Born to Beat Wild: Difference between revisions

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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]]
[[Nebojsa Jovan Zivkovic]]
[[Nebojsa Jovan Zivkovic]]
<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.-->
== General Info ==
== General Info ==
 
'''Year of Published''': 2001<br /-->
'''Year''': <br /-->
'''Publisher''': [[Gretel]]<br /-->
'''Difficulty''': (see [[Ratings]] for explanation)<br /-->
'''Duration''':  c.<br /-->
'''Duration''':  c.<br /-->
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Cost''': Score and Parts - €18.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
'''Publisher''': [[Gretel]]<br /-->
'''Cost''': Score and Parts - $0.00  &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
 
==Movements==
 
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== Instrumentation ==
== Instrumentation ==
[[Marimba]] <br>
Player 1: [[Bass Drum]] <br>
Player 2: [[Trumpet]]<br>


[[Trumpet]]<br>
== Program Notes ==
duet for trumpet and large bass drum, played mostly with the hands.<br>
Wild and crazy piece and difficult for trumpet player. <br>
Commissioned by Evelyn Glennie and premiered in London's Wigmore hall together with Hakan Hardenberger.<ref>http://www.zivkovic.de/publishedworks.htm</ref><br>


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<Br>
Player I: <br>
Written down [by Nebojia Zivkovic] (as far as one can write it down at all) in just a couple of furious nights in February 2001, "Born To Beat wild"  was composed out of the "diplaced" sound-sketches, collected in my head (and soul) in pre-natal period, during  my childhood and also probably in most recent times. Some music is simply inside a man, and he carries it trough his whole life, - and possibly further.
Player II: <br>
Player III: <br>
Player IV: <br>
Player V: <br>
Player VI: <br>
Player VII: <br>
Player VIII: <br>    -->


== Program Notes ==
Or, it might be a musical "farewell" to my roots, conveyed in this particular piece by leaving one's origins (represented by the material at the beginning) and adding more and more new, and perhaps disturbing elements. Distorting the original sound from the "inner self"  is achieved with wilder and wilder runs, with uneven and increasingly unbridled rhythms from the Balkans.


The music is notated without barlines, although it is in certain realtively determined metres. Born to beat wild  is a musical dialogue, which allows the performers to combine written and (in some parts) spontaneously improvised material. Musically speaking, - it is a permanent crescendo, a constant increasing of the energy, that climaxes in extremes on both sides.<ref>http://www.steveweissmusic.com/product/33379/</ref>


== Errata ==
== Errata ==
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== Works for Percussion by this Composer ==
== Works for Percussion by this Composer ==
{{Zivkovicworks}}<br>
{{Zivkovic, Nebojsa Jovan Works}}<br>


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ie:  {{Becerra-Schmidt, Gustavo Works}}  -->


== Additional Resources ==
== Additional Resources ==
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<br />
<br />


[[Category:Template]]
[[Category: Bass Drum Works]]
 
[[Category: Trumpet Works]]
 
 
 
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories  -->
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Latest revision as of 03:39, 13 September 2026

Nebojsa Jovan Zivkovic

General Info

Year of Published: 2001
Publisher: Gretel
Difficulty: (see Ratings for explanation)
Duration: c.
Cost: Score and Parts - €18.00   |   Score Only - $0.00

Instrumentation

Player 1: Bass Drum
Player 2: Trumpet

Program Notes

duet for trumpet and large bass drum, played mostly with the hands.
Wild and crazy piece and difficult for trumpet player.
Commissioned by Evelyn Glennie and premiered in London's Wigmore hall together with Hakan Hardenberger.[1]


Written down [by Nebojia Zivkovic] (as far as one can write it down at all) in just a couple of furious nights in February 2001, "Born To Beat wild" was composed out of the "diplaced" sound-sketches, collected in my head (and soul) in pre-natal period, during my childhood and also probably in most recent times. Some music is simply inside a man, and he carries it trough his whole life, - and possibly further.

Or, it might be a musical "farewell" to my roots, conveyed in this particular piece by leaving one's origins (represented by the material at the beginning) and adding more and more new, and perhaps disturbing elements. Distorting the original sound from the "inner self" is achieved with wilder and wilder runs, with uneven and increasingly unbridled rhythms from the Balkans.

The music is notated without barlines, although it is in certain realtively determined metres. Born to beat wild is a musical dialogue, which allows the performers to combine written and (in some parts) spontaneously improvised material. Musically speaking, - it is a permanent crescendo, a constant increasing of the energy, that climaxes in extremes on both sides.[2]

Errata

Awards

Commercial Discography

Recent Performances

To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

Xylophone Solo

Der kleine Paganini

Vibraphone Solo

Suomineito

Marimba Solo

ANBA (tanz der kleinen schwarzen Hexe)
Andante for Uta
Bayerscher Ländler
Drei Phantastische Lieder (Three Fantastic Songs)
Drei Unverbindliche Stücke (3 Unforgettable Pieces)
Ein Liebeslied?
Fluctus, op.16
Il canto dei gondolieri
Ilijas
Les Violons Morts
Macedonia
Song for Simone
Tensio, op.11
Ultimatum 1
Valse Serbe für Marimba und Klavier
Walzer for Herbert

Timpani Solo

Cadenza für 5 timpani

Multiple Percussion Solo

"Generally spoken it's nothing by rhythm"
Castle of the Mad King
Collateral Damage
CTPAX: STRAH, op.12
Quasi Una Sonata

Drumset Solo

Das Innere des Schweigens - Drum Set; with tape; Voice; Actors

With Other Instruments

Born to Beat Wild - Bass Drum; Trumpet
In Erinnerungen Schwebend - Vibraphone; Flutes (3)
Sta Vidis - Marimba; Male Chorus
To the Gods of Rhythm - Djembe; Voice

Concertos

Concerto No. 1 per marimbafono e orchestra - Marimba; Orchestra
Concerto No. 2 per marimbafono e orchestra - Marimba; Orchestra
Percussion Concerto No. 1, Opus 28 (Concerto of the Mad Queen) - Multiple Percussion; Orchestra
Percussion Concerto No. 2, Opus 33 - Multiple Percussion; Orchestra
Pezzo Da Concerto No. 1 - Snare Drum
Tales from the Center of the Earth - Multiple Percussion; Wind Ensemble

Ensemble

Die Arten Des Wassers - Percussion Duo; Pianos (2)
Lamento e Danza Barbara - Marimba; Percussion Trio
Quintetto per cinque solisti - Marimba Quartet; Percussion
Sandy - 3 Players
Sex in the Kitchen - 2 Players
Tak-Nara, Op.36 - 4 Players
Trio per Uno - 3 Players
Ultimatum II - 2 Players
Uneven Souls (Sta vidis II), op. 22 - Marimba; Percussion Trio
Zwischen Tag und Nacht - 6 Players


Additional Resources



References

  1. ↑ http://www.zivkovic.de/publishedworks.htm
  2. ↑ http://www.steveweissmusic.com/product/33379/



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