and Parts - $20.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $20.00   \|   Score Only - $0.00<br /-->

Admin: /* Program Notes */

2018-03-28T21:24:09Z

Program Notes

← Older revision		Revision as of 17:24, 28 March 2018
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	Hayzley		Hayzley<Br>
	The original idea for Hayzley stemmed from an ear-training session during an applied percussion lesson. The composer was demonstrating some intervallic relationships by outlining a blues scale. The “interval of the day” was the tritone so the composer created a small motivic statement to help the student, Aaron Smith from Cincinnati, OH, hear how the tritone is related to the dominant in a blues scale. After a few seconds of jamming, the word “hayzley” was used to refer to the new bluesy motive that the two had created. The word stuck and the composer promised to compose a piece with “hayzley” in it, for Aaron.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>		The original idea for Hayzley stemmed from an ear-training session during an applied percussion lesson. The composer was demonstrating some intervallic relationships by outlining a blues scale. The “interval of the day” was the tritone so the composer created a small motivic statement to help the student, Aaron Smith from Cincinnati, OH, hear how the tritone is related to the dominant in a blues scale. After a few seconds of jamming, the word “hayzley” was used to refer to the new bluesy motive that the two had created. The word stuck and the composer promised to compose a piece with “hayzley” in it, for Aaron.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>

	Shaded		Shaded<Br>
	Shaded was the last piece written in this collection (July 2016). The title stems from the slow tempo and the laid back nature of the piece, as if someone is being “shaded” during a hot day in July. The composer drew inspiration from several sources, including the marimba solo Whispering Woods from William Schinstine. Shaded can be used to help beginning students develop coordination between left and right hands. The opening section requires the performer to provide a consistent accompaniment with the left hand while the right hand provides a simple melodic line. Later, during the climatic point of the piece, the performer is required to perform a similar melodic line but with double vertical strokes in the right hand against that same, patient left hand harmonic pattern.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>		Shaded was the last piece written in this collection (July 2016). The title stems from the slow tempo and the laid back nature of the piece, as if someone is being “shaded” during a hot day in July. The composer drew inspiration from several sources, including the marimba solo Whispering Woods from William Schinstine. Shaded can be used to help beginning students develop coordination between left and right hands. The opening section requires the performer to provide a consistent accompaniment with the left hand while the right hand provides a simple melodic line. Later, during the climatic point of the piece, the performer is required to perform a similar melodic line but with double vertical strokes in the right hand against that same, patient left hand harmonic pattern.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>

	May as Well		May as Well<Br>
	Titled after the month in which it was written (May 2016), May as Well was composed in just a few days on the composer’s 4.3-octave marimba. After the opening theme was composed, the remainder of the piece fell into place on it’s own. The month of May has always evoked playful, young, and spirited feelings in the mind of the composer. These feelings were present during the compositional process and, as a result, are evident in the completed product. Also evident is the composer’s groove-oriented touch, which, in this piece, was influenced from pieces such as Footpath by Dave Samuels.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>		Titled after the month in which it was written (May 2016), May as Well was composed in just a few days on the composer’s 4.3-octave marimba. After the opening theme was composed, the remainder of the piece fell into place on it’s own. The month of May has always evoked playful, young, and spirited feelings in the mind of the composer. These feelings were present during the compositional process and, as a result, are evident in the completed product. Also evident is the composer’s groove-oriented touch, which, in this piece, was influenced from pieces such as Footpath by Dave Samuels.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>

	The Other Day		The Other Day<Br>
	The Other Day was influenced by several specific tunes that are not normally associated with each other but were in the mind of the composer at that time: Rain Dance by Alice Gomez (for solo marimba), Suite Mexicana by Keith Larson (for solo marimba), and the performance of The Man Who Sold The World, by Nirvana from the famous MTV Unplugged session in 1993. This piece is written in A minor in an effort to help younger students who may not have access to a 5-octave marimba perform it. The mysterious mood of the opening section in A minor is contrasted with the hopeful and accomplished feelings of the closing section in the relative major.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>		The Other Day was influenced by several specific tunes that are not normally associated with each other but were in the mind of the composer at that time: Rain Dance by Alice Gomez (for solo marimba), Suite Mexicana by Keith Larson (for solo marimba), and the performance of The Man Who Sold The World, by Nirvana from the famous MTV Unplugged session in 1993. This piece is written in A minor in an effort to help younger students who may not have access to a 5-octave marimba perform it. The mysterious mood of the opening section in A minor is contrasted with the hopeful and accomplished feelings of the closing section in the relative major.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>
	=== Review ===		=== Review ===


	== Errata ==		== Errata ==

Admin at 20:53, 28 March 2018

2018-03-28T20:53:03Z

← Older revision		Revision as of 16:53, 28 March 2018
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	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==
	{{~~Lastname~~, ~~Firstname~~ Works}}<br>		{{Floyd, Chad Works}}<br>

