Overture in Percussion

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Anthony Cirone


General Info

Year: 1966
Duration: c. 4:40
Difficulty: (see Ratings for explanation)
Publisher: Columbia
Cost: Score and Parts - $0.00   |   Score Only - $0.00

Movements

Instrumentation

Player I - V: timpani(4), orchestra bells, xylophone, celesta, snare drum, tenor drum, bass drum, cymbals, triangle, finger cymbals, wood block, castanets


Program Notes

Review

Anthony Cirone's quintet, Overture in Percussion, has been re-released by CCP/Belwin. This is good news for high school and college percussion ensembles. The instrumentation of Overture in Percussion is asfollows: Player One-orchestra bells, wood block, vibraphone; Player Two crash cymbals, suspended cymbal, xylophone, castanets; Player Three snare drum, tenor drum, finger cymbals; Player Four-triangle, bass drum; Player Five-timpani. Overture in Percussion, first published in 1971, has long been a popular work for both advanced high school or college percussion ensembles. This publication is both easier on the eye and clearer to the mind than its first release. If you're not already familiar with the piece, here is a brief description: The Overture opens with a spirited Allegro in triple meter which contains thematic material that is primarily rhythmic rather than melodic. The second section is a somewhat slower Allegretto with the melodic emphasis given over to the orchestra bells and xylophone. Following the Allegretto, a short transitional section restates the opening material and leads directly into an exciting Presto (quarter = 160). The Presto section is definitely the "centerpiece" of this composition. Cirone uses many of the compositional elements that have become standard in percussion ensemble literature. There are ostinati in the timpani and bass drum while the other drums and keyboard instruments share a dialogue; conversational ideas between the membrane percussion players; punctuation of keyboard melodies by drums; and even dialogues pitting the keyboard percussion against the membrane percussion. A drastic color change occurs as the opening material returns. At this point, most of the ensemble members switch to accessory instruments, and the work navigates through a flurry of changing meters. A slower section follows, featuring the timpani performing a melodic passage, with accompaniment provided by the keyboard percussion and accessory instruments. A wild and furious coda completes the Overture. The sectional structure of this work, along with its interesting variety of textural constructions and rhythmic vitality, will keep the interest of the players as well as the audience. The "rondo-like" structure ensures that the listener will be able to tie the entire work together into a unified whole. If you're familiar with this composition, you'll be pleased to know that there are no changes in the original material or structure of the piece. Dynamic markings, tempo markings, and instrumental choices have all been retained. The new edition does contain some additions and clarifications to the original notation. Now included are stick and mallet choices for the suspended cymbal, finger cymbal, and wood block. This new edition also offers motor indications for the vibraphone. But, perhaps the biggest change is the addition of slur markings for the mallet percussion parts. Since slurs and phrase markings were totally absent in the first edition, the new edition's makings will help younger players as they form their musical decisions. Technical considerations: The first player has a good deal of quick, stepwise passage work on the orchestra bells and a passage requiring four mallets on the vibraphone. Player two has some tricky passage work on the xylophone, and there are a few skips in the melodic materials. The timpani part requires four drums, and a few tuning changes during the solo melodic section, as the timpanist performs a series of glissandi on two drums. For a high school ensemble, the comments mentioned above are the only technical considerations. The other parts of the quintet will pose no problem for a talented high school group. If you work with a high school ensemble, Overture in Percussion is sure to be an exciting challenge for your students. But don't overlook this piece for a college ensemble program! It's sure to be a hit with your players as well as the audience. - Norman Weinberg, February 1993[1]

Errata

Awards

Commercial Discography

Recent Performances

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Works for Percussion by this Composer

4/4 for Four - Percussion Quartet
4-Mallet Etudes for Marimba - Marimba
4-Mallet Marimba Solos - Marimba
4-Mallet Studies for Marimba, Volume VI - Marimba
A Little Song - Percussion Sextet
A Sacred Mass for Chorus and Percussion - Percussion Quartet; Chorus
Advanced Marimba Duets, Volume III - Marimba Duo
Assimilation - Percussion Sextet
Boom-Whap - Percussion Sextet
Cairo Suite - Percussion Ensemble (9)
Dichotomy - Percussion Ensemble (8)
Double Concerto for Two Percussion and Orchestra - Percussion Duo; Orchestra
Double Fanfare - Percussion Ensemble (12) - Harrison/Cirone
Drums Galore - Percussion Sextet
Finale - Percussion Sextet
Five Items for Solo Marimba and Percussion Ensemble - Marimba; Percussion Quintet
Five Items for Soprano and Percussion - Percussion Quintet; voice
Four/Four for Four - Percussion Quartet
Fugue - Cirone - Percussion Quartet
Fugue for Percussion Sextet - Percussion Sextet
Gliding Along - Percussion Sextet
Japanese Impressions - Percussion Quintet
March Right In - Percussion Sextet
Nervous Notes - Percussion Sextet
NYSD: Orchestral Suite for Solo Snare Drum - Solo Percussion
Overture in Percussion - Percussion Quintet
Pentadic Striations - Percussion Quartet
Percussionality - Percussion Quintet
Processional - Percussion Sextet
Samba Classico - Percussion Quartet
Sonata No. 2 for Trumpet and Percussion - Percussion; Trumpet
Sonata No. 3 for Clarinet and Percussion - Percussion; Clarinet
Sonata No. 4 - Percussion; Violin; Piano
Sonata No.1 for Timpani and Piano - Timpani; Piano
Symphony No. 1 for Percussion Ensemble - Percussion Ensemble (8)
Symphony No. 2 for Percussion - Percussion Ensemble (9)
Symphony No.3 (Sacred) - Percussion Sextet
Take Three - Percussion Trio
Three Phases - Percussion Quartet
Triptych - Percussion Quartet
Unaccompanied Solos for Marimba - Marimba



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References