Difference between revisions of "Harmonic Rhythm"
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 2000<br /--> |
| − | '''Duration''': c. <br /--> | + | '''Duration''': c. 22:00 <br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[Pecktackular]]<br /--> | '''Publisher''': [[Pecktackular]]<br /--> | ||
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
| − | |||
==Movements== | ==Movements== | ||
Latest revision as of 17:06, 3 August 2018
General Info
Year: 2000
Duration: c. 22:00
Difficulty: (see Ratings for explanation)
Publisher: Pecktackular
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Timpani (5)
Program Notes
Review
In the year 2000 a timpani wave was started by Jim Brown, Principal Timpanist of the Savannah Symphony Orchestra and composer Russell Peck. I am speaking of “Harmonic Rhythm,” a concerto for timpani and orchestra performed by 39 orchestras. The concerto opens with a crescendoed low-D roll, which leads into a massive statement by the orchestra, setting the stage for what is to follow--much like a curtain opening for a play. There are four sections to the composition: Section I is melodic and centers around the development of the melodic material. Section II is quite rhythmic and climaxes in a technical display of three-mallet playing. Section III is slow and uses such effects as dead strokes, brushes and wood mallets. Section IV returns to a more rapid rhythmic display with a brief harmonic quasi cadenza that leads to a dramatic ending. The concerto is written for four standard pedal drums plus a piccolo drum that may be the hand-tuned type. Besides the orchestration there is a piano reduction that would be perfect for a percussion recital. “Harmonic Rhythm” represents not only the rhythmic and dynamic qualities of timpani but also their melodic qualities. Peck understands the instrument both for its potential and its limits. I can’t help but think that Jim Brown helped a bit here. From the opening roll to the thundering ending, Peck challenges the player musically and technically and has composed a concerto with rewards for the performer and audience. - John H. Beck[1]
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Harmonic Rhythm - Timpani; Orchestra
In the Garden - Drum Set; Organ
Lift-Off - Percussion Trio
Lion's Breath - Multiple Percussion; Double Bass
The Glory and the Grandeur - Percussion Trio; Orchestra
Additional Resources
References