Difference between revisions of "Piece for Organ and Percussion"
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== General Info == | == General Info == | ||
| − | '''Year''': | + | '''Year''': 1998-99 <br /--> |
| − | '''Duration''': c. 15 | + | '''Duration''': c. 17:15 <br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
'''Publisher''': [[Silent Editions]]; [[Manuscript]]<br /--> | '''Publisher''': [[Silent Editions]]; [[Manuscript]]<br /--> | ||
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==Movements== | ==Movements== | ||
| + | I. <br> | ||
| + | II. <br> | ||
| + | III. <br> | ||
| + | IV. <br> | ||
| + | |||
<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | <!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | ||
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== Instrumentation == | == Instrumentation == | ||
| − | [[Multiple Percussion]]: | + | [[Multiple Percussion]]: <br> |
| − | + | [[Organ]]<br> | |
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== Program Notes == | == Program Notes == | ||
| − | + | This work is my first piece for organ and percussion. I wanted to treat the organ in a secular way and bring together two very different textures. Percussion is used in all movements except movement II, and is used largely soloistically in movement III. The four movements of the piece differ in their syntactic structure, especially with regard to harmony (intervallic structure), but also in terms of meter, density and tempi. | |
| + | |||
| + | The organist has a great deal of freedom in his/her registration of the piece. In the first movement, organ and percussion are in constant contrapuntal interchange, timpani and drums increasingly participating. The second movement is an organ solo with some chordal accents, ending on held chords. The third movement, too, has a predominantly contrapuntal texture, enriched by the participation of chimes and metal. Filigree work in the organ is predominant in the fourth movement, often taking place over long-held metallic sound.<ref>http://www.silenteditions.com/catalog_la.htm</ref> | ||
== Errata == | == Errata == | ||
Latest revision as of 21:53, 20 March 2013
General Info
Year: 1998-99
Duration: c. 17:15
Difficulty: (see Ratings for explanation)
Publisher: Silent Editions; Manuscript
Cost: Score and Parts - $10.00 | Score Only - $0.00
Movements
I.
II.
III.
IV.
Instrumentation
Program Notes
This work is my first piece for organ and percussion. I wanted to treat the organ in a secular way and bring together two very different textures. Percussion is used in all movements except movement II, and is used largely soloistically in movement III. The four movements of the piece differ in their syntactic structure, especially with regard to harmony (intervallic structure), but also in terms of meter, density and tempi.
The organist has a great deal of freedom in his/her registration of the piece. In the first movement, organ and percussion are in constant contrapuntal interchange, timpani and drums increasingly participating. The second movement is an organ solo with some chordal accents, ending on held chords. The third movement, too, has a predominantly contrapuntal texture, enriched by the participation of chimes and metal. Filigree work in the organ is predominant in the fourth movement, often taking place over long-held metallic sound.[1]
Errata
Awards
Commercial Discography
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Piece for Organ and Percussion - Multiple Percussion; Organ
Screening - Multiple Percussion; Flute
Vienne la nuit sonne l'heure - Multiple Percussion; Clarinet,(Violin); Cello
Additional Resources
References