Difference between revisions of "27' 10.554" for a Percussionist"
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== General Info == | == General Info == | ||
| − | '''Year''': <br /--> | + | '''Year''': 1956<br /--> |
| − | '''Duration''': c. <br /--> | + | '''Duration''': c. 27 minutes 10.554 seconds <br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| − | '''Publisher''': [[ | + | '''Publisher''': [[Peters]]<br /--> |
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
| − | + | [[Multiple Percussion]]: <br> | |
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== Program Notes == | == Program Notes == | ||
| + | This is the last work in “The Ten Thousand Things” project. The percussion instruments are divided into four groups: metal (M), wood (W), skin (S), and all others (A), the last including electronics, radios, whistles, etc., all represented as 4 lines in a system. Instrumentation is left to the performer. The vertical position of the notes indicates volume, the centerline represents a dynamic of mf. There are 3 types of sound events: point events, line events, and a mixture of the two. The notation is in space, with one page equaling one minute. The work may be performed as a recording or with the use of a recording. The compositional means included chance operations and the use of the imperfections found in the paper upon which the work was written. This work was previously titled 27' 7.614" for a Percussionist.<ref>https://johncage.org/pp/John-Cage-Work-Detail.cfm?work_ID=14</ref> | ||
| + | Composed in 1956. Premiered in Munich, February 2, 1962. | ||
=== Review === | === Review === | ||
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===Online Recordings=== | ===Online Recordings=== | ||
| − | + | <embedvideo service="youtube">https://www.youtube.com/watch?v=W9iGGkhE4YE</embedvideo> | |
| + | |||
<!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
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| − | [[Category: | + | [[Category:Solo Works]] |
| − | + | [[Category:Multiple Percussion Works]] | |
| + | [[Category:with Tape Works]] | ||
| + | [[Category:Electronics Works]] | ||
| + | [[Category:Amplified Works]] | ||
Revision as of 10:29, 11 February 2019
General Info
Year: 1956
Duration: c. 27 minutes 10.554 seconds
Difficulty: (see Ratings for explanation)
Publisher: Peters
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
This is the last work in “The Ten Thousand Things” project. The percussion instruments are divided into four groups: metal (M), wood (W), skin (S), and all others (A), the last including electronics, radios, whistles, etc., all represented as 4 lines in a system. Instrumentation is left to the performer. The vertical position of the notes indicates volume, the centerline represents a dynamic of mf. There are 3 types of sound events: point events, line events, and a mixture of the two. The notation is in space, with one page equaling one minute. The work may be performed as a recording or with the use of a recording. The compositional means included chance operations and the use of the imperfections found in the paper upon which the work was written. This work was previously titled 27' 7.614" for a Percussionist.[1]
Composed in 1956. Premiered in Munich, February 2, 1962.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
27' 10.554" for a Percussionist - Multiple Percussion
Amores - Percussion Trio; Piano
Branches - Percussion Duo
But what about the noise of crumpling paper.....? - Percussion Sextet
Child of Tree - Multiple Percussion
Composed Improvisation for Snare Drum - Snare Drum
Composed Improvisation: for one-sided drum with or without jangles - Multiple Percussion
Composed Improvisation: for Snare Drum Alone - Snare Drum
Credo in US - Percussion Quartet
Dance Music: for Elfrid Ide - Percussion Sextet; Dancer
Double Music - Percussion Quartet - Cage/Harrison
First Construction (in metal) - Percussion Quintet; Piano
Forever and Sunsmell - Percussion Duo; Voice
Four4 - Percussion Quartet
Imaginary Landscape No.2 - Percussion Quintet
Imaginary Landscape No.3 - Percussion Sextet
Imaginary Landscape No.4 or March No. 2 - 12 Radios - 24 Players
Inlets - Percussion Trio; Conch Shells
Living Room Music - Percussion Quartet
One4 - Multiple Percussion
Quartet - Percussion Quartet
R= Ryoanji - Multiple Percussion
Second Construction - Percussion Trio; Piano
She is Asleep: Quartet - Percussion Quartet; Voice; Piano
Six - Percussion Sextet
The Wonderful Widow of Eighteen Springs Multiple Percussion (Piano); Voice
Third Construction - Percussion Quartet
Three2 - Percussion Trio
Trio - Percussion Trio
Additional Resources
References