Difference between revisions of "In Praise of Johnny Appleseed (for Dance and Percussion)"
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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]] | [[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]] | ||
| − | [[ | + | [[Lou Harrison]] |
<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
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== General Info == | == General Info == | ||
| − | '''Year''': <br /--> | + | '''Year''': 1942<br /--> |
'''Duration''': c. <br /--> | '''Duration''': c. <br /--> | ||
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| − | '''Publisher''': | + | '''Publisher''': [[WarnerBros]]<br /--> |
'''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | ||
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== Instrumentation == | == Instrumentation == | ||
| + | Player I: [[Pipe claves]], [[wood claves]], [[pipe]] lengths, bamboo flute<br> | ||
| + | Player II: [[Sistrums]], [[maracas]], [[marimba]], [[cowbells]](5), [[wooden box]]<br> | ||
| + | Player III: [[Tom-toms]](5), [[bass drum]], [[coils]](2)<br> | ||
| − | + | with [[flute]] (variable duration) | |
| − | + | <!--for copying and pasting | |
| − | + | Player I: <br> | |
| − | <!-- | + | Player II: <br> |
| − | + | Player III: <br> | |
| + | Player IV: <br> | ||
| + | Player V: <br> | ||
| + | Player VI: <br> | ||
| + | Player VII: <br> | ||
| + | Player VIII: <br> --> | ||
== Program Notes == | == Program Notes == | ||
| − | + | === Online Review === | |
| − | + | "In Praise of Johnny Appleseed," an original ballet in eight movements for three percussionists and dancers, is at long last available. Although scored as a trio, Harrison suggests that using multiple players on each part is an option. Marimba and vibraphone have been substituted in this version for the original's marimba and handmade flute. Descriptions for the construction of items such as "pipe claves" and "wooden boxes" are provided, along with suggestions for substitutions for instruments such as "sistrums" and "clock coils." The work features an "elastic" formal structure in which performers can order the arrangement of phrases at their discretion. I commend Warner Bros. for making accessible this work by one of the most significant figures in 20th-century percussion music. - John R. Raush, April 2000<ref> [http://www.pas.org PAS.ORG] Retrieved 06/14/2012</ref> | |
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| − | == | ||
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== Commercial Discography== | == Commercial Discography== | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
{{harrisonworks}} | {{harrisonworks}} | ||
| − | <!-- Enter the composer's other works for percussion. You may delete this text once this is done. --> | + | <br /> |
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| + | <!-- Enter the composer's other works for percussion. You may delete this text once this is done. | ||
| + | ie: {{Becerra-Schmidt, Gustavo Works}} --> | ||
== Additional Resources == | == Additional Resources == | ||
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<br /--> | <br /--> | ||
<br /--> | <br /--> | ||
| + | |||
| + | == References == | ||
| + | <references/> | ||
| + | <!-- Enter any resources...if there are none, enter this: {{none}} --> | ||
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| + | <br /> | ||
| + | <br /> | ||
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| + | [[Category:Template]] | ||
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Latest revision as of 02:58, 14 June 2012
General Info
Year: 1942
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: WarnerBros
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
Instrumentation
Player I: Pipe claves, wood claves, pipe lengths, bamboo flute
Player II: Sistrums, maracas, marimba, cowbells(5), wooden box
Player III: Tom-toms(5), bass drum, coils(2)
with flute (variable duration)
Program Notes
Online Review
"In Praise of Johnny Appleseed," an original ballet in eight movements for three percussionists and dancers, is at long last available. Although scored as a trio, Harrison suggests that using multiple players on each part is an option. Marimba and vibraphone have been substituted in this version for the original's marimba and handmade flute. Descriptions for the construction of items such as "pipe claves" and "wooden boxes" are provided, along with suggestions for substitutions for instruments such as "sistrums" and "clock coils." The work features an "elastic" formal structure in which performers can order the arrangement of phrases at their discretion. I commend Warner Bros. for making accessible this work by one of the most significant figures in 20th-century percussion music. - John R. Raush, April 2000[1]
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
A Tribute to Charon (Passage throught Darkness/Counterdance in Spring) - Percussion Trio
Ariadne - Solo Percussion and Flute acc.
Beverly's Troubadour Piece - Percussion and Harp
Bomba (Harrison) - Percussion Quintet
Canticle No. 1 - Percussion Quintet
Canticle No. 3 - Percussion Quartet; Ocarina; Guitar (6 Players)
Concerto for Organ with Percussion Orchestra - Percussion Octet; Organ, Piano
Concerto for Violin and Percussion Orchestra - Percussion Quintet, Violin
Double Fanfare - Percussion Ensemble 12 - Harrison/Cirone
Double Music - Percussion Quartet - Cage/Harrison
Fifth Simfony - Percussion Quartet
First Concerto - Percussion Duo and Flute
Fugue - Percussion Quartet
In Praise of Johnny Appleseed (for Dance and Percussion) - Percussion Trio; Flute; Dancer
Labyrinth No. 3 - Percussion Ensemble (11)
Orpheus - for the Singer to the Dance - Percussion Ensemble (15); Solo Voice; Chorus
Serenade - Percussion; Guitar
Simfony No. 13 - Percussion Quartet
Suite - Percussion Quintet
Suite No. 1 - Percussion; Guitar
The Drums of Orpheus - from the ballet "Orpheus"
The Song of Queztecoatl - Percussion Quartet
Additional Resources
References