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  • Performers: 4 marimbas.2 glsp.metallophone. 2 female voices (long tones with organ). 1 female voice (melodic patterns with marimbas).el ...y patterns played by different instruments. Music for Mallet Instruments, Voices and Organ was completed in May 1973, and deals with two simultaneous interr
    6 KB (903 words) - 01:44, 11 July 2018
  • 2 KB (314 words) - 00:06, 6 September 2012

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  • Performers: 4 marimbas.2 glsp.metallophone. 2 female voices (long tones with organ). 1 female voice (melodic patterns with marimbas).el ...y patterns played by different instruments. Music for Mallet Instruments, Voices and Organ was completed in May 1973, and deals with two simultaneous interr
    6 KB (903 words) - 01:44, 11 July 2018
  • Part 2: 3 marimbas(9 players),2 female voices<br> ...I - IX: 9 percussion, picc., 2 women’s voices (S,A) - all instruments and voices amplified
    3 KB (482 words) - 01:51, 11 July 2018
  • ...iver) by the Chinese poet Li Po (701-762) constitutes the material for the voices, which are amplified and further enhanced throughout.
    4 KB (621 words) - 11:18, 20 July 2018
  • ...the crotales and xylophone over a soft cluster chord in the other keyboard voices. Both crotale parts continue without interruption throughout the work with The xylophone part is more rhythmic and sparse (similar to the crotale voices) and requires only two mallets. All of the marimba parts require four-malle
    5 KB (734 words) - 03:36, 3 October 2022
  • ...lo marimba accompanied by three multi-percussionists and men's voices. The voices do not sing text but rather intone, "untrained", vowel sounds. The piece co
    5 KB (737 words) - 03:45, 24 April 2024
  • ...ara, William Kraft has been one of the West Coast’s most important musical voices for nearly four decades. In addition to his tenure as the Principal Timpani ...Congress, U.S. Air Force Band, St. Paul Chamber Orchestra, Kronos Quartet, Voices of Change, the Schoenberg Institute, consortium of Speculum Musicae/San Fra
    6 KB (788 words) - 18:42, 21 November 2022
  • Chamber [[Choir]] - (12) Voices<Br> ...e, narcissistic, evoking infinite reflections. The polyphonic treatment of voices attempts to translate these unfathomable and tragic echoes, chanted by perc
    3 KB (510 words) - 22:36, 10 July 2018
  • Chamber [[Choir]] - (8) Voices<Br> This show, with six dancers, eight mixed voices and a percussionist playing mostly skins, highlights several parameters tha
    4 KB (620 words) - 22:44, 10 July 2018
  • ...the first phrase of the chant in different rhythms, the piano, along with voices, state a haunting motive derived from the second line of the chant. The wor
    4 KB (527 words) - 00:44, 12 January 2024
  • ...e first principal line. After swapping the role of principal line, the two voices become equally important till the end.<br/> ...accompaniment at the first few bars in compound time. After that, the two voices become equally important again in simple time till the end.<br/>
    4 KB (748 words) - 08:36, 13 September 2021
  • ...non-pitched voices, and a basic four-voice polyphony is disposed with two voices given to the pitched instruments — mainly piano four-hands and vibraphone
    5 KB (794 words) - 01:59, 18 January 2022
  • ...rk presented a Kati Agócs portrait concert featuring the world premiere of Voices of the Immaculate, co-commissioned by Miller Theatre at Columbia University
    11 KB (1,531 words) - 14:10, 6 June 2023
  • ...st consists of two distinct, polyphonic 'voices', making a total of twelve voices in all. The individual motifs which make up each voice are imitated in turn
    10 KB (1,541 words) - 01:21, 24 November 2014
  • ...xt printed in the middle of the associated player’s part in the score. The voices on the tape are reading eye-witness accounts of the “Trinity” atom bomb In Part II (“Hiroshima”), there are eight voices, reading texts by young women and children who witnessed the bombing of Hir
    8 KB (1,268 words) - 22:39, 30 November 2017
  • ...e by younger students, especially as rhythms are often reinforced in other voices. ...- note fragments that reinforce similar rhythms in the keyboard percussion voices.
