Difference between revisions of "Ambience (Adams)"
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| − | [[ | + | [[Daniel Adams]] |
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<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
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== General Info == | == General Info == | ||
| − | '''Year''': <br /--> | + | '''Year''': 1988<br /--> |
| − | '''Duration''': c. <br /--> | + | '''Duration''': c. 8:15<br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| − | '''Publisher''': | + | '''Publisher''': [[HoneyRock]]<br /--> |
| − | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | + | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> |
==Movements== | ==Movements== | ||
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== Instrumentation == | == Instrumentation == | ||
| + | Player I - VII: [[wind chimes]](5 each of glass, metal, shell, wood & ceramic), [[conch shells]](3)<br> | ||
| − | |||
| − | |||
| − | |||
| + | <!--for copying and pasting | ||
| + | Player I: <br> | ||
| + | Player II: <br> | ||
| + | Player III: <br> | ||
| + | Player IV: <br> | ||
| + | Player V: <br> | ||
| + | Player VI: <br> | ||
| + | Player VII: <br> | ||
| + | Player VIII: <br> --> | ||
| − | == | + | == Program Notes == |
| + | premiere: 9 March 1991, Houston, Texas, Cambiata Soloists, Daniel Adams, director | ||
| − | |||
| + | ===Review=== | ||
| + | This is a minimalistic percussion ensemble for seven players, each with five sets of wind chimes (glass, metal, shell, wood, ceramic). Three players also use conch shells (blown). The eight-minute work is to be played at a constant p--mp dynamic level, with the sounds of the various wind chimes fading in and out with no apparent metric accentuation. The recommended physical setup calls for partial enclosure of the audience by four players, with the conch players as far behind the others as possible--the more widespread the spatial orientation the better. This work requires an understanding of the composer's intent plus a degree of individual dynamic control, and it is recommended as a contrasting "mood" piece on concerts by advanced high school or university percussion ensembles. - John Baldwin, December 1997<ref>http://www.pas.org/Learn/compresearch.aspx</ref> | ||
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| − | + | == Errata == | |
| + | <!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.--> | ||
| − | ==Awards== | + | == Awards == |
<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | <!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | ||
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== Commercial Discography== | == Commercial Discography== | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| + | {{Adams, Daniel works}}<br> | ||
| + | |||
| − | |||
| + | <!-- Enter the composer's other works for percussion. You may delete this text once this is done. | ||
| + | ie: {{Becerra-Schmidt, Gustavo Works}} --> | ||
== Additional Resources == | == Additional Resources == | ||
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<br /--> | <br /--> | ||
<br /--> | <br /--> | ||
| + | |||
| + | == References == | ||
| + | <references/> | ||
| + | <!-- Enter any resources...if there are none, enter this: {{none}} --> | ||
| + | |||
| + | <br /> | ||
| + | <br /> | ||
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| + | [[Category: Percussion Ensemble Works]] | ||
| + | [[Category: Percussion Septet Works]] | ||
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<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
<!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. --> | <!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. --> | ||
Latest revision as of 02:51, 29 September 2023
General Info
Year: 1988
Duration: c. 8:15
Difficulty: (see Ratings for explanation)
Publisher: HoneyRock
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Player I - VII: wind chimes(5 each of glass, metal, shell, wood & ceramic), conch shells(3)
Program Notes
premiere: 9 March 1991, Houston, Texas, Cambiata Soloists, Daniel Adams, director
Review
This is a minimalistic percussion ensemble for seven players, each with five sets of wind chimes (glass, metal, shell, wood, ceramic). Three players also use conch shells (blown). The eight-minute work is to be played at a constant p--mp dynamic level, with the sounds of the various wind chimes fading in and out with no apparent metric accentuation. The recommended physical setup calls for partial enclosure of the audience by four players, with the conch players as far behind the others as possible--the more widespread the spatial orientation the better. This work requires an understanding of the composer's intent plus a degree of individual dynamic control, and it is recommended as a contrasting "mood" piece on concerts by advanced high school or university percussion ensembles. - John Baldwin, December 1997[1]
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Solo
Reverberations - Timpani
Three Movements for Unaccompanied Marimba - Marimba
Variation sans theme - Snare Drum
Solo with Piano
Collage - Multiple Percussion; Piano
Solo with Ensemble
Camaraderie - Timpani; Percussion Septet
Isorhythmic Concerto - Multiple Percussion; Wind Ensemble
Protagonist - Tom-tom; Percussion Trio
Tamboo Bamboo - Steel Drum; Percussion Orchestra
Mallet Duo
Elusive Rounds - Glockenspiel Duo
Road Traversed and Reversed - Marimba Duo
Percussion Duo
Percussion Trio
Mallet Quartet
Percussion Quartet
Percussion Sextet
Percussion Septet
Percussion Octet
Large Percussion Ensemble
Two Antiphonal Portraits - Percussion Ensemble (12)
With Other Instruments
Between - Marimba; Flute
Concerto for Euphonium and Percussion Quintet - Percussion Quintet; Euphonium
Equipoise - Multiple Percussion; Saxophone
Focus - Vibraphone; Bassoon
Khromas Diabolus - Percussion Quintet; Trombone
Shadow on Mist - Multiple Percussion; Flute
Shadow on Mist (Ensemble) - Percussion Quintet; Flute
Syzygy - Marimba; Violin
Three Subtropical Vistas - Marimba, Vibraphone, Voice
Twilight Remembered - Multiple Percussion; Flute
Windward Passage - Marimba, Vibraphone, String Quartet
Books
Five Elementary Etudes - Multiple Percussion
Performance Studies for Two, Volume 1 - Snare Drum
Additional Resources
References