Difference between revisions of "Caliente Christmas"

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(Created page with "Rick Dior == General Info == Year of Published: 2014 <br/> Publisher: Tapspace <br/> Difficulty: Advanced <br/> Duration: 00:08:10 <br/> Cost: $48.00 <br/> == Instrum...")
 
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Player 10: [[Chimes]] & [[Claves]] & [[Castanets]] & [[Shaker]] (Small) & [[Wind Chimes]] (Large Tube) <br/>
 
Player 10: [[Chimes]] & [[Claves]] & [[Castanets]] & [[Shaker]] (Small) & [[Wind Chimes]] (Large Tube) <br/>
  
== Description ==
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== Program Notes ==
The holidays just got a little warmer with Caliente Christmas. A Latin-tinged percussion ensemble piece for 10–11 players, it includes a medley of Good King Wenceslas in odd-metered variations, an ethereal and relaxed Silent Night, and an Afro-Cuban version of God Rest Ye Merry Gentlemen. Of particular note is the featuring of a unique percussion instrument arranger Rick Dior likes to call a “slapaphone,” which consists of 3” PVC pipes in five different pitches and played with rubber-lined wooden paddles (think Blue Man Group). Alternative options are outlined in the notes for those less interested in building a custom instrument. There is plenty of room for improvisation throughout the arrangement. With heavy use of Guaguancó, Mozambique, and Songo rhythms, it gives the drumset and percussion players a great way to highlight their command of these grooves. Add some spice to your next holiday concert with Caliente Christmas!
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Caliente Christmas is a Latin-tinged percussion ensemble piece for 10–11 players featuring a medley of Good King Wenceslas in odd-metered variations, an ethereal and relaxed Silent Night, and an Afro-Cuban version of God Rest Ye Merry Gentlemen. This piece was commissioned by the Charlotte Symphony for their annual Christmas concert in 2005 and premiered by the UNCC percussion ensemble at that event. <br/>
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The piece opens with a simple 7/4 bas line performed by the slapaphone (or [[bass marimba]]) and is soon joined by several hand percussion instruments playing different counter rhythms. The mallet section enters with the Good King Wenceslas melody presented in two variations. <br/>
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After an exhuberant conclusion to this opening section, a rendition of Silent Night occurs. A combination of tubular wind chimes, song bells and bowed [[vibraphone]] creates an ethereal atmosphere here, followed by a relaxed groove treatment. <br/>
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An Afro-CUban version of God Rest Ye Merry Gentlemen follows, employing a folkoric groove called Guaguanco. An  extended [[vibraphone]] solo segues to the melody as well as [[bongo]] and [[conga]] solos. Here the grooves alternates between the Cuban rhythms of Mozambique and Songo. <br/>
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The piece close with a "heavy metal" percussion section and a klezmer style return to the Good King Wenceslas melody.
  
 
== Reference ==
 
== Reference ==

Revision as of 03:22, 29 December 2024

Rick Dior

General Info

Year of Published: 2014
Publisher: Tapspace
Difficulty: Advanced
Duration: 00:08:10
Cost: $48.00

Instrumentation

Player 1: Glockenspiel & Caxixi
Player 2: Xylophone & Shekere
Player 3: Vibraphone
Player 4: Marimba 1 & Wind Chimes (Medium Tube)
Player 5: Marimba 2 & Woodblock
Player 6: Timpani & Claves & Shaker (Large)
Player 7: Drumset & Woodblock
Player 8: Gong & Temple Block & 2 Suspended Cymbal & Bongos & Bass Drum with Cymbal attachment
Player 9: Triangle & Tambourine & Congas & Wind Chimes (High Tube)
Player 10: Chimes & Claves & Castanets & Shaker (Small) & Wind Chimes (Large Tube)

Program Notes

Caliente Christmas is a Latin-tinged percussion ensemble piece for 10–11 players featuring a medley of Good King Wenceslas in odd-metered variations, an ethereal and relaxed Silent Night, and an Afro-Cuban version of God Rest Ye Merry Gentlemen. This piece was commissioned by the Charlotte Symphony for their annual Christmas concert in 2005 and premiered by the UNCC percussion ensemble at that event.
The piece opens with a simple 7/4 bas line performed by the slapaphone (or bass marimba) and is soon joined by several hand percussion instruments playing different counter rhythms. The mallet section enters with the Good King Wenceslas melody presented in two variations.
After an exhuberant conclusion to this opening section, a rendition of Silent Night occurs. A combination of tubular wind chimes, song bells and bowed vibraphone creates an ethereal atmosphere here, followed by a relaxed groove treatment.
An Afro-CUban version of God Rest Ye Merry Gentlemen follows, employing a folkoric groove called Guaguanco. An extended vibraphone solo segues to the melody as well as bongo and conga solos. Here the grooves alternates between the Cuban rhythms of Mozambique and Songo.
The piece close with a "heavy metal" percussion section and a klezmer style return to the Good King Wenceslas melody.

Reference