Difference between revisions of "Cymbal"
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*Alchemy/Istanbul | *Alchemy/Istanbul | ||
*Amedia | *Amedia | ||
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*Avedis Zildjian Company | *Avedis Zildjian Company | ||
*Bosphorus Cymbals | *Bosphorus Cymbals | ||
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*Italian Bellotti Cymbals | *Italian Bellotti Cymbals | ||
*Masterworks | *Masterworks | ||
− | * | + | *Meinl |
*Murat Diril Cymbals | *Murat Diril Cymbals | ||
*Orion Cymbals | *Orion Cymbals | ||
*Ozimar | *Ozimar | ||
*Paiste | *Paiste | ||
− | * | + | *Sabian |
*Soultone Cymbals | *Soultone Cymbals | ||
− | * | + | *Stagg |
*Supernaturals Foundry | *Supernaturals Foundry | ||
− | * | + | *Saluda Cymbals |
*Turkish Cymbals | *Turkish Cymbals | ||
*Turk Masters Cymbals | *Turk Masters Cymbals | ||
*UFIP | *UFIP | ||
− | * | + | *Wuhan |
*Yamaha | *Yamaha | ||
− | *Latin Percussion | + | *Latin Percussion |
== See Also == | == See Also == |
Revision as of 22:01, 8 December 2011
Today, the term cymbal refers to a large round metal plate with a hollowed center, however in the Middle Ages the term was also used for small bells. Cymbals are a concave plate of mixed alloys that can be played a number of different ways including struck by a stick or mallet and played against another cymbal[1].
Etymology and Alternative Spellings
Fr: cymbales; Ger: Becken; It: cinelli, piatti; Lat: cymbala; Sp: cimbalos [2].
The English word ‘’cymbal’’ is derived from the Latin term, ‘’cymbalum’’ and the Greek ‘’kymbalon,’’ both of which refer to a bowl, or drinking cup [3].
Construction
Since the mid-1600s cymbals have been made from an alloy of approximately 80% copper and 20% tin and often traces of silver. Due to the extremely brittle nature of tin, it has been determined that the method of mixing the metals is one of the key components in successful cymbal construction.
Cast
Castings of the aforementioned alloy that have been sorted by weight are transported through an oven with temperatures around fifteen-hundred degrees Fahrenheit. Once softened by the extreme heat, the castings are sent through two rollers that act to flatten, thin and enlarge them. This process can be repeated numerous times. Not only does this process begin shaping the cymbal, but it also ensures that the tin and copper is thoroughly mixed, creating a stronger plate. After the pressing process has been completed the cymbal is placed on a spindle where circular cutters will trim the cymbal to a specific diameter. The cymbal is then pounded or hammered. This can either be done by hand or by a hydraulic press directed by a computer. The cymbal is then placed on a lathe and cut into by a craftsman as it spins on an axle. The bottom of the cymbal is lathed both by hand and by machine, whereas the top is done only by hand. After lathing the cymbal is placed on an edging machine to smooth out the edges. After final manufacturing touches have been added and after upwards of twenty-one days, the cymbal is now complete.
History
Types
Crash Cymbals
Suspended Cymbals
Ancient Cymbals
Sticks, Mallets, Beaters
Technique
Grips
Stroke Style/Type
Manufacturers
- Fandy's Cymbal
- Aegean Cymbals
- Alchemy/Istanbul
- Amedia
- Anatolian
- Avedis Zildjian Company
- Bosphorus Cymbals
- Diril Cymbals
- Istanbul cymbals
- Italian Bellotti Cymbals
- Masterworks
- Meinl
- Murat Diril Cymbals
- Orion Cymbals
- Ozimar
- Paiste
- Sabian
- Soultone Cymbals
- Stagg
- Supernaturals Foundry
- Saluda Cymbals
- Turkish Cymbals
- Turk Masters Cymbals
- UFIP
- Wuhan
- Yamaha
- Latin Percussion
See Also
References
- ↑ “Beck, John, and John H. Beck, eds. 2007. Encyclopedia of percussion. 2nd ed. New York: Routledge.”
- ↑ “Beck, John, and John H. Beck, eds. 2007. Encyclopedia of percussion. 2nd ed. New York: Routledge.”
- ↑ “Beck, John, and John H. Beck, eds. 2007. Encyclopedia of percussion. 2nd ed. New York: Routledge.”