Difference between revisions of "Bach for Solo Marimba"
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| − | [[ | + | [[Anthony Cirone]] & [[Tammy Chen]] |
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'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[Title Publisher]]<br /--> | '''Publisher''': [[Title Publisher]]<br /--> | ||
| − | '''Cost''': | + | '''Cost''': $15.95<br /--> |
==Movements== | ==Movements== | ||
| − | + | Giga from Partita No. 3<br /--> | |
| − | < | + | Double #1 from Partita No. 1<br /--> |
| − | + | Giga from Partita No. 2<br /--> | |
| + | Presto from Sonata No. 1<br /--> | ||
| + | Allegro from Sonata No. 2<br /--> | ||
| + | Allemanda from Partita No. 2<br /--> | ||
| + | Preludio from Partita No. 3<br /--> | ||
| + | Allegro Assai from Sonata No. 3<br /--> | ||
| + | Menuetto I. from Partita No. 3<br /--> | ||
| + | Menuetto II. From Partita No. 3<br /--> | ||
| + | Corrente from Partita No. 1<br /--> | ||
| + | Bourrѐe from Partita No. 3<br /--> | ||
| + | Bourrѐe from Partita No. 1<br /--> | ||
| + | Gavotte en Rondeau from Partita No. 3<br /--> | ||
| + | Corrente from Partita No. 2<br /--> | ||
| + | Largo from Sonata No. 3<br /--> | ||
| + | Double #2 from Partita No. 1<br /--> | ||
| + | Double #4 from Partita No. 1<br /--> | ||
| + | Sarabanda from Partita No. 2<br /--> | ||
| + | Double #3 from Partita No. 1<br /--> | ||
| + | Fuga from Sonata No. 1<br /--> | ||
| + | Andante from Sonata No. 2<br /--> | ||
| + | Cantabile from Sonata No. 1<br /--> | ||
| + | Siciliano from Sonata No. 1<br /--> | ||
| + | Ciaccona from Partita No. 2<br /--> | ||
== Instrumentation == | == Instrumentation == | ||
| − | + | [[Marimba]] | |
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== Program Notes == | == Program Notes == | ||
| + | Although many of the greatest composers from the Baroque, Classical, and Romantic periods did not write for marimba, their works are still available and are perfectly suited for this instrument. Many of these works were written for [[violin]] and contain bowings and fingerings that assist in the stylistic interpretation for [[violin]] but do not apply to [[marimba]]. To that end, [[Tammy Chen]] has arranged a collection of outstanding pieces that work perfectly for [[marimba]]. To aid the performer in developing a musical interpretation of these master works, she added stylistic markings including phrasing, articulations and musical directives. | ||
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===Online Recordings=== | ===Online Recordings=== | ||
| − | + | <embedvideo service="youtube">https://www.youtube.com/watch?v=vBes6hBYtDI</embedvideo> | |
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| − | {{ | + | {{Chen, Tammy Works}}<br> |
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== Additional Resources == | == Additional Resources == | ||
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<br /> | <br /> | ||
| − | [[Category: | + | [[Category: Solo Works]] |
| − | + | [[Category: Marimba Works]] | |
| + | [[Category: Keyboard Percussion Examination Materials]] | ||
Revision as of 23:08, 16 June 2022
General Info
Year: 20
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: Title Publisher
Cost: $15.95
Movements
Giga from Partita No. 3
Double #1 from Partita No. 1
Giga from Partita No. 2
Presto from Sonata No. 1
Allegro from Sonata No. 2
Allemanda from Partita No. 2
Preludio from Partita No. 3
Allegro Assai from Sonata No. 3
Menuetto I. from Partita No. 3
Menuetto II. From Partita No. 3
Corrente from Partita No. 1
Bourrѐe from Partita No. 3
Bourrѐe from Partita No. 1
Gavotte en Rondeau from Partita No. 3
Corrente from Partita No. 2
Largo from Sonata No. 3
Double #2 from Partita No. 1
Double #4 from Partita No. 1
Sarabanda from Partita No. 2
Double #3 from Partita No. 1
Fuga from Sonata No. 1
Andante from Sonata No. 2
Cantabile from Sonata No. 1
Siciliano from Sonata No. 1
Ciaccona from Partita No. 2
Instrumentation
Program Notes
Although many of the greatest composers from the Baroque, Classical, and Romantic periods did not write for marimba, their works are still available and are perfectly suited for this instrument. Many of these works were written for violin and contain bowings and fingerings that assist in the stylistic interpretation for violin but do not apply to marimba. To that end, Tammy Chen has arranged a collection of outstanding pieces that work perfectly for marimba. To aid the performer in developing a musical interpretation of these master works, she added stylistic markings including phrasing, articulations and musical directives.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Additional Resources
References