Trek to Gongga Shan - Revision history

Rubyng2004: /* Description */

2023-07-25T05:55:00Z

Description

← Older revision		Revision as of 01:55, 25 July 2023
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	Should you want to feature your timpanist with your percussion ensemble, this piece offers an exciting and musical experience. The work is composed for seven players, including the soloist. The marimba parts are for 4.3-octave instruments, and the technical challenges include the common strokes found in most marimba literature. The keyboard parts appear to be more difficult than they are, but much of the material is repeated ostinato patterns and will be learned quickly. Many of the motives are presented with open fourths, fifths and octaves, and the chords are presented as arpeggios with sticking patterns such as 4321, 1234 and variations.		Should you want to feature your timpanist with your percussion ensemble, this piece offers an exciting and musical experience. The work is composed for seven players, including the soloist. The marimba parts are for 4.3-octave instruments, and the technical challenges include the common strokes found in most marimba literature. The keyboard parts appear to be more difficult than they are, but much of the material is repeated ostinato patterns and will be learned quickly. Many of the motives are presented with open fourths, fifths and octaves, and the chords are presented as arpeggios with sticking patterns such as 4321, 1234 and variations.

	The timpani part is very tonal, with the drums tuned to E, A, B, D and E. The soloist is challenged with material that requires quick movements and rhythmic clarity moving across the five drums. In one large setion, the soloist plyas a steady pulse on one drum with melodic motives on another. There are a few pitch changes clearly marked with ample time to tune. There is also a brief section performed with rattan sticks rather than normal timpani mallets.		The [[timpani]] part is very tonal, with the drums tuned to E, A, B, D and E. The soloist is challenged with material that requires quick movements and rhythmic clarity moving across the five drums. In one large setion, the soloist plyas a steady pulse on one drum with melodic motives on another. There are a few pitch changes clearly marked with ample time to tune. There is also a brief section performed with rattan sticks rather than normal timpani mallets.

			== Works for Percussion ==
			{{Howden, Moses Mark Works}}

	== Reference ==		== Reference ==

Rubyng2004 at 05:54, 25 July 2023

2023-07-25T05:54:22Z

← Older revision		Revision as of 01:54, 25 July 2023
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	== Description ==		== Description ==
	Should you want to feature your timpanist with your percussion ensemble, this piece offers an exciting and musical experience. The work is composed for seven players, including the soloist. The marimba parts are for 4.3-octave instruments, and the technical challenges include the common strokes found in most marimba literature. The keyboard parts appear to be more difficult than they are, but much of the material is repeated ostinato patterns and will be learned quickly. Many of the motives are presented with open fourths, fifths and octaves, and the chords are presented as arpeggios with sticking patterns such as 4321, 1234 and variations.		Should you want to feature your timpanist with your percussion ensemble, this piece offers an exciting and musical experience. The work is composed for seven players, including the soloist. The marimba parts are for 4.3-octave instruments, and the technical challenges include the common strokes found in most marimba literature. The keyboard parts appear to be more difficult than they are, but much of the material is repeated ostinato patterns and will be learned quickly. Many of the motives are presented with open fourths, fifths and octaves, and the chords are presented as arpeggios with sticking patterns such as 4321, 1234 and variations.

			The timpani part is very tonal, with the drums tuned to E, A, B, D and E. The soloist is challenged with material that requires quick movements and rhythmic clarity moving across the five drums. In one large setion, the soloist plyas a steady pulse on one drum with melodic motives on another. There are a few pitch changes clearly marked with ample time to tune. There is also a brief section performed with rattan sticks rather than normal timpani mallets.

	== Reference ==		== Reference ==
Line 25:		Line 27:
	[[Category: Percussion Ensemble Works]]		[[Category: Percussion Ensemble Works]]
	[[Category: Percussion Sextet Works]]		[[Category: Percussion Sextet Works]]
	The timpani part is very tonal, with the drums tuned to E, A, B, D and E. The soloist is challenged with material that requires quick movements and rhythmic clarity moving across the five drums. In one large setion, the soloist plyas a steady pulse on one drum with melodic motives on another. There are a few pitch changes clearly marked with ample time to tune. There is also a brief section performed with rattan sticks rather than normal timpani mallets.

Rubyng2004: Created page with "Moses Mark Howden == General Info == Publisher: Keyboard Percussion Publications
Difficulty: Advanced
Cost: $35.00
== Instrumentation == === Solo =..."

2023-07-25T05:53:57Z

Created page with "Moses Mark Howden == General Info == Publisher: Keyboard Percussion Publications Difficulty: Advanced Cost: $35.00 == Instrumentation == === Solo =..."

New page

[[Moses Mark Howden]]
== General Info ==
Publisher: [[Keyboard Percussion Publications]] 
Difficulty: Advanced 
Cost: $35.00 

== Instrumentation ==
=== Solo ===
[[Timpani]]
=== Ensemble ===
Player 1: [[Marimba]] 1 
Player 2: [[Marimba]] 2 
Player 3: [[Vibraphone]] 1 
Player 4: [[Vibraphone]] 2 
Player 5: [[Crotales]] & [[Glockenspiel]] 
Player 6: [[Chimes]] & [[Tam Tam]] 

== Description ==
Should you want to feature your timpanist with your percussion ensemble, this piece offers an exciting and musical experience. The work is composed for seven players, including the soloist. The marimba parts are for 4.3-octave instruments, and the technical challenges include the common strokes found in most marimba literature. The keyboard parts appear to be more difficult than they are, but much of the material is repeated ostinato patterns and will be learned quickly. Many of the motives are presented with open fourths, fifths and octaves, and the chords are presented as arpeggios with sticking patterns such as 4321, 1234 and variations.

== Reference ==

[[Category: Solo Works]]
[[Category: Timpani Works]]
[[Category: Percussion Ensemble Works]]
[[Category: Percussion Sextet Works]]
The timpani part is very tonal, with the drums tuned to E, A, B, D and E. The soloist is challenged with material that requires quick movements and rhythmic clarity moving across the five drums. In one large setion, the soloist plyas a steady pulse on one drum with melodic motives on another. There are a few pitch changes clearly marked with ample time to tune. There is also a brief section performed with rattan sticks rather than normal timpani mallets.

Trek to Gongga Shan - Revision history

Rubyng2004: /* Description */

Rubyng2004 at 05:54, 25 July 2023

Rubyng2004: Created page with "Moses Mark Howden == General Info == Publisher: Keyboard Percussion Publications Difficulty: Advanced Cost: $35.00 == Instrumentation == === Solo =..."

Rubyng2004: Created page with "Moses Mark Howden == General Info == Publisher: Keyboard Percussion Publications
Difficulty: Advanced
Cost: $35.00
== Instrumentation == === Solo =..."