Difference between revisions of "Hoffmann, Richard"
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== Biography == | == Biography == | ||
− | Born: <br /> | + | Born: April 20, 1925<br /> |
<!-- Died: <br /> --> | <!-- Died: <br /> --> | ||
− | Country: | + | Country: Vienna, Austria (citizen U.S.A. 1963) <br /> |
− | Studies: | + | Studies: Auckland University (1945), University of California, Los Angeles |
− | Teachers: | + | Teachers: [[Arnold Schoenberg]] |
+ | |||
+ | ---------- | ||
+ | RICHARD HOFFMANN was born in Vienna (1925), raised in New Zealand, where he emigrated in 1935, and | ||
+ | settled in the United States in 1947. He began studying the violin at the age of 5 and had his first public | ||
+ | performance (of an orchestral suite) when he was 10. After academic studies in New Zealand, he sent | ||
+ | manuscripts to Arnold Schoenberg, who thereupon accepted him as a scholarship pupil. From his arrival until | ||
+ | Schoenberg's death in 1951, Hoffmann worked closely with the great composer, becoming his amanuensis and | ||
+ | secretary. Simultaneously, he began teaching and studying for his Ph.D. at U.C.L.A., and remained in teaching | ||
+ | positions there until he moved to Oberlin (1953); he is now Associate Professor of Music of the Oberlin College | ||
+ | Conservatory of Music. | ||
+ | |||
+ | Out of Hoffmann's close association with Schoenberg grew his technique of composition which, though serial in | ||
+ | method, uses tone-rows that are not necessarily dodecaphonic. In practice, every element of his music — the | ||
+ | intervals, metres, rhythms, timbres and dynamics — is systematically organized.<ref>http://www.newworldrecords.org/uploads/file7MM_2.pdf</ref> | ||
<!-- Enter the composer's biography here --> | <!-- Enter the composer's biography here --> | ||
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== Works for Percussion == | == Works for Percussion == | ||
− | {{ | + | {{Hoffmann, Richard Works}} |
<!-- Create a template for the composers works and input a title under this section ie: {{Spencer, Julie Works}} --> | <!-- Create a template for the composers works and input a title under this section ie: {{Spencer, Julie Works}} --> | ||
<!-- to edit the works list - Type in Search bar Template:Spencer, Julie Works for example --> | <!-- to edit the works list - Type in Search bar Template:Spencer, Julie Works for example --> | ||
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[[Category:Composers]] | [[Category:Composers]] | ||
− | + | [[Category:American Composers]] | |
+ | [[Category:Percussion Ensemble]] | ||
+ | [[Category:Percussion Quartet]] | ||
+ | [[Category:Percussion (4)]] | ||
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> |
Latest revision as of 14:18, 10 April 2013
Biography
Born: April 20, 1925
Country: Vienna, Austria (citizen U.S.A. 1963)
Studies: Auckland University (1945), University of California, Los Angeles
Teachers: Arnold Schoenberg
RICHARD HOFFMANN was born in Vienna (1925), raised in New Zealand, where he emigrated in 1935, and settled in the United States in 1947. He began studying the violin at the age of 5 and had his first public performance (of an orchestral suite) when he was 10. After academic studies in New Zealand, he sent manuscripts to Arnold Schoenberg, who thereupon accepted him as a scholarship pupil. From his arrival until Schoenberg's death in 1951, Hoffmann worked closely with the great composer, becoming his amanuensis and secretary. Simultaneously, he began teaching and studying for his Ph.D. at U.C.L.A., and remained in teaching positions there until he moved to Oberlin (1953); he is now Associate Professor of Music of the Oberlin College Conservatory of Music.
Out of Hoffmann's close association with Schoenberg grew his technique of composition which, though serial in method, uses tone-rows that are not necessarily dodecaphonic. In practice, every element of his music — the intervals, metres, rhythms, timbres and dynamics — is systematically organized.[1]
Works for Percussion
Changes for Chimes - Percussion Quartet
References