Difference between revisions of "Almost Perpetual Torque"
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| − | [[ | + | [[Christopher Deane]] |
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 2021<br /--> |
| − | '''Duration''': | + | '''Duration''': 00:06:40 <br /--> |
| − | '''Difficulty''': | + | '''Difficulty''': Intermediate<br /--> |
| − | ''' | + | '''Publisher''': [[C. Alan Publications]]<br /--> |
| − | '''Cost''': Score and Parts - $ | + | '''Series''': [[The Vanguard Series]]<br /--> |
| − | + | '''Cost''': Score and Parts - $32.00 | Score Only - $0.00<br /--> | |
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== Instrumentation == | == Instrumentation == | ||
| + | Player 1: [[Xylophone]] <br/> | ||
| + | Player 2: [[Vibraphone]] <br/> | ||
| + | Player 3: [[Marimba]] <br/> | ||
| + | == Program Notes == | ||
| + | [[Almost Perpetual Torque]] was composed in the fall of 2012 upon the request of Dr. [[Susan Powell]], professor and director of percussion studies at Ohio State University. The original premier performance was given at the [[Percussive Arts Society International Convention]] in 2012. Dr. Powell is internationally recognized for her virtuosic musicianship on the xylophone. Though not a strict variation form, this composition does have a similar structure in that there are a series of variation like character studies for the [[xylophone]] that are accompanied by the [[vibraphone]] and [[marimba]] intertwined in patterns that seem to constantly spiral either upward or downward as if in a constant state of tension or “torque.” | ||
| + | This piece has finally reached a point of completion in the fall of 2018 largely due to the persistence of Dr. [[Gregory Beyer]], professor and director of percussion at Northern Illinois University, who came to the 2012 premier performance and expressed sincere support for this work. His tremendously helpful advice both technically and musically, along with his assistance in bringing this composition to publication has been invaluable and is deeply appreciated by the composer. | ||
| − | + | The composition is written for a 4-octave [[xylophone]]. It is possible to perform this work on a 3-1/2 octave instrument with some octave shifts. Mallets should be chosen to allow for great clarity while also projecting a rich quality of timbre over the entire range. A softer orchestral mallet or a harder rubber mallet should be experimented with to choose the best option. | |
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=== Review === | === Review === | ||
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== Errata == | == Errata == | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| − | {{ | + | {{Deane, Christopher Works}}<br> |
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== Additional Resources == | == Additional Resources == | ||
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| − | [[Category: | + | [[Category: Mallet Ensemble Works]] |
| − | + | [[Category: Mallet Trio Works]] | |
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Latest revision as of 22:04, 25 November 2022
General Info
Year: 2021
Duration: 00:06:40
Difficulty: Intermediate
Publisher: C. Alan Publications
Series: The Vanguard Series
Cost: Score and Parts - $32.00 | Score Only - $0.00
Instrumentation
Player 1: Xylophone
Player 2: Vibraphone
Player 3: Marimba
Program Notes
Almost Perpetual Torque was composed in the fall of 2012 upon the request of Dr. Susan Powell, professor and director of percussion studies at Ohio State University. The original premier performance was given at the Percussive Arts Society International Convention in 2012. Dr. Powell is internationally recognized for her virtuosic musicianship on the xylophone. Though not a strict variation form, this composition does have a similar structure in that there are a series of variation like character studies for the xylophone that are accompanied by the vibraphone and marimba intertwined in patterns that seem to constantly spiral either upward or downward as if in a constant state of tension or “torque.”
This piece has finally reached a point of completion in the fall of 2018 largely due to the persistence of Dr. Gregory Beyer, professor and director of percussion at Northern Illinois University, who came to the 2012 premier performance and expressed sincere support for this work. His tremendously helpful advice both technically and musically, along with his assistance in bringing this composition to publication has been invaluable and is deeply appreciated by the composer.
The composition is written for a 4-octave xylophone. It is possible to perform this work on a 3-1/2 octave instrument with some octave shifts. Mallets should be chosen to allow for great clarity while also projecting a rich quality of timbre over the entire range. A softer orchestral mallet or a harder rubber mallet should be experimented with to choose the best option.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Solo Works
Dis Qui Etude – Vibraphone
Etude for a Quiet Hall – Marimba
In the Sea of Clouds – Marimba
Mourning Dove Sonnet – Vibraphone
Prelude I – Timpani
Sea of Clouds – Marimba
The Apocryphal Still Life – Vibraphone
The Process of Invention – Marimba
Three Shells – Marimba
Ensemble Works
Almost Perpetual Torque - Mallet Trio
Arcanical Plains - Percussion (12)
Marimba Quartet No. 2 - Sensing the Coriolis - Percussion Quartet - Marimba Quartet
Scavenger Music – Percussion Quintet
The Manes Scroll – Percussion (10)
Vespertine Formations – Percussion Quartet - Marimba Quartet
Additional Resources
References