Difference between revisions of "Fünfzehn Etüden"

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== General Info ==
 
== General Info ==
  
'''Year''': <br /-->
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'''Year''': 1984 <br /-->
 
'''Duration''':  c. <br /-->
 
'''Duration''':  c. <br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Publisher''':  <br /-->
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'''Publisher''': Zimmerman <br /-->
 
'''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
 
'''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
  
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== Instrumentation ==
 
== Instrumentation ==
  
Player I:<br /-->
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snare drums(2)<br /-->
Player II:<br /-->
 
Player III:<br /-->
 
Player IV:<br /-->
 
  
  
 
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<!-- Use the above format for entering instrumentation for chamber works or pieces with multiple performers. Make sure you use a line break <nowiki>( <br /> )</nowiki> at the end of each line to achieve the desired effect (a vertical list, view any composition page for an example). If you do not know the instrumentation, you can enter {{help}} instead. You may delete this text once this is done.-->
 
  
 
== Errata ==
 
== Errata ==
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== Program Notes ==
 
== Program Notes ==
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Remember those nice, functional Morris Goldenberg duets from that enduring "bible" of percussion The Modern School for Snare Drum we all played in beginning our percussion careers? Add a little mixed meter and some rolls here and there and viola-Karl Banos' Funfzehn Etuden from Siegfried Fink's Duo for Percussion published by Musikverlag Zimmerman in Frankfurt. The publication format itself is in actuality a teacher's edition/student text in that the publisher provides us with a "score" of Kleine Trommel I and 11, and then a separate part only for the first snare drummer (top line of the fifteen duets included). Nothing strikingly different or difficult here for that matter-but thankfully the classical snare drum gets serious treatment for a change in some "medium difficulty" duets. Most conceivable time signatures (including 7/4 and 5/8 are included, with refreshingly abnormal mixes of misplaced (read: offbeat) accents, rolls, and embellishments. "Funfzehn Etuden" would make excellent upper level sightreading exercises, or playable as weekly high school percussionist assignments. The quality of paper, print, and hard binding is typically flawless-as expected from this German publisher.
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Reviewed By:  Larry White
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Review Originally Published:  February 1992
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<!-- Enter program notes...if there are none, enter this: {{help}}  You may delete this text once this is done. -->
 
<!-- Enter program notes...if there are none, enter this: {{help}}  You may delete this text once this is done. -->
 
  
 
==Awards==
 
==Awards==

Latest revision as of 11:57, 10 February 2012

Karl Bartos


General Info

Year: 1984
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: Zimmerman
Cost: Score and Parts - $0.00   |   Score Only - $0.00

Movements

Instrumentation

snare drums(2)


Errata

Program Notes

Remember those nice, functional Morris Goldenberg duets from that enduring "bible" of percussion The Modern School for Snare Drum we all played in beginning our percussion careers? Add a little mixed meter and some rolls here and there and viola-Karl Banos' Funfzehn Etuden from Siegfried Fink's Duo for Percussion published by Musikverlag Zimmerman in Frankfurt. The publication format itself is in actuality a teacher's edition/student text in that the publisher provides us with a "score" of Kleine Trommel I and 11, and then a separate part only for the first snare drummer (top line of the fifteen duets included). Nothing strikingly different or difficult here for that matter-but thankfully the classical snare drum gets serious treatment for a change in some "medium difficulty" duets. Most conceivable time signatures (including 7/4 and 5/8 are included, with refreshingly abnormal mixes of misplaced (read: offbeat) accents, rolls, and embellishments. "Funfzehn Etuden" would make excellent upper level sightreading exercises, or playable as weekly high school percussionist assignments. The quality of paper, print, and hard binding is typically flawless-as expected from this German publisher.

Reviewed By: Larry White

Review Originally Published: February 1992






Awards

Commercial Discography

Recent Performances

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Works for Percussion by this Composer

Additional Resources