Recital Piece for Solo Percussion - Revision history

Admin at 17:17, 7 August 2018

2018-08-07T17:17:55Z

← Older revision		Revision as of 13:17, 7 August 2018
Line 1:		Line 1:
	~~[[Image:changethistothecomposername.jpg\|right\|thumb\|250px\|Composer Name]]~~
	[[David Mancini]]		[[David Mancini]]

Line 10:		Line 9:
	'''Duration''': c. <br /-->		'''Duration''': c. <br /-->
	'''Difficulty''': (see [[Ratings]] for explanation)<br /-->		'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
	'''Publisher''': ~~Moeck~~<br /-->		'''Publisher''': [[Studio4]]<br /-->
	'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->		'''Cost''': Score and Parts - $0.00   \|   Score Only - $0.00<br /-->

Line 19:		Line 18:

	== Instrumentation ==		== Instrumentation ==
	Player I: <br/>		multi-percussion: timpani(4), temple blocks, snre drum, suspended cymbal, Chinese cymbal, sizzle cymbal, tam tam<br>
	Player II: <br/>
	Player III: <br/>		<!--for copying and pasting
	Player IV: <br/>		Player I: <br>
			Player II: <br>
			Player III: <br>
			Player IV: <br>
			Player V: <br>
			Player VI: <br>
			Player VII: <br>
			Player VIII: <br> -->

	== Program Notes ==		== Program Notes ==


			=== Review ===
	This multiple percussion piece uses four timpani, temple blocks, snare drum, small suspended cymbal, Chinese cymbal, sizzle cymbal, and small tam tam. It is written on a two-stave score and uses conventional notation. No setup diagram is provided, but a key clearly indicates where each instrument appears on the staves. This through-composed piece begins with a slow introduction. The extreme dynamic changes set the mood that will characterize the entire composition. The tempo then increases slightly and is more strict. Beginning with short fragments, the piece soon becomes more dense, requiring the performer to "move around the instruments fluidly." A tempo change to Allegro moderato begins softly, with delicate rhythmic fragments played around the instruments in an improvisational manner. The introduction of odd meters such as 7/16 and 5/16 create a disjunct effect. Odd-note groupings also contribute to the randomness. The last section stays in a strict 2/4 meter, and after a slower, legato section played on the timpani, the piece comes to an end. The juxtaposition of timbres, along with the motion required to perform this piece, will make it both a sonic and visual treat for the audience.		This multiple percussion piece uses four timpani, temple blocks, snare drum, small suspended cymbal, Chinese cymbal, sizzle cymbal, and small tam tam. It is written on a two-stave score and uses conventional notation. No setup diagram is provided, but a key clearly indicates where each instrument appears on the staves. This through-composed piece begins with a slow introduction. The extreme dynamic changes set the mood that will characterize the entire composition. The tempo then increases slightly and is more strict. Beginning with short fragments, the piece soon becomes more dense, requiring the performer to "move around the instruments fluidly." A tempo change to Allegro moderato begins softly, with delicate rhythmic fragments played around the instruments in an improvisational manner. The introduction of odd meters such as 7/16 and 5/16 create a disjunct effect. Odd-note groupings also contribute to the randomness. The last section stays in a strict 2/4 meter, and after a slower, legato section played on the timpani, the piece comes to an end. The juxtaposition of timbres, along with the motion required to perform this piece, will make it both a sonic and visual treat for the audience.

	Reviewed By: Tom Morgan		Reviewed By: Tom Morgan

	Review Originally Published: April 2001		Review Originally Published: April 2001<ref>http://www.pas.org/resources/research/research-compositions</ref>

			== Errata ==

			<!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.-->

			== Awards ==

			<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.-->
	== Commercial Discography==		== Commercial Discography==

			===Online Recordings===

			<!-- <embedvideo service="youtube">SAMPLENAME</embedvideo> -->

			<!-- <div style="max-width: 750px"><multimediacontainer /></div>
			{{#multimediaitem:SoundCloud\|16040214\|SoundCloud test}} -->

	<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.-->		<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.-->


	==Recent Performances==		==Recent Performances==
Line 45:		Line 66:

	== Works for Percussion by this Composer ==		== Works for Percussion by this Composer ==
	{{Mancini, David Works}}		{{Mancini, David Works}}<br>



	<!-- Enter the composer's other works for percussion. You may delete this text once this is done.		<!-- Enter the composer's other works for percussion. You may delete this text once this is done.
	ie: {{Becerra-Schmidt, Gustavo Works}} -->		ie: {{Becerra-Schmidt, Gustavo Works}} -->
Line 56:		Line 80:
	<br /-->		<br /-->

			== References ==
			<references/>
			<!-- Enter any resources...if there are none, enter this: {{none}} -->

			<br />
			<br />

			[[Category:Solo Works]]
			[[Category:Multiple Percussion Works]]

	~~[[Category:Template]]~~

KBurns: /* Program Notes */

2013-02-18T19:28:38Z

Program Notes

← Older revision		Revision as of 15:28, 18 February 2013
Line 26:		Line 26:
	== Program Notes ==		== Program Notes ==

			This multiple percussion piece uses four timpani, temple blocks, snare drum, small suspended cymbal, Chinese cymbal, sizzle cymbal, and small tam tam. It is written on a two-stave score and uses conventional notation. No setup diagram is provided, but a key clearly indicates where each instrument appears on the staves. This through-composed piece begins with a slow introduction. The extreme dynamic changes set the mood that will characterize the entire composition. The tempo then increases slightly and is more strict. Beginning with short fragments, the piece soon becomes more dense, requiring the performer to "move around the instruments fluidly." A tempo change to Allegro moderato begins softly, with delicate rhythmic fragments played around the instruments in an improvisational manner. The introduction of odd meters such as 7/16 and 5/16 create a disjunct effect. Odd-note groupings also contribute to the randomness. The last section stays in a strict 2/4 meter, and after a slower, legato section played on the timpani, the piece comes to an end. The juxtaposition of timbres, along with the motion required to perform this piece, will make it both a sonic and visual treat for the audience.

			Reviewed By: Tom Morgan

			Review Originally Published: April 2001

	== Commercial Discography==		== Commercial Discography==

KBurns: Created page with "{{subst:works1}}"

2013-02-18T03:58:58Z

Created page with "{{subst:works1}}"

New page

[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]]
[[David Mancini]]



== General Info ==

'''Year''': 19 
'''Duration''': c. 
'''Difficulty''': (see [[Ratings]] for explanation) 
'''Publisher''': Moeck 
'''Cost''': Score and Parts - $0.00   |   Score Only - $0.00 

==Movements==



== Instrumentation ==
Player I: 
Player II: 
Player III: 
Player IV: 

== Program Notes ==

== Commercial Discography==



==Recent Performances==

{{performances}}



== Works for Percussion by this Composer ==
{{Mancini, David Works}}


== Additional Resources ==



 
 

[[Category:Template]]