Difference between revisions of "Listen to the Radio A Lot"
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| − | [[ | + | [[Timo Andres]] |
<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 2017<br /--> |
| − | '''Duration''': c. <br /--> | + | '''Duration''': c. 5:00<br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| − | '''Publisher''': [[ | + | '''Publisher''': [[Andres & Sons Baker]], [[Pocket Publications LLC]]<br /--> |
| − | '''Cost''': | + | '''Cost''': Inside "Dynamic Snare" - 45.00 Print Version - $25.00 | PDF Only - $15.00<br /--> |
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== Instrumentation == | == Instrumentation == | ||
| − | + | Snare Drum<br> | |
| + | Electronics<br> | ||
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== Program Notes == | == Program Notes == | ||
| + | Listen to the Radio was inspired by one of Woody Guthrie’s exhortations in his “New Years Rulin’s.” The piece is a part through-composed and part Cage-ean chance operation, in service of recreating the atmosphere of a drive through unfamiliar country, flipping through radio stations. The snare drum plays along to a prerecorded electronic track, its music both imitating and accompanying the wisps of music and bursts of static. | ||
| + | |||
| + | The extended piano sample (“tempo di valse”) is from Robin Holcomb’s Wherein Lies the Good. | ||
| + | |||
| + | To purchase the anthology “The Dynamic Snare”, please visit Pocket Publications. | ||
| + | |||
| + | ==Performance Note== | ||
| + | Two snare drums are required for performance (small and large); they should have a pronounced difference in pitch. | ||
| + | Many extended techniques are used in the piece with the object of creating as wide and varied a palette of sounds as possible. Performers should experiment with different mallets and applications, as the ideal solution may be different depending on each instrument and individual. | ||
| + | The electronic track should have good stereo separation and be approximately the same volume as the snares. The performer follows the track by means of a simple 60 BPM click. | ||
=== Review === | === Review === | ||
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== Errata == | == Errata == | ||
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== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| − | {{ | + | {{Andres, Timo Works}}<br> |
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<br /> | <br /> | ||
| − | [[Category: | + | [[Category:Solo Works]] |
| − | + | [[Category:Snare Drum Works]] | |
| + | [[Category:with Tape Works]] | ||
| + | [[Category:Electronics Works]] | ||
| + | [[Category:Amplified Works]] | ||
Latest revision as of 05:03, 11 April 2021
General Info
Year: 2017
Duration: c. 5:00
Difficulty: (see Ratings for explanation)
Publisher: Andres & Sons Baker, Pocket Publications LLC
Cost: Inside "Dynamic Snare" - 45.00 Print Version - $25.00 | PDF Only - $15.00
Movements
Instrumentation
Snare Drum
Electronics
Program Notes
Listen to the Radio was inspired by one of Woody Guthrie’s exhortations in his “New Years Rulin’s.” The piece is a part through-composed and part Cage-ean chance operation, in service of recreating the atmosphere of a drive through unfamiliar country, flipping through radio stations. The snare drum plays along to a prerecorded electronic track, its music both imitating and accompanying the wisps of music and bursts of static.
The extended piano sample (“tempo di valse”) is from Robin Holcomb’s Wherein Lies the Good.
To purchase the anthology “The Dynamic Snare”, please visit Pocket Publications.
Performance Note
Two snare drums are required for performance (small and large); they should have a pronounced difference in pitch.
Many extended techniques are used in the piece with the object of creating as wide and varied a palette of sounds as possible. Performers should experiment with different mallets and applications, as the ideal solution may be different depending on each instrument and individual.
The electronic track should have good stereo separation and be approximately the same volume as the snares. The performer follows the track by means of a simple 60 BPM click.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Austerity Measures - Percussion Quartet
Listen to the Radio A Lot - Snare Drum, Electronics
Tides and Currents - 2 Pianos, Percussion Duo
You broke it, you bought it - Multiple Percussion, Electric Guitar
Additional Resources
References