Difference between revisions of "Afro-Cuban Rhythms for Drumset"
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 1990<br /--> |
| − | '''Edition''': | + | '''Edition''': 1st Edition <br /--> |
| − | '''Publisher''': [[ | + | '''Publisher''': [[Alfred ]]<br /--> |
'''Cost''': Book Cost - $0.00 | Supplemental Books - $0.00<br /--> | '''Cost''': Book Cost - $0.00 | Supplemental Books - $0.00<br /--> | ||
| Line 18: | Line 18: | ||
== Chapters == | == Chapters == | ||
| − | Chapter I: Foreward | + | Chapter I: Foreward<Br> |
| − | Chapter II: Acknowledgements | + | Chapter II: Acknowledgements<Br> |
| − | Chapter III: Introduction | + | Chapter III: Introduction<Br> |
| − | Chapter IV: Afro-Cuban 6/8 Feel - Bembe | + | Chapter IV: Afro-Cuban 6/8 Feel - Bembe<Br> |
| − | Chapter V: Clave | + | Chapter V: Clave<Br> |
| − | Chapter VI: Palito Patterns and Cascara | + | Chapter VI: Palito Patterns and Cascara<Br> |
| − | Chapter VII: Bell Patterns | + | Chapter VII: Bell Patterns<Br> |
| − | Chapter VIII: Guaguanco | + | Chapter VIII: Guaguanco<Br> |
| − | Chapter IX: Conga | + | Chapter IX: Conga<Br> |
| − | Chapter X: Mozambique | + | Chapter X: Mozambique<Br> |
| − | Chapter XI: Songo | + | Chapter XI: Songo<Br> |
| − | Chapter XII: Merengue | + | Chapter XII: Merengue<Br> |
| − | Chapter XIII: Two patterns by Frank Malabe | + | Chapter XIII: Two patterns by Frank Malabe<Br> |
| − | Chapter XIV: Medley of Playing Examples | + | Chapter XIV: Medley of Playing Examples<Br> |
| Line 49: | Line 49: | ||
===Student Reviews=== | ===Student Reviews=== | ||
| + | This book is a medley of wonderful information. Regarding both playing styles, as well as historical information. Every musical example assessed in this book is given a detailed historical account. As each new style of playing is assessed, each instrument that is crucial to the style is given, before a groove that can fit into the drumset style of playing, the singular instrument(s) are given their own mini-section over how to play it. That way, the player can make their own decision about which instrument to replicate in the groove they’ll be playing. The author also includes pictures showing how to play the instruments as well as several pictures of traditional bands playing their respective styles. At the end of the book, the glossary includes a list of definitions along with the phonetics and a definition. Review by [[Trevor Landreth]] | ||
== Awards == | == Awards == | ||
| Line 82: | Line 83: | ||
<br /> | <br /> | ||
| − | [[Category: | + | [[Category:Percussion Books]] |
| − | + | [[Category:Pedagogical Books]] | |
| − | + | [[Category:Method Books]] | |
| + | [[Category:Drumset Method Books]] | ||
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
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Latest revision as of 02:46, 13 July 2019
General Info
Year: 1990
Edition: 1st Edition
Publisher: Alfred
Cost: Book Cost - $0.00 | Supplemental Books - $0.00
Overview
Chapters
Chapter I: Foreward
Chapter II: Acknowledgements
Chapter III: Introduction
Chapter IV: Afro-Cuban 6/8 Feel - Bembe
Chapter V: Clave
Chapter VI: Palito Patterns and Cascara
Chapter VII: Bell Patterns
Chapter VIII: Guaguanco
Chapter IX: Conga
Chapter X: Mozambique
Chapter XI: Songo
Chapter XII: Merengue
Chapter XIII: Two patterns by Frank Malabe
Chapter XIV: Medley of Playing Examples
Reviews
Student Reviews
This book is a medley of wonderful information. Regarding both playing styles, as well as historical information. Every musical example assessed in this book is given a detailed historical account. As each new style of playing is assessed, each instrument that is crucial to the style is given, before a groove that can fit into the drumset style of playing, the singular instrument(s) are given their own mini-section over how to play it. That way, the player can make their own decision about which instrument to replicate in the groove they’ll be playing. The author also includes pictures showing how to play the instruments as well as several pictures of traditional bands playing their respective styles. At the end of the book, the glossary includes a list of definitions along with the phonetics and a definition. Review by Trevor Landreth
Awards
Additional Study Materials
Works for Percussion by this Author
Malabe, Frank, and Bob Weiner. Afro-Cuban Rhythms for Drumset. Van Nuys, CA: Alfred Music Pub., 1990.
Additional Resources
References