LCM Grade 3 Orchestral Percussion

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General Info

Component 1 - Technical Works
Component 2 - Performance
Component 3 - Viva Voce
Component 4 - Sight Reading
Component 5 - Aural

Snare Drum Song List

Item Song Composer / Arranger Publications Publisher
1 Systems Jack Richards LCM Snare Drum Grades 3-4 Stainer & Bell
2 Threeway Jack Richards LCM Snare Drum Grades 3-4 Stainer & Bell
3 Study Tony Stockley LCM Snare Drum Grades 3-4 Stainer & Bell
4 Hi Low March Tony Stockley LCM Snare Drum Grades 3-4 Stainer & Bell
5 Latin Lilt Brian Stone LCM Snare Drum Grades 3-4 Stainer & Bell
6 Sham Roll Brian Stone LCM Snare Drum Grades 3-4 Stainer & Bell
7 Rosewood Tango Carol Barratt Bravo! Percussion (Book 2) Boosey & Hawkes
8 The Stickler Carol Barratt Bravo! Percussion (Book 2) Boosey & Hawkes
9 William Tell Overture Curnow Alan FIRST RECITAL SERIES (Snare Drum) Curnow Music
10 Having a Ball Aidan Geary Snare-Tastic Southern Percussion
11 Eureka! Aidan Geary Snare-Tastic Southern Percussion
12 Roll on Friday Keith Bartlett 50 Short Pieces For Snare Drum United Music Publishing
13 Norwegian Dance Curnow Alan FIRST RECITAL SERIES (Snare Drum) Curnow Music
14 Right Away Brian Slawson Dynamic Solos for Snare Drum Alfred Music
15 Bolerolo Aidan Geary Multi-Perc-Tastic Southern Percussion

Timpani Song List

Item Song Composer / Arranger Publications Publisher
1 Study Jack Richards LCM Timpani Grades 1-5 Stainer & Bell
2 Proudly Go Brian Stone LCM Timpani Grades 1-5 Stainer & Bell
3 Jiggery Brian Stone LCM Timpani Grades 1-5 Stainer & Bell
4 Hinson's Hit Aidan Geary Timp-Tastic (Geary) Southern Percussion
5 Solo 1 Salvatore Rabbio Contest & Recital Solos for Timpani Alfred Music
6 Chanson Triste Ann Lindsay FIRST RECITAL SERIES (Timpani) Curnow Music
7 Pop Gun Brian Slawson Dynamic Solos for Timpani Alfred Music
8 Fiesta Matthew Hardy Concert and Audition Pieces for the Young Percussionist Southern Percussion
9 Etude 4 / 5 Kirk J Gay Pedal to the Kettle Tapspace
10 Solo Study 2 Garwood Whaley Primary Handbook for Timpani Meredith Music
11 Tally Ho James Letham Timpani Temptations Southern Percussion
12 Intrada (Not Dance) James Letham Timpani Temptations Southern Percussion

Tuned Percussion Song List

Item Song Composer / Arranger Publications Publisher
1 Sandyford Down David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
2 Orford Lighthouse David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
3 Five for Tea David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
4 Pavlov's Dogs David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
5 Samba David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
6 Cleo II David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
7 Study No. 1 David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
8 Study No. 2 David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
9 Study No. 3 David Hext LCM Tuned Percussion Grades 3-4 Stainer & Bell
10 Bees in a Bottle Carol Barratt Bravo! Percussion (Book 2) Boosey & Hawkes
11 Firestones Carol Barratt Bravo! Percussion (Book 1) Boosey & Hawkes
12 Grandfather's Clock Michael Hannickel FIRST RECITAL SERIES (Mallet Percussion) Curnow Music
13 Funeral March of a Marionette Ann Lindsay FIRST RECITAL SERIES (Mallet Percussion) Curnow Music

Technical Works

Technical Works

Technical Requirements
Instrument List Publications Memory
Snare Drum Single Stroke Roll Rudiment
Double Stroke Roll
Paradiddles
Flams
Drags
Ruffs Rudiment numbering
Five Stroke Roll
Seven Stroke Roll
Nine Stroke Roll
Flam Accent
Flamacue
Flam Tap
LCM Snare Drum Grades 3-4 All requirements should be played from memory.
Timpani Tuning one timpani to given note and another timpani to either a perfect 4th or perfect 5th above the given note
Nil Nil
Tuned Percussion B♭ & E♭ & A Major Scales (One Octave)
F♯ & G & C Harmonic Minor (1 Octave) with ♩ = 80
D & B & G Melodic Minor (1 Octave) with ♩ = 80
Chromatic Starting on C with ♩ = 80
B♭ & E♭ Major Arpeggios (1 Octave) with ♪ = 160
C and G Minor Arpeggios (1 Octave) with ♪ = 160
LCM Tuned Percussion Grades 3 & 4 All requirements should be played from memory.

Discussion

The examiner will ask questions on areas covered in previous grades, plus common musical terms and signs as found in the pieces played. All as occurring in the music performed. In addition the candidate should know names of the parts of the instrument.

Sight Reading

The candidate will be asked to play a short piece of a standard appropriate to the grade. Two examples are given in the handbook. Up to one minute’s preparation time will be allowed to study the test before playing, during which the candidate may try parts of the test if they wish.

Aural Test

Rhythm

  • A short harmonised passage, of approximately 8 bars in length, will be played. The passage will be in @6/8 time. Candidates will be asked to beat (conduct) time, with a clear beat-shape (conducting pattern), 2 beats in the bar (not 6 beats in the bar), in time with the examiner’s playing, as the examiner plays the passage again.
  • The candidate will be shown three lines of music (marked 1, 2 and 3), each of which will contain four individual bars of music in 6/8 time (marked a, b, c and d). The examiner will indicate which line of music is being used. One of the bars on that line will be played, twice. Candidates will be asked to indicate which bar (a, b, c or d) has been played.

Pitch

  • An interval will be played twice, once with the pitches sounded successively, and once with the pitches sounded together. The interval will be restricted to the following: major 2nd, major 3rd, perfect 4th, perfect 5th. Candidates will be asked to identify the interval, by numerical value only (2nd, 3rd, 4th, 5th).
  • The key-chord of a major or minor key (C, G, D, F and B major; A and E minor only) will be played, and the key stated. A short unharmonised melody, in the same key, of approximately 3 bars in length, will be played, twice. Rhythms will be limited to crotchets, quavers, minims, dotted minims and semibreves. Candidates will be asked to sing back the melody.

Reference