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  • ...speeds evoking a huge distant congregation murmuring a calm prayer in many voices.
    5 KB (794 words) - 00:44, 28 December 2021
  • 2 Female Voices (1 or more singers)
    3 KB (443 words) - 23:45, 29 June 2023
  • ...in the title) that can be heard throughout, initially heard in the opening voices and thread through the ensemble for the duration of the piece. This theme r
    4 KB (578 words) - 14:29, 18 November 2022
  • ...e percussion setups. The piece features strong themes throughout, with all voices painting a very well-orchestrated picture. The timpanist is featured both i
    2 KB (222 words) - 15:36, 6 June 2023
  • ...ing to an engaging mix of musical ideas. Calmer moments see the vibraphone voices featured in a lyrical fashion, while the "moto perpetuo" of the marimbas pr
    3 KB (364 words) - 03:17, 3 October 2022
  • Tim Ferchen is one of the most original voices in percussion composition as demonstrated by his Etudes for Marimba Vol. 1.
    5 KB (842 words) - 13:08, 22 May 2015
  • ...y catalogue is music for voice: solo voice, chamber opera, small groups of voices, small or large choirs, with and without orchestral or other kinds of accom
    7 KB (1,102 words) - 02:39, 26 January 2019
  • ...e Southwestern University Chamber Soloist, “Music of Donald Grantham” with Voices of Change (Centaur Records, Inc.) His most recent recording includes the mo
    2 KB (283 words) - 00:45, 25 November 2013
  • ...ard material with interjections of of arhythmic chaos from the percussinve voices. The piece flows in and out of groove oriented material that is provided by
    3 KB (507 words) - 13:30, 13 January 2019
  • ...If played as notated ([[xylophone]] and [[marimba]]), the distance between voices can be reduced by playing the [[marimba]] part an octave higher. If a low b
    2 KB (300 words) - 08:50, 12 November 2021
  • ...ontemplative, lowpitched marimba sound and ison - an ostinato held by male voices - were merged into a short modo archaico composition - N.J.Z.
    3 KB (476 words) - 10:52, 19 April 2016
  • ...women students only. There she composed several choral pieces for women's voices, including "The Christ-Child Lay on Mary's Lap". The poem, by G.K. Chestert
    4 KB (536 words) - 18:24, 8 June 2012
  • ...le. It opens with a 2/3 clave, systematically layers additional percussion voices on top, and establishes an audience-friendly groove before jumping into a t
    2 KB (208 words) - 02:04, 31 December 2021
  • ...percussion sections are featured independently, layered passages allow new voices and patterns to be introduced individually, and full ensemble passages are
    2 KB (214 words) - 04:48, 7 January 2022
  • 3 KB (438 words) - 04:51, 2 August 2018
  • 3 amplified Voices<br>
    4 KB (579 words) - 14:30, 14 June 2023
  • ...portion 3:2:1:3:1:2:3, which appears in various augmentations in the upper voices.
    708 bytes (86 words) - 02:09, 7 October 2022
  • ...n New York City. Though faint and crowded on all sides by urban noise, the voices of nature can still be heard in these woods. They suggested a music in whic
    3 KB (438 words) - 01:49, 19 December 2022
  • ...music of Alejandro Viñao (notably his use of multiple time in simultaneous voices), and my profound respect for Carl Sagan, which has grown significantly in
    3 KB (443 words) - 23:34, 19 April 2023
  • [[Speaking Voices]]<br>
    3 KB (413 words) - 23:23, 23 March 2013

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