Difference between revisions of "Snared"

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You'll weave your way through various time signatures and tempos
 
You'll weave your way through various time signatures and tempos
 
with these Grade 2-4 pieces. A great addition to the novice / intermediate player's library of festival and audition repertoire.
 
with these Grade 2-4 pieces. A great addition to the novice / intermediate player's library of festival and audition repertoire.
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==Song List==
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1. Snared <br/>
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2. Befuddled <br/>
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3. Hijacked <br/>
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4. Captured <br/>
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5. Bambozled <br/>
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6. Entangled <br/>
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7. Hoodwinked <br/>
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8. Cornered <br/>
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9. Snaagged <br/>
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10. Hooked <br/>
  
 
==Performance Notes==
 
==Performance Notes==
Snared is a collection of 10 concert snare drum solos for the aspiring percussionist. When writing for younger players, I try to remember what it was like to be learning to play the snare drum: I wanted to have fun and play cool sounding pieces. With this collection, I’ve composed solos that I would’ve enjoyed playing when I was first starting out. Use them to explore musicality and expressive drumming, different sticking combina�tions, chops development, and creativity. These are concert style solos, but it is a good idea to learn them with open (double-stroke) rolls first to get the metering down, then move on to buzz rolls. <br/>
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Snared is a collection of 10 concert snare drum solos for the aspiring percussionist. When writing for younger players, I try to remember what it was like to be learning to play the snare drum: I wanted to have fun and play cool sounding pieces. With this collection, I’ve composed solos that I would’ve enjoyed playing when I was first starting out. Use them to explore musicality and expressive drumming, different sticking combinations, chops development, and creativity. These are concert style solos, but it is a good idea to learn them with open (double-stroke) rolls first to get the metering down, then move on to buzz rolls. <br/>
Solo #1 - Snared <br/>
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==Recent Performance==
Watch the stickings on this one. It should have a good groove throughout. <br/>
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1. [https://youtu.be/G3bbw47A_7o Snared] <br/>
Solo #2 - Befuddled <br/>
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2. [https://youtu.be/yZZ9jgZZ468 Befuddled] <br/>
My first drum teacher always said, “Anything you can do starting on the right hand, you should be able to do starting from the left.” Here’s your chance to give this a try. <br/>
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3. [https://youtu.be/ggOZOGP4ddE Hijacked] <br/>
Solo #3 - Entangled (grade II) <br/>
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4. [https://youtu.be/hZB7wTkIB1Q Captured] <br/>
Have fun with this one. Add some funny sound effects during the fermatas and in the rests between phrases. Maybe have a friend play the sounds for you. Be creative <br/>
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5. [https://youtu.be/Gmrzh2HfFLQ Bamboozled] <br/>
Solo #4 - Hijacked (grade III) <br/>
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6. [https://youtu.be/DEJjFFJ4jJ8 Entangled] <br/>
The left and right accents should be balanced. Rhythms for this piece were hijacked from composer [[William Kraft]]’s [[French Suite]]. <br/>
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7. [https://youtu.be/kXeeMVdBfbw Hoodwinked] <br/>
Solo #5 - Hoodwinked (grade III) <br/>
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8. [https://youtu.be/kSfUoK4jtLU Cornered] <br/>
The theme is presented in the first eight measures. Make sure that the audience can follow it throughout the variations.  <br/>
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9. [https://youtu.be/IqyCD6O-85o Snaagged] <br/>
Solo #6 - Cornered (grade III) <br/>
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10. [https://youtu.be/TFNEf7B3DWU Hooked] <br/>
Be careful not to rush when switching between triplets and eighth-notes, and watch the stickings. This one should have a very relaxed sound, but keep the eighth-notes straight and not swinging. <br/>
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Solo #7 - Snagged (grade IV) <br/>
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==Additional Resources==
This solo might seem to have some snags in it at first, but with a little practice it will sound pretty cool. Watch the beams — they can help with the phrasing once you get used to seeing them. <br/>
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{{Row-Loff Workshop Series}}
Solo #8 - Captured (grade IV) <br/>
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This one can also be played in a rudimental style with open rolls. It should sound like music from a movie soundtrack. <br/>
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==Reference==
Solo #9 - Hooked (grade IV) <br/>
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Play this with lots of energy. The repeated phrase heard in the first two beats should always be played clearly so it really hooks the listener into your performance. <br/>
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[[Category: Percussion Books]]
Solo #10 - Bamboozled (grade IV) <br/>
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[[Category: Method Books]]
Don’t be bamboozled by this one. Sometimes it sounds like 2/4 or 3/4 or 4/4 meter, but count carefully and don’t lose track of the 5/4 time signature. <br/>
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[[Category: Snare Drum Method Books]]

Latest revision as of 00:54, 19 November 2021

Dan Moore

General Info

Year of Published: 2013
Publisher: Row-Loff Productions
Series: Row-Loff Workshop Series
Level: Elementary to Intermediate
Cost: $ 12.00

Description

You'll weave your way through various time signatures and tempos with these Grade 2-4 pieces. A great addition to the novice / intermediate player's library of festival and audition repertoire.

Song List

1. Snared
2. Befuddled
3. Hijacked
4. Captured
5. Bambozled
6. Entangled
7. Hoodwinked
8. Cornered
9. Snaagged
10. Hooked

Performance Notes

Snared is a collection of 10 concert snare drum solos for the aspiring percussionist. When writing for younger players, I try to remember what it was like to be learning to play the snare drum: I wanted to have fun and play cool sounding pieces. With this collection, I’ve composed solos that I would’ve enjoyed playing when I was first starting out. Use them to explore musicality and expressive drumming, different sticking combinations, chops development, and creativity. These are concert style solos, but it is a good idea to learn them with open (double-stroke) rolls first to get the metering down, then move on to buzz rolls.

Recent Performance

1. Snared
2. Befuddled
3. Hijacked
4. Captured
5. Bamboozled
6. Entangled
7. Hoodwinked
8. Cornered
9. Snaagged
10. Hooked

Additional Resources

Row-Loff Workshop Series

Row-Loff Workshop Series

Uncommon Duos By Lalo Davila
Wandering By Dan Moore
The Orchemental Snare Collection By Edward Freytag & Keith Dudek
Timp-Tastic By Lalo Davila
Rhythmology for Snare Drum By John R. Hearnes & David England
Snared By Dan Moore
Multiplicity By Edward Freytag
The Cajón Companion By Tony Artimisi
Rhythmology II for Keyboards and Timpani By John R. Hearnes & David England

Reference