Difference between revisions of "A Mao"
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== General Info == | == General Info == | ||
− | '''Year''': | + | '''Year''': 1992<br /--> |
'''Duration''': c. 5:30 <br /--> | '''Duration''': c. 5:30 <br /--> | ||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
− | '''Publisher''': [[ | + | '''Publisher''': [[Manuscript]]<br /--> |
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
− | |||
==Movements== | ==Movements== | ||
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== Program Notes == | == Program Notes == | ||
+ | A Mao is a rhythmic composition that thoroughly explores the complexities of syncopations. The electronic sounds are both acoustic percussion instruments as well as synthesized tones. These sounds provide a wonderful counterplay to the marimba line, producing a groove and pulse for which the marimba's rhythms play with and against. The overall harmonic progression also adds to the tension as he explores the tonal flavors of several scales and modes throughout the piece. Overall the audience will enjoy a fun exploration of rhythm and groove. | ||
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===Online Recordings=== | ===Online Recordings=== | ||
− | + | <embedvideo service="youtube">https://www.youtube.com/watch?v=cb0pIEspFnY&feature=share&fbclid=IwAR1Koxsxc7FukqjSN-YWsryprw8bDHNfPOcxSh1_jI1ndUGhSrb7xDsgfGg</embedvideo> | |
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
− | {{ | + | {{Marquez, Arturo Works}}<br> |
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[[Category:Electronics Works]] | [[Category:Electronics Works]] | ||
[[Category:Amplified Works]] | [[Category:Amplified Works]] | ||
− | + | [[Category:4.0 Octave Range Works]] | |
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Latest revision as of 02:17, 3 November 2022
General Info
Year: 1992
Duration: c. 5:30
Difficulty: (see Ratings for explanation)
Publisher: Manuscript
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Program Notes
A Mao is a rhythmic composition that thoroughly explores the complexities of syncopations. The electronic sounds are both acoustic percussion instruments as well as synthesized tones. These sounds provide a wonderful counterplay to the marimba line, producing a groove and pulse for which the marimba's rhythms play with and against. The overall harmonic progression also adds to the tension as he explores the tonal flavors of several scales and modes throughout the piece. Overall the audience will enjoy a fun exploration of rhythm and groove.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Additional Resources
References