Difference between revisions of "Fantasia for Bar Percussion Instruments"
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 1993<br /--> |
| − | '''Duration''': c. <br /--> | + | '''Duration''': c. 6:30<br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[Honeyrock]]<br /--> | '''Publisher''': [[Honeyrock]]<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
| − | + | Player I - XIII: [[marimbas]](5), [[vibraphones]](2), [[orchestra bells]], [[xylophone]]<br> | |
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== Program Notes == | == Program Notes == | ||
| + | |||
| + | ===Review=== | ||
| + | Second-place winner of the 1993 Percussive Arts Society Composition Contest, "Fantasia for Bar Percussion" is a mallet ensemble for eight players utilizing bells, xylophone, two vibraphones and five marimbas (four 4-octave instruments and one 4 1/3-octave instrument). Heslink's work has been described as "a contemporary yet lyrical work displaying rapid and intricate passagework between various voices." The piece fits the definition of a "fantasia" of the 16th and 17th centuries through the use of contrapuntal devices. Heslink begins with a basic thematic motive and develops it throughout, employing such techniques as augmentation, inversion and "canonic-like" episodes. He includes rhythmic counter-lines, especially in marimba parts 1 through 4, and various tempo changes to enhance thematic development. Precision between parts must be addressed during rehearsals in order for a well-executed performance. Additionally, performers need to be comfortable with mixed-meter sections. Both vibraphone parts employ three mallets; all other parts utilize two-mallet technique. One of the vibraphone performers plays orchestra bells as well. - Lisa Rogers, April 1998 <ref>http://www.pas.org/Learn/compresearch.aspx</ref> | ||
== Errata == | == Errata == | ||
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== Awards == | == Awards == | ||
| + | Second-place winner of the 1993 Percussive Arts Society Composition Contest | ||
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Revision as of 02:46, 21 March 2013
General Info
Year: 1993
Duration: c. 6:30
Difficulty: (see Ratings for explanation)
Publisher: Honeyrock
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Player I - XIII: marimbas(5), vibraphones(2), orchestra bells, xylophone
Program Notes
Review
Second-place winner of the 1993 Percussive Arts Society Composition Contest, "Fantasia for Bar Percussion" is a mallet ensemble for eight players utilizing bells, xylophone, two vibraphones and five marimbas (four 4-octave instruments and one 4 1/3-octave instrument). Heslink's work has been described as "a contemporary yet lyrical work displaying rapid and intricate passagework between various voices." The piece fits the definition of a "fantasia" of the 16th and 17th centuries through the use of contrapuntal devices. Heslink begins with a basic thematic motive and develops it throughout, employing such techniques as augmentation, inversion and "canonic-like" episodes. He includes rhythmic counter-lines, especially in marimba parts 1 through 4, and various tempo changes to enhance thematic development. Precision between parts must be addressed during rehearsals in order for a well-executed performance. Additionally, performers need to be comfortable with mixed-meter sections. Both vibraphone parts employ three mallets; all other parts utilize two-mallet technique. One of the vibraphone performers plays orchestra bells as well. - Lisa Rogers, April 1998 [1]
Errata
Awards
Second-place winner of the 1993 Percussive Arts Society Composition Contest
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Ancient Visions - Percussion Sextet
Fantasia for Bar Percussion Instruments - Percussion Octet
Five Hymns for Marimba - Marimba
The Parables - Percussion Duo; Narrator
Theme and Variations for Snare Drum - Snare Drum
Variations on Amazing Grace - Marimba
Additional Resources
References