Difference between revisions of "Prelude 1.5 for Timpani"
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== General Info == | == General Info == | ||
− | '''Year''': | + | '''Year''': 2014<br /--> |
− | '''Duration''': c. <br /--> | + | '''Duration''': c. 10:00<br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[Publisher]]<br /--> | '''Publisher''': [[Publisher]]<br /--> | ||
− | '''Cost''': Score and Parts - $ | + | '''Cost''': Score and Parts - $15.00 | Score Only - $0.00<br /--> |
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== Program Notes == | == Program Notes == | ||
+ | Prelude 1.5 was conceived after writing two shorter, unpublished preludes for solo timpani (thus the title 1.5). The piece is a contrast in minimalistic ideas and harmonic intentions inspired by J.S. Bach. After an introduction of rising fourths, a minimalistic and computer-like idea is contrasted with interjecting long tones starting from the fourth. Later, the idea of a prelude begins to find greater focus as the timpani outlines changing harmonic patterns. This idea is modulated into a fervent new section in the key of D major. This new section propels into an odd waltz filled with irregular rhythms, accents, and technical challenges. After a brief pause, the waltz section repeats with subtle variations and a timbre change. The prelude idea returns the piece back to its opening motive of rising fourths. For the coda, the 2nd minimalistic idea is superimposed over long tones as the piece finds a quiet resolution. This piece is dedicated to Marc Damoulakis. | ||
+ | I would like to express my gratitude to Nick Phillips at Innovative Percussion who helped me realize this project. | ||
=== Review === | === Review === |
Latest revision as of 10:42, 6 April 2018
General Info
Year: 2014
Duration: c. 10:00
Difficulty: (see Ratings for explanation)
Publisher: Publisher
Cost: Score and Parts - $15.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
Prelude 1.5 was conceived after writing two shorter, unpublished preludes for solo timpani (thus the title 1.5). The piece is a contrast in minimalistic ideas and harmonic intentions inspired by J.S. Bach. After an introduction of rising fourths, a minimalistic and computer-like idea is contrasted with interjecting long tones starting from the fourth. Later, the idea of a prelude begins to find greater focus as the timpani outlines changing harmonic patterns. This idea is modulated into a fervent new section in the key of D major. This new section propels into an odd waltz filled with irregular rhythms, accents, and technical challenges. After a brief pause, the waltz section repeats with subtle variations and a timbre change. The prelude idea returns the piece back to its opening motive of rising fourths. For the coda, the 2nd minimalistic idea is superimposed over long tones as the piece finds a quiet resolution. This piece is dedicated to Marc Damoulakis.
I would like to express my gratitude to Nick Phillips at Innovative Percussion who helped me realize this project.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
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Works for Percussion by this Composer
A Christmas Overture - 12 - 16 Players
The Big Bob Special - Xylophone, Mallet Quartet
Big Bob's Return - Xylophone Duet, Mallet Quartet
Copper Wire - Timpani, Electronics
Divertissement - Timpani, Percussion Quartet
Fanfares No. 1 and No. 2 for Timpani - Timpani
Five Intermediate Pieces for Timpani - Timpani
Improvvisato Contrasto - Timpani
Mean Man's March - Xylophone, Mallet Quintet
Prelude 1.5 for Timpani - Timpani
Rhapsody No. 1 for Timpani - Timpani, Percussion Trio
Rhapsody No. 2 for Timpani - Timpani
Structure Set - Percussion Sextet
Tanc Szervusz - Xylophone Duet, Mallet Quintet
Additional Resources
References