Difference between revisions of "Hoffmann, Richard"

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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]]
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[[Image:composername.jpg|right|thumb|250px|Composer Name]]
[[Fred Hoey]]
 
  
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== Biography ==
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Born: April 20, 1925<br />
  
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Country: Vienna, Austria (citizen U.S.A. 1963) <br />
  
== General Info ==
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Studies: Auckland University (1945), University of California, Los Angeles 
  
'''Year''': 19 <br /-->
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Teachers: [[Arnold Schoenberg]]  
'''Duration''':  c. <br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
 
'''Publisher''': [[CPP/Belwin Southern]]<br /-->
 
'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
 
  
==Movements==
 
  
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RICHARD HOFFMANN was born in Vienna (1925), raised in New Zealand, where he emigrated in 1935, and
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settled in the United States in 1947. He began studying the violin at the age of 5 and had his first public
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performance (of an orchestral suite) when he was 10. After academic studies in New Zealand, he sent
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manuscripts to Arnold Schoenberg, who thereupon accepted him as a scholarship pupil. From his arrival until
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Schoenberg's death in 1951, Hoffmann worked closely with the great composer, becoming his amanuensis and
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secretary. Simultaneously, he began teaching and studying for his Ph.D. at U.C.L.A., and remained in teaching
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positions there until he moved to Oberlin (1953); he is now Associate Professor of Music of the Oberlin College
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Conservatory of Music.
  
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Out of Hoffmann's close association with Schoenberg grew his technique of composition which, though serial in
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method, uses tone-rows that are not necessarily dodecaphonic. In practice, every element of his music — the
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intervals, metres, rhythms, timbres and dynamics — is systematically organized.<ref>http://www.newworldrecords.org/uploads/file7MM_2.pdf</ref>
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== Instrumentation ==
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== Works for Percussion ==
[[Snare Drum]] <br>
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{{Hoffmann, Richard Works}}
 
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<!-- to edit the works list - Type in Search bar Template:Spencer, Julie Works for example -->
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<!-- Enter the composer's other works for percussion, unless they already exist as a template. Ex. [[Title]] - Percussion Quartet<br /> -->
Player I: <br>
 
Player II: <br>
 
Player III: <br>
 
Player IV: <br>
 
Player V: <br>
 
Player VI: <br>
 
Player VII: <br>
 
Player VIII: <br>    -->
 
 
 
== Program Notes ==
 
 
 
== Errata ==
 
 
 
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== Awards ==
 
 
 
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== Commercial Discography==
 
 
 
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==Recent Performances==
 
 
 
{{performances}}
 
 
 
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== Works for Percussion by this Composer ==
 
{{Hoey, Fred Works}}
 
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ie:  {{Becerra-Schmidt, Gustavo Works}}  -->
 
 
 
== Additional Resources ==
 
 
 
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== References ==
 
== References ==
 
<references/>
 
<references/>
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[[Category:Template]]
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[[Category:Composers]]
 
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[[Category:American Composers]]
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[[Category:Percussion Ensemble]]
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[[Category:Percussion Quartet]]
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[[Category:Percussion (4)]]
  
  
 
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Latest revision as of 14:18, 10 April 2013

File:Composername.jpg
Composer Name

Biography

Born: April 20, 1925

Country: Vienna, Austria (citizen U.S.A. 1963)

Studies: Auckland University (1945), University of California, Los Angeles

Teachers: Arnold Schoenberg



RICHARD HOFFMANN was born in Vienna (1925), raised in New Zealand, where he emigrated in 1935, and settled in the United States in 1947. He began studying the violin at the age of 5 and had his first public performance (of an orchestral suite) when he was 10. After academic studies in New Zealand, he sent manuscripts to Arnold Schoenberg, who thereupon accepted him as a scholarship pupil. From his arrival until Schoenberg's death in 1951, Hoffmann worked closely with the great composer, becoming his amanuensis and secretary. Simultaneously, he began teaching and studying for his Ph.D. at U.C.L.A., and remained in teaching positions there until he moved to Oberlin (1953); he is now Associate Professor of Music of the Oberlin College Conservatory of Music.

Out of Hoffmann's close association with Schoenberg grew his technique of composition which, though serial in method, uses tone-rows that are not necessarily dodecaphonic. In practice, every element of his music — the intervals, metres, rhythms, timbres and dynamics — is systematically organized.[1]

Works for Percussion

Changes for Chimes - Percussion Quartet

References