Admin at 20:52, 28 March 2018

2018-03-28T20:52:28Z

← Older revision		Revision as of 16:52, 28 March 2018
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	[[~~Firstname Lastname~~]]		[[Chad Floyd]]

	<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->		<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->
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	== General Info ==		== General Info ==

	'''Year''': 20<br /-->		'''Year''': 2016<br /-->
	'''Duration''': c. <br /-->		'''Duration''': c. <br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': [[~~Title Publisher~~]]<br /-->		'''Publisher''': [[TapSpace]]<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $20.00   \|   Score Only - $0.00<br /-->


	==~~Movements~~==		==Pieces==
			Hayzley (Medium - 2:00)<br>

			Shaded (Medium - 2:05)<br>

			May as Well (Medium - 1:45)<br>

			The Other Day (Med-Easy - 2:05)<br>

	<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. -->		<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. -->
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	== Instrumentation ==		== Instrumentation ==
			Marimba


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	== Program Notes ==		== Program Notes ==
			Out of the Woodwork is a collection of four 4-mallet solos for the intermediate performer. All four solos can be performed on a 4.3-octave (low A) marimba. The following solos are included:

			Hayzley <Br>
			Shaded <Br>
			May as Well <Br>
			The Other Day <Br>


			Hayzley
			The original idea for Hayzley stemmed from an ear-training session during an applied percussion lesson. The composer was demonstrating some intervallic relationships by outlining a blues scale. The “interval of the day” was the tritone so the composer created a small motivic statement to help the student, Aaron Smith from Cincinnati, OH, hear how the tritone is related to the dominant in a blues scale. After a few seconds of jamming, the word “hayzley” was used to refer to the new bluesy motive that the two had created. The word stuck and the composer promised to compose a piece with “hayzley” in it, for Aaron.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>

			Shaded
			Shaded was the last piece written in this collection (July 2016). The title stems from the slow tempo and the laid back nature of the piece, as if someone is being “shaded” during a hot day in July. The composer drew inspiration from several sources, including the marimba solo Whispering Woods from William Schinstine. Shaded can be used to help beginning students develop coordination between left and right hands. The opening section requires the performer to provide a consistent accompaniment with the left hand while the right hand provides a simple melodic line. Later, during the climatic point of the piece, the performer is required to perform a similar melodic line but with double vertical strokes in the right hand against that same, patient left hand harmonic pattern.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>

			May as Well
			Titled after the month in which it was written (May 2016), May as Well was composed in just a few days on the composer’s 4.3-octave marimba. After the opening theme was composed, the remainder of the piece fell into place on it’s own. The month of May has always evoked playful, young, and spirited feelings in the mind of the composer. These feelings were present during the compositional process and, as a result, are evident in the completed product. Also evident is the composer’s groove-oriented touch, which, in this piece, was influenced from pieces such as Footpath by Dave Samuels.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>

			The Other Day
			The Other Day was influenced by several specific tunes that are not normally associated with each other but were in the mind of the composer at that time: Rain Dance by Alice Gomez (for solo marimba), Suite Mexicana by Keith Larson (for solo marimba), and the performance of The Man Who Sold The World, by Nirvana from the famous MTV Unplugged session in 1993. This piece is written in A minor in an effort to help younger students who may not have access to a 5-octave marimba perform it. The mysterious mood of the opening section in A minor is contrasted with the hopeful and accomplished feelings of the closing section in the relative major.<ref>http://www.chadfloyd.com/out-of-the-woodwork</ref>
	=== Review ===		=== Review ===

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	===Online Recordings===		===Online Recordings===
			[http://www.chadfloyd.com/out-of-the-woodwork http://www.chadfloyd.com/out-of-the-woodwork]
	<!-- <embedvideo service="youtube">SAMPLENAME</embedvideo> -->		<!-- <embedvideo service="youtube">SAMPLENAME</embedvideo> -->
	<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.-->		<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.-->
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	[[Category:Template]]		[[Category:Template]]
			[[Category:Solo Works]]
			[[Category:Marimba Works]]


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Admin: Created page with "{{subst:works}}"

2018-03-28T20:47:59Z

Created page with "{{subst:works}}"

New page

[[Firstname Lastname]]



== General Info ==

'''Year''': 20 
'''Duration''': c. 
'''Difficulty''': (see [[Ratings]] for explanation) 
'''Publisher''': [[Title Publisher]] 
'''Cost''': Score and Parts - $0.00   |   Score Only - $0.00 

==Movements==



== Instrumentation ==



== Program Notes ==

=== Review ===

== Errata ==



== Awards ==


== Commercial Discography==

===Online Recordings===




==Recent Performances==

{{performances}}



== Works for Percussion by this Composer ==
{{Lastname, Firstname Works}} 



== Additional Resources ==



 
 

== References ==
<references/>


 
 

[[Category:Template]]