Difference between revisions of "Hespos, Hans-Joachim"

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== Biography ==
 
== Biography ==
Born: <br />
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Born: March 13, 1938<br />
  
 
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Country: Emden, Germany <br />
  
 
Studies:   
 
Studies:   
  
 
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Website: http://www.hespos.info/
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Born in 1938, hespos has since 1964 composed a huge number of works that are usually extreme even by the standards of the German New Music. Perhaps one of the most remarkable features of hespos' music is that there would seem to have been no discernible process of development of technique or alteration in concerns during the last thirty years. hespos writes as uncompromisingly today as he has always done and the unmediated forcefulness of his work remains almost without parallel even today.
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His scores, be they verbal, graphic, more conventionally notated or some combination thereof, always constitute incitements to action rather than instructions to be executed neutrally. Inspired by Adorno and Artaud, each composition forms itself unfettered during the act of composition. Thus each work of any length would hardly be analysable as an artistic object. In hespos' own words, he composes without knowing "whither it goes in the next moment, where it ends".
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This radical subjectivity should communicate itself to any audience of hespos' work, his aim being, to quote Artaud "To reach a point at which things must burst if there would be a new departure/beginning ... to lead the spirit to a frenzy, to a rising of its energies". <ref>[http://www.hespos.info/index.php?navi=content&id_area=1&level=1&npoint=106,0,0,0,0,0 Hans-Joachim Hespos Bio]</ref>
  
 
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Revision as of 15:26, 21 March 2013

File:Composername.jpg
Composer Name

Biography

Born: March 13, 1938

Country: Emden, Germany

Studies:

Teachers:

Website: http://www.hespos.info/



Born in 1938, hespos has since 1964 composed a huge number of works that are usually extreme even by the standards of the German New Music. Perhaps one of the most remarkable features of hespos' music is that there would seem to have been no discernible process of development of technique or alteration in concerns during the last thirty years. hespos writes as uncompromisingly today as he has always done and the unmediated forcefulness of his work remains almost without parallel even today.


His scores, be they verbal, graphic, more conventionally notated or some combination thereof, always constitute incitements to action rather than instructions to be executed neutrally. Inspired by Adorno and Artaud, each composition forms itself unfettered during the act of composition. Thus each work of any length would hardly be analysable as an artistic object. In hespos' own words, he composes without knowing "whither it goes in the next moment, where it ends".

This radical subjectivity should communicate itself to any audience of hespos' work, his aim being, to quote Artaud "To reach a point at which things must burst if there would be a new departure/beginning ... to lead the spirit to a frenzy, to a rising of its energies". [1]


Works for Percussion

References