Difference between revisions of "Cymbal"
Line 9: | Line 9: | ||
== Construction == | == Construction == | ||
+ | Since the mid-1600s cymbals have been made from an alloy of approximately 80% copper and 20% tin and often traces of silver. Due to the extremely brittle nature of tin, it has been determined that the method of mixing the metals is one of the key components in successful cymbal construction. | ||
+ | |||
+ | ===Cast=== | ||
+ | Castings of the aforementioned alloy that have been sorted by weight are transported through an oven with temperatures around fifteen-hundred degrees Fahrenheit. Once softened by the extreme heat, the castings are sent through two rollers that act to flatten, thin and enlarge them. This process can be repeated numerous times. Not only does this process begin shaping the cymbal, but it also ensures that the tin and copper is thoroughly mixed, creating a stronger plate. | ||
+ | |||
== History == | == History == | ||
== Sticks, Mallets, Beaters == | == Sticks, Mallets, Beaters == |
Revision as of 21:38, 8 December 2011
Today, the term cymbal refers to a large round metal plate with a hollowed center, however in the Middle Ages the term was also used for small bells. Cymbals are a concave plate of mixed alloys that can be played a number of different ways including struck by a stick or mallet and played against another cymbal[1].
Etymology and Alternative Spellings
Fr: cymbales; Ger: Becken; It: cinelli, piatti; Lat: cymbala; Sp: cimbalos [2].
The English word ‘’cymbal’’ is derived from the Latin term, ‘’cymbalum’’ and the Greek ‘’kymbalon,’’ both of which refer to a bowl, or drinking cup [3].
Construction
Since the mid-1600s cymbals have been made from an alloy of approximately 80% copper and 20% tin and often traces of silver. Due to the extremely brittle nature of tin, it has been determined that the method of mixing the metals is one of the key components in successful cymbal construction.
Cast
Castings of the aforementioned alloy that have been sorted by weight are transported through an oven with temperatures around fifteen-hundred degrees Fahrenheit. Once softened by the extreme heat, the castings are sent through two rollers that act to flatten, thin and enlarge them. This process can be repeated numerous times. Not only does this process begin shaping the cymbal, but it also ensures that the tin and copper is thoroughly mixed, creating a stronger plate.
History
Sticks, Mallets, Beaters
Technique
Grips
Stroke Style/Type
Manufacturers
Retailers
See Also
References
- ↑ “Beck, John, and John H. Beck, eds. 2007. Encyclopedia of percussion. 2nd ed. New York: Routledge.”
- ↑ “Beck, John, and John H. Beck, eds. 2007. Encyclopedia of percussion. 2nd ed. New York: Routledge.”
- ↑ “Beck, John, and John H. Beck, eds. 2007. Encyclopedia of percussion. 2nd ed. New York: Routledge.”