Difference between revisions of "On the Verge"

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'''Duration''':  c. <br /-->
 
'''Duration''':  c. <br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Publisher''':  [[C. Allan]]<br /-->
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'''Publisher''':  [[C. Alan]]<br /-->
 
'''Cost''': Score and Parts - $14.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
 
'''Cost''': Score and Parts - $14.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
  
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== Program Notes ==
 
== Program Notes ==
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Written for marimba artist Nathan Daughtrey, On The Verge is divided into three movements. Each movement depicts a step along the way to having a nervous breakdown: Disjointed has angry outbursts with a few jocular moments, but ultimately gives into the anger from the beginning. Identity represents the person starting to come to grips with the situation. It begins in a very tranquil manner, but several agitated moments are interspersed. Release shows that the person has made peace with the issues causing problems. The meter is 4/4 throughout this movement, but odd accents prevent the listener from detecting the regularity of the meter. Excellent piece for a university percussion recital.
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Revision as of 03:50, 7 August 2015

Jonathon Anderson


General Info

Year:
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: C. Alan
Cost: Score and Parts - $14.00   |   Score Only - $0.00

Movements

Instrumentation

Marimba


Errata

Program Notes

Written for marimba artist Nathan Daughtrey, On The Verge is divided into three movements. Each movement depicts a step along the way to having a nervous breakdown: Disjointed has angry outbursts with a few jocular moments, but ultimately gives into the anger from the beginning. Identity represents the person starting to come to grips with the situation. It begins in a very tranquil manner, but several agitated moments are interspersed. Release shows that the person has made peace with the issues causing problems. The meter is 4/4 throughout this movement, but odd accents prevent the listener from detecting the regularity of the meter. Excellent piece for a university percussion recital.



Awards

Commercial Discography

Recent Performances

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Works for Percussion by this Composer

Additional Resources