    3 KB (452 words) - 01:54, 11 November 2023
  • ...012) is internationally recognized as one of the most influential American voices in classical music, and a leading figure of modernism in the 20th and 21st
    6 KB (827 words) - 00:19, 20 June 2022
  • [[Category:Voices]]
    1 KB (195 words) - 02:13, 4 April 2013
  • ...e drumset. The second section contains a fugue-like passage featuring five voices that eventually play all at once. With a metric modulation to signify the e
    3 KB (397 words) - 06:58, 9 November 2021
  • ...ba solo in four contrasting movements. Challanging contrapunal movement in voices and use of interesting harmonic combinations make this a fine recital or co
    4 KB (575 words) - 20:54, 25 July 2020
  • ...Chamber Orchestra, Minnesota Orchestra, Dale Warland Singers and the World Voices Choir. Bob has accompanied the Minnesota Orchestra and the St. Paul Chamber
    3 KB (423 words) - 01:26, 13 October 2013
  • ...speeds evoking a huge distant congregation murmuring a calm prayer in many voices.
    5 KB (794 words) - 00:44, 28 December 2021
  • 2 Female Voices (1 or more singers)
    3 KB (443 words) - 23:45, 29 June 2023
  • ...in the title) that can be heard throughout, initially heard in the opening voices and thread through the ensemble for the duration of the piece. This theme r
    4 KB (578 words) - 14:29, 18 November 2022
  • ...e percussion setups. The piece features strong themes throughout, with all voices painting a very well-orchestrated picture. The timpanist is featured both i
    2 KB (222 words) - 15:36, 6 June 2023
  • ...ing to an engaging mix of musical ideas. Calmer moments see the vibraphone voices featured in a lyrical fashion, while the "moto perpetuo" of the marimbas pr
    3 KB (364 words) - 03:17, 3 October 2022
  • Tim Ferchen is one of the most original voices in percussion composition as demonstrated by his Etudes for Marimba Vol. 1.
    5 KB (842 words) - 13:08, 22 May 2015
  • ...y catalogue is music for voice: solo voice, chamber opera, small groups of voices, small or large choirs, with and without orchestral or other kinds of accom
    7 KB (1,102 words) - 02:39, 26 January 2019
  • ...e Southwestern University Chamber Soloist, “Music of Donald Grantham” with Voices of Change (Centaur Records, Inc.) His most recent recording includes the mo
    2 KB (283 words) - 00:45, 25 November 2013
  • ...ard material with interjections of of arhythmic chaos from the percussinve voices. The piece flows in and out of groove oriented material that is provided by
    3 KB (507 words) - 13:30, 13 January 2019
  • ...If played as notated ([[xylophone]] and [[marimba]]), the distance between voices can be reduced by playing the [[marimba]] part an octave higher. If a low b
    2 KB (300 words) - 08:50, 12 November 2021
  • ...ontemplative, lowpitched marimba sound and ison - an ostinato held by male voices - were merged into a short modo archaico composition - N.J.Z.
    3 KB (476 words) - 10:52, 19 April 2016
  • ...women students only. There she composed several choral pieces for women's voices, including "The Christ-Child Lay on Mary's Lap". The poem, by G.K. Chestert
    4 KB (536 words) - 18:24, 8 June 2012
  • ...le. It opens with a 2/3 clave, systematically layers additional percussion voices on top, and establishes an audience-friendly groove before jumping into a t
    2 KB (208 words) - 02:04, 31 December 2021
  • ...percussion sections are featured independently, layered passages allow new voices and patterns to be introduced individually, and full ensemble passages are
    2 KB (214 words) - 04:48, 7 January 2022
  • 3 KB (438 words) - 04:51, 2 August 2018
  • 3 amplified Voices<br>
    4 KB (579 words) - 14:30, 14 June 2023
  • ...portion 3:2:1:3:1:2:3, which appears in various augmentations in the upper voices.
    708 bytes (86 words) - 02:09, 7 October 2022
  • ...n New York City. Though faint and crowded on all sides by urban noise, the voices of nature can still be heard in these woods. They suggested a music in whic
    3 KB (438 words) - 01:49, 19 December 2022
  • ...music of Alejandro Viñao (notably his use of multiple time in simultaneous voices), and my profound respect for Carl Sagan, which has grown significantly in
    3 KB (443 words) - 23:34, 19 April 2023
  • [[Speaking Voices]]<br>
    3 KB (413 words) - 23:23, 23 March 2013
  • ...ssembling the past from fragments of ruins. Although there are often three voices existing at once, no more than two are heard simultaneously. While the piec
    4 KB (646 words) - 18:54, 11 April 2018
  • PATTERNS III - (Voices)<br>
    3 KB (475 words) - 00:17, 20 June 2023
  • In a moment of artistic brilliance, the ensemble utilizes voices to sing a captivating melody line, adding a human element to the auditory t
    4 KB (526 words) - 23:32, 4 April 2024
  • ...ords, Centaur, Hard Cor Music and Sunset Music Australia. His latest CD - Voices from Spoon River - was released Jan. 16, 2000 by Summit Records. It contai
    4 KB (641 words) - 12:20, 21 January 2017
  • The first version of Fugue was composed in 1987 for four unspecified voices. In 1989 I prepared a version for the Manhattan Marimba Quartet's premiere
    3 KB (503 words) - 16:51, 28 November 2016
  • ...ompaniment or marimba books that taught bass clef and the balance of inner voices, he was always an innovator. In his twenty year association with Alfred Pub
    6 KB (966 words) - 09:28, 9 March 2022
  • ...Festival for the Chilingirian Quartet) and Return of the Moon, a cycle for voices and marimba, commissioned by the King's Singers for themselves and Evelyn G
    4 KB (616 words) - 15:23, 29 December 2021
  • ...Experience, The London Schubert Players, the Norwegian vocal group Nordic Voices and the Danish flutist Marianne Leth. Collaborations with Norwegian groups
    4 KB (502 words) - 19:49, 7 November 2012
  • ...at the edge of their seats. The energy is focused up in the higher-pitched voices and it is this variation of the theme where the most advanced voicings with
    4 KB (589 words) - 02:11, 29 April 2022
  • ...gs New Hope" have since been available in a reprint on DIN A4 with all the voices that are now feeble.
    5 KB (763 words) - 03:32, 18 June 2023
  • ...esented in fugue-like fashion. This eight-note "theme" is heard in various voices and guises (including inversions) throughout the movement. In the second mo
    3 KB (546 words) - 02:10, 17 November 2013
  • ...e exploding into a quick 142 bpm, marked by sixteenth-note runs in melodic voices, which dominates most of the movement. The final movement begins as a sprit
    4 KB (671 words) - 03:23, 24 October 2022
  • ...three-note descending bassline. The bassline then fragments into different voices and occurs at multiple rates of speed on top of a relentless sixteenth note
    2 KB (241 words) - 02:09, 22 September 2023
  • ...complished compositions such as “Music for 4 protagonists” (1959-60) for 4 voices and 10 instruments, based on text by Kazantzakis, “Constructions” for f
    6 KB (863 words) - 02:43, 7 August 2018
  • ...y of Illinois at Urbana-Champaign. The author of Twenty Israeli Composers: Voices of a Culture (1997), he is also a contributing composer and essayist in The
    3 KB (463 words) - 02:26, 26 May 2015
  • ...s an instrument - the refined singing lines, typical of strings, winds and voices on one hand, and the polyphonic capabilities of keyboards on the other. Oth
    8 KB (1,163 words) - 23:54, 3 July 2023
  • ...s an instrument - the refined singing lines, typical of strings, winds and voices on one hand, and the polyphonic capabilities of keyboards on the other. Oth
    7 KB (1,107 words) - 23:54, 3 July 2023
  • 3 KB (457 words) - 23:11, 10 July 2018
  • ...Composer's Forum. In 2002 his Four Songs of Experience (Blake) for treble voices and piano won "Top Honors" in the Waging Peace Through Singing internationa
    5 KB (728 words) - 22:25, 23 June 2013
  • ...sented in multiple ways, in whole and in various parts, layered over other voices or as passing dialog within the ensemble, and spanning a full range of dyna
    1 KB (187 words) - 01:45, 18 May 2023
  • The experience of writing for voices has led to some clarification of Saariaho’s language, with a new vein of
    7 KB (1,116 words) - 15:49, 4 June 2023
  • ...reful attention should be paid to mallet selection and balance amongst the voices. The section at rehearsal marker "B" requires exceptional dynamic control f
    4 KB (646 words) - 04:02, 2 March 2024
  • ...et) rhythmic feel. The soprano alternates between “he” and “she” character voices in a torrid seduction scene, as the piano executes a moto perpetuo toccata.
    5 KB (727 words) - 15:26, 14 July 2018
  • ...et lyrical work displaying rapid and intricate passagework between various voices." The piece fits the definition of a "fantasia" of the 16th and 17th centur
    4 KB (587 words) - 02:49, 21 March 2013
  • ...Office of Oracles for three vocal and instrumental groups, Cree for twelve voices or Sibyl, for voice, percussion and band, which reveal a resolutely innovat
    6 KB (872 words) - 23:19, 10 July 2018
  • ...ignificant use of bowed vibraphone and a cajon-driven groove. The metallic voices take care of the simple melodic content (often split between players), whil
    1 KB (181 words) - 02:26, 7 March 2022
  • ...rded the first-place Nakanishi Music Award, and in 1965 his work for mixed voices based on themes of folk music around Tsugaru area, The Four Seasons, was aw
    2 KB (357 words) - 03:02, 13 July 2023
  • ...pani part is lifted directly from Beethoven's original score. The metallic voices (bells, vibraphone, chimes) provide the perfect legato quality to highlight
    1 KB (150 words) - 02:34, 11 October 2023
  • ...ent. Young players are also introduced to ornamentation within the melodic voices that makes Dandy Lions a blast to perform!
    1 KB (138 words) - 03:01, 11 October 2023
  • ...ll for a passage presented to the audience under sound effects and actors' voices.[11] Dahl conducted the soundtrack to The Abductors (1957) by his pupil Pau
    7 KB (1,066 words) - 23:58, 17 January 2022
  • ...s. This movement makes use of the entire range (4-1/3 octaves) and chordal voices tend to be very open. The second movement, "Dream," is divided into four se
    4 KB (617 words) - 03:25, 2 June 2012
  • ..."Spade-foot Toad," "Rattlesnake," and "Buzzard," from Byrd Baylor's Desert Voices collection. It was my job to translate Byrd Baylor's imagery into music.
    5 KB (782 words) - 04:40, 10 February 2019
  • ...tention of the listener when it is heard. "Desert Songs II" ends with high voices singing from across the hill, "We're here, alive in the moonlight."
    5 KB (797 words) - 04:40, 10 February 2019
  • ...ly passes between [[vibraphone]] and [[Glockenspiel]], the two [[marimba]] voices act as harmony.
    1 KB (161 words) - 22:22, 30 December 2021
  • ...med. Additional players may cover other suggested instruments within those voices, or they can fill in any of the optional melodic or rhythmic parts provided
    2 KB (258 words) - 23:36, 3 August 2022
  • ...enspiel]] player. [[Brian Slawson]] has done an excellent job keeping both voices interesting while making them manageable for intermediate players. In addit
    3 KB (370 words) - 00:31, 25 July 2023
  • ...y observe all mallet indications. Additionally, rhythmic precision between voices and within unison sections is extremely important."
    5 KB (780 words) - 18:35, 21 March 2013
  • ...Difficulties within this ensemble include: dovetailing of rhythms between voices, lining up triplets and sextuplets against 16th notes, and rhythmical preci
    5 KB (783 words) - 18:35, 21 March 2013
  • ...stantly shifting meters and a recurring 2:5 polyrhythmic motive. Different voices are brought out through the use of both ends of a rattan handled mallet in
    3 KB (469 words) - 22:55, 6 May 2018
  • ...ard, Gladys Knight and the Pips, Shirley McLaine, Roger Williams, New York Voices, Buddy DeFranco, Al Martino, Trini Lopez, Jim Bailey, among numerous musica
    6 KB (868 words) - 15:17, 8 September 2013
  • electronics, Autumn Voices (2001) for violin and electronics, and Journey of the
    5 KB (661 words) - 23:39, 4 November 2022
  • voices. His instrumental expertise has brought him commissions from a diverse grou
    4 KB (557 words) - 04:19, 9 June 2012
  • ...as nothing but banging and rumbling, but they also possess intimate hidden voices and expression.
    5 KB (762 words) - 00:50, 27 April 2014
  • [[Category:Voices]]
    2 KB (221 words) - 00:56, 28 March 2024
  • ...ece breