Harmonic Rhythm: Difference between revisions
(Created page with "{{subst:Works}}") |
No edit summary |
||
| Line 1: | Line 1: | ||
[[ | [[Russell Peck]] | ||
<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
| Line 9: | Line 9: | ||
'''Duration''': c. <br /--> | '''Duration''': c. <br /--> | ||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[ | '''Publisher''': [[Pecktackular]]<br /--> | ||
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
| Line 19: | Line 19: | ||
== Instrumentation == | == Instrumentation == | ||
[[Timpani]] (5)<br> | |||
[[Orchestra]]<br> | |||
| Line 37: | Line 40: | ||
=== Review === | === Review === | ||
In the year 2000 a timpani wave was started by Jim Brown, Principal Timpanist of the Savannah Symphony Orchestra and composer Russell Peck. I am speaking of “Harmonic Rhythm,” a concerto for timpani and orchestra performed by 39 orchestras. The concerto opens with a crescendoed low-D roll, which leads into a massive statement by the orchestra, setting the stage for what is to follow--much like a curtain opening for a play. There are four sections to the composition: Section I is melodic and centers around the development of the melodic material. Section II is quite rhythmic and climaxes in a technical display of three-mallet playing. Section III is slow and uses such effects as dead strokes, brushes and wood mallets. Section IV returns to a more rapid rhythmic display with a brief harmonic quasi cadenza that leads to a dramatic ending. The concerto is written for four standard pedal drums plus a piccolo drum that may be the hand-tuned type. Besides the orchestration there is a piano reduction that would be perfect for a percussion recital. “Harmonic Rhythm” represents not only the rhythmic and dynamic qualities of timpani but also their melodic qualities. Peck understands the instrument both for its potential and its limits. I can’t help but think that Jim Brown helped a bit here. From the opening roll to the thundering ending, Peck challenges the player musically and technically and has composed a concerto with rewards for the performer and audience. - John H. Beck<reF>http://www.pas.org/resources/research/research-compositions</ref> | |||
| Line 65: | Line 70: | ||
== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
{{ | {{Peck, Russell Works}}<br> | ||
| Line 86: | Line 91: | ||
<br /> | <br /> | ||
[[Category: | [[Category:Solo Works]] | ||
[[Category:Timpani Works]] | |||
[[Category:Concerto Works]] | |||
[[Category:Timpani Concerto Works]] | |||
[[Category:Timpani Concerto With Orchestra Works]] | |||
[[Category:Orchestra Works]] | |||
Revision as of 16:03, 3 August 2018
General Info
Year: 20
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: Pecktackular
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Timpani (5)
Program Notes
Review
In the year 2000 a timpani wave was started by Jim Brown, Principal Timpanist of the Savannah Symphony Orchestra and composer Russell Peck. I am speaking of “Harmonic Rhythm,” a concerto for timpani and orchestra performed by 39 orchestras. The concerto opens with a crescendoed low-D roll, which leads into a massive statement by the orchestra, setting the stage for what is to follow--much like a curtain opening for a play. There are four sections to the composition: Section I is melodic and centers around the development of the melodic material. Section II is quite rhythmic and climaxes in a technical display of three-mallet playing. Section III is slow and uses such effects as dead strokes, brushes and wood mallets. Section IV returns to a more rapid rhythmic display with a brief harmonic quasi cadenza that leads to a dramatic ending. The concerto is written for four standard pedal drums plus a piccolo drum that may be the hand-tuned type. Besides the orchestration there is a piano reduction that would be perfect for a percussion recital. “Harmonic Rhythm” represents not only the rhythmic and dynamic qualities of timpani but also their melodic qualities. Peck understands the instrument both for its potential and its limits. I can’t help but think that Jim Brown helped a bit here. From the opening roll to the thundering ending, Peck challenges the player musically and technically and has composed a concerto with rewards for the performer and audience. - John H. Beck[1]
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Harmonic Rhythm - Timpani; Orchestra
In the Garden - Drum Set; Organ
Lift-Off - Percussion Trio
Lion's Breath - Multiple Percussion; Double Bass
The Glory and the Grandeur - Percussion Trio; Orchestra
Additional Resources
References