Symphonic Studies for Timpani - Revision history

Rubyng2004: /* References */

2024-12-10T08:16:02Z

References

← Older revision		Revision as of 04:16, 10 December 2024
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	[[Category: Music Teachers' Board Percussion Examination Materials]]		[[Category: Music Teachers' Board Percussion Examination Materials]]
	[[Category: Trinity College London Percussion Examination Materials]]		[[Category: Trinity College London Percussion Examination Materials]]
			[[Category: Associated Board of the Royal Schools of Music Percussion Examination Materials]]
	[[Category: Combined Percussion Examination Materials]]		[[Category: Combined Percussion Examination Materials]]
	[[Category: Timpani Examination Materials]]		[[Category: Timpani Examination Materials]]

Rubyng2004: /* Chapters */

2024-12-10T08:15:09Z

Chapters

← Older revision		Revision as of 04:15, 10 December 2024
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	Chapter 18: <br>		Chapter 18: <br>
	Chapter 19: <br>		Chapter 19: <br>
	~~Chapter~~ 20: Timpani are not really instruments for light music, because they are not very flexible and the sound is a bit too heavy and unclear. But now and then a little swing is possible in a limited way and this study is one of my attempts in this direction. When you have to play a lot of accents, please don't disregard the other notes,. Keep your ears open and play the other notes as clearly as possible. To get the syncopation in your system, first make yourself sing the sixteenth notes continuously, like a Hi-Hat. As soon as you know how to do it, you can leave that behind.<br>		Study No.20: Timpani are not really instruments for light music, because they are not very flexible and the sound is a bit too heavy and unclear. But now and then a little swing is possible in a limited way and this study is one of my attempts in this direction. When you have to play a lot of accents, please don't disregard the other notes,. Keep your ears open and play the other notes as clearly as possible. To get the syncopation in your system, first make yourself sing the sixteenth notes continuously, like a Hi-Hat. As soon as you know how to do it, you can leave that behind.<br>
	Chapter 21: <br>		Chapter 21: <br>
	~~Chapter~~ 22: A trumpet signal. A quiet melody from the English Horn. Play the fanfare heroically and the melody dolce. Use the tension of your thumb and fingers accordingly. Use a little tension to play clearly and precisely, but don't use any for the dolce.<br>		Study No.22: A trumpet signal. A quiet melody from the English Horn. Play the fanfare heroically and the melody dolce. Use the tension of your thumb and fingers accordingly. Use a little tension to play clearly and precisely, but don't use any for the dolce.<br>

	== Reviews ==		== Reviews ==

Rubyng2004 at 08:14, 10 December 2024

2024-12-10T08:14:37Z

← Older revision		Revision as of 04:14, 10 December 2024
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	'''Year''': 1999<br /-->		'''Year''': 1999<br /-->
	'''Edition''': 1st Edition <br /-->		'''Edition''': 1st Edition <br /-->
	'''Publisher''': [[~~Pustjen~~ ]]<br /-->		'''Publisher''': [[De Haske Publications]]<br /-->
	'''Cost''': Book Cost - $0.00   \|   Supplemental Books - $0.00<br /-->		'''Cost''': Book Cost - $22.00   \|   Supplemental Books - $0.00<br /-->

	== Overview ==		== Overview ==
			The studies in this book are based on symphonic repertoire, and composed for training and guiding the serious timpani student. The studies may be used as practice or performance material, and every study contains rhythmic and musical material focused on today's timpanist. The development of technique and flexibility combined with the tradition of playing and awareness of musical style and color have been integrated in every study.
	~~<!-- Enter the title and duration of individual movements. Make sure the movements~~ are ~~listed by number~~, and ~~use a line break <nowiki>( <br /> )</nowiki> at~~ the ~~end of each line~~. ~~If this is a single movement work~~, ~~please delete~~ the ~~entire category. You may delete this text once this is done~~. ~~-->~~


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	Chapter III: <br>		Chapter III: <br>
	Chapter IV: <br>		Chapter IV: <br>
	~~Chapter V~~: <br>		Study No.5: Two small drums. calfheads and wooden baroque mallets. More often nowadays, the timpanist needs to change his style of playing to the demands of the 'old music' scene. At the time, the sound of the drums was smaller and shorter, but sonority has always been a part of the drum sound. Emphasize the first part of the bar and exaggerate the phrasing. The color of the orchestra changes fundamentally with this sound and way of playing.<br>
	Chapter VI: <br>		Chapter VI: <br>
			Chapter 15: <br>
			Chapter 16: <br>
	~~<!--for copying and pasting~~		Chapter 17: <br>
	Chapter I: <br>		Chapter 18: <br>
	Chapter II: <br>		Chapter 19: <br>
	Chapter ~~III~~: <br>		Chapter 20: Timpani are not really instruments for light music, because they are not very flexible and the sound is a bit too heavy and unclear. But now and then a little swing is possible in a limited way and this study is one of my attempts in this direction. When you have to play a lot of accents, please don't disregard the other notes,. Keep your ears open and play the other notes as clearly as possible. To get the syncopation in your system, first make yourself sing the sixteenth notes continuously, like a Hi-Hat. As soon as you know how to do it, you can leave that behind.<br>
	Chapter IV: <br>		Chapter 21: <br>
	Chapter V: <br>		Chapter 22: A trumpet signal. A quiet melody from the English Horn. Play the fanfare heroically and the melody dolce. Use the tension of your thumb and fingers accordingly. Use a little tension to play clearly and precisely, but don't use any for the dolce.<br>
	Chapter VI: <br>
	Chapter ~~VII~~: <br>
	Chapter ~~VIII~~: <br> ~~-->~~

	== Reviews ==		== Reviews ==

Rubyng2004: /* References */

2022-09-16T04:27:06Z

References

← Older revision		Revision as of 00:27, 16 September 2022
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	[[Category: Examination Materials]]		[[Category: Examination Materials]]
	[[Category: Music Teachers' Board Percussion Examination Materials]]		[[Category: Music Teachers' Board Percussion Examination Materials]]
			[[Category: Trinity College London Percussion Examination Materials]]
	[[Category: Combined Percussion Examination Materials]]		[[Category: Combined Percussion Examination Materials]]
	[[Category: Timpani Examination Materials]]		[[Category: Timpani Examination Materials]]

Rubyng2004: /* References */

2022-07-19T03:07:29Z

References

← Older revision		Revision as of 23:07, 18 July 2022
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	<br />		<br />

	[[Category:~~Template~~]]		[[Category: Percussion Books]]
			[[Category: Pedagogical Books]]
			[[Category: Method Books]]
			[[Category: Timpani Method Books]]
			[[Category: Examination Materials]]
	~~<!-- Don~~'~~t forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see~~: ~~http~~:~~//www.tekpercussion.com/Special:Categories -->~~		[[Category: Music Teachers' Board Percussion Examination Materials]]
	~~<!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. -->~~		[[Category: Combined Percussion Examination Materials]]
			[[Category: Timpani Examination Materials]]

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