Sonata in F Minor: Difference between revisions
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'''Arranger''': [[Brian Slawson]]<br /--> | '''Arranger''': [[Brian Slawson]]<br /--> | ||
'''Publisher''': [[Tapspace Publications]]<br /--> | '''Publisher''': [[Tapspace Publications]]<br /--> | ||
'''Year | '''Year''': 2013<br /--> | ||
'''Difficulty''': Advanced<br /--> | '''Difficulty''': Advanced<br /--> | ||
'''Duration''': 00:04:50 <br /--> | '''Duration''': 00:04:50 <br /--> | ||
Latest revision as of 02:41, 3 September 2026
General Info
Composer: Domenico Scarlatti
Arranger: Brian Slawson
Publisher: Tapspace Publications
Year: 2013
Difficulty: Advanced
Duration: 00:04:50
Cost: $15.00
Instrumentation
Program Notes
A Baroque contemporary of Handel, Scarlatti composed more than 550 one-movement keyboard sonatas. This advanced marimba solo is an arrangement of one of the mellowest of those, Sonata in F Minor (L. 118/K. 466). In order to capture its ethereal ambiance, the soloist will be challenged to perform a delicate, connected legato and provide dynamic shaping free of accents. Adding to the challenge, grace notes feature prominently as does a more active harmonic rhythm. A well-crafted embodiment of the Baroque, Brian Slawson‘s arrangement doesn’t impress with flash, it astounds with technical mastery and musicality.
Review
Focusing on the compositions of iconic composers, Brian Slawson aims to capture the essence of the original work in his arrangements. This selection suits the instrument well, adapting nicely to the warm tone of the marimba. Compared to Scarlatti’s 555 keyboard sonatas, this piece is much more subdued in character. The slower tempo and expressive melodic lines will test the musicianship of a performer. Slawson indicates interpretive ideas, such as ritar- dandos at the end of most phrases, yet the marimbist must perform the exposed melodic material with passion. Failure to do so will risk losing the audience in a mechanical string of notes. Inspiration will be easy to find, as there are several recordings available. Slawson specifically directs marimbists to the performance by piano virtuoso Vladamir Horowitz. The technical aspects, combined with the above-mentioned musical demands, make this work appropriate for advanced marimbists. A frequently appearing grace note figure requires a lateral stroke at the interval of a second. One-handed rolls are necessary to execute trills, and the octave interval is also included. As ma- rimba repertoire continues to evolve, it is always nice to have new arrangements from past musical eras to complement the expanding contemporary literature. [1]
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
Arrangements for Percussion by this Author
Mallet Percussion Solo
Sonata in F (Handel) - Mallets; Piano
Sonata in F Minor - Marimba
Teardrop (Rossini) - Vibraphone; Piano
Small Percussion Ensemble
Beethoven's Fantasy (Beethoven) - Percussion Trio
Children's Medley (Bach / Ellemenreich) - Percussion Sextet
Clockbox - Percussion Octet
Danse Macabre (Saint-Saëns) - Percussion Octet
Heartland (Rameau & Dvořák) - Percussion Octet
Leggerhead (Bach, Handel, Dvořák) - Percussion Sextet
Menuetto (Mozart) - Percussion Septet
Rock the Gavotte (Rameau & Ditters von Dittersdorf) - Percussion Octet
Large Percussion Ensemble
Brandenburg No. 2: Allegro Moderato (Bach) - 10 Players
Frightmare (Beethoven) - 12 Players
Shepherds Song (Beethoven) - 14 Players
Soca Polka - 14 Players
Winter (Vivaldi) - 10 Players
Mallets Ensemble
Concerto in A Minor (Bach) - Mallet Sextet
Entrance of the Queen of Sheba (Handel)
Etude in C# Minor (Scriabin) - Mallet Duet
Goldberg Variation 28 (Bach)
Intermezzo from a Midsummer Night's Dream (Mendelssohn) - Mallet Octet
Jesu, Joy of Man's Desiring (Bach) - Mallet Sextet
Midsummer Night's Dream: Scherzo (Mendelssohn) - Mallet Ensemble
Sonata in A Minor (Scarlatti) - Mallet Duet
The Storm (Beethoven) - Mallet Trio
Three Romanian Dances (Bartók) - Mallet Duet
Upbeat Suite - Mallet Quartet
Waltz in C# Minor (Chopin) - Mallet Duet
Additional Resources
References
- ↑ Darin Olson, Percussive Notes Volume 52, No. 2. March 2014