Difference between revisions of ""... the serpent-snapping eye""
Rubyng2004 (talk | contribs) |
|||
| (One intermediate revision by one other user not shown) | |||
| Line 19: | Line 19: | ||
== Instrumentation == | == Instrumentation == | ||
| − | + | Player 1: [[glockenspiel]], [[vibraphone]], [[marimba]], [[crotales]], [[bass drum]], etc.<Br> | |
| − | + | Player 2: [[piano]]<br> | |
| − | [[piano]] | + | Player 3: [[trumpet]]<br> |
| − | [[trumpet]]<br> | ||
[[tape]]<br> | [[tape]]<br> | ||
| Line 72: | Line 71: | ||
== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| − | {{Reynolds, | + | {{Reynolds, RogerWorks}}<br> |
Latest revision as of 04:02, 25 July 2023
General Info
Year: 1979
Duration: c. 17:50
Difficulty: (see Ratings for explanation)
Publisher: PetersCF
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Player 1: glockenspiel, vibraphone, marimba, crotales, bass drum, etc.
Player 2: piano
Player 3: trumpet
tape
Program Notes
First performance: 31 January 1979
Mandeville Center for the Arts, La Jolla, Sonor Ensemble,
Edwin Harkins, Trumpet, Jean-Charles François, Percussion, Cecil Lytle, Piano
National Endowment for the Arts Award
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
"... the serpent-snapping eye" - Multiple Percussion, Trumpet, Piano, with Tape
"...from behind the unreasoning mask" - Multiple Percussion, Trombone, with Tape
Autumn Island (Islands from Archipelago: II) - Marimba
Less than Two - Percussion Duo, Piano, with Tape
Sanctuary - Percussion Quartet, with Electronics, with Lighting
Sanctuary Part I: Chatter/Clatter - Multiple Percussion, with Electronics
Sanctuary Part II: Oracle - Percussion Quartet, with Electronics, with Lighting
Watershed I - Multiple Percussion
Watershed III - Multiple Percussion, Orchestra; Optional real-time computer sound spatialization
Watershed IV - Multiple Percussion, Real-time computer sound spatialization
Additional Resources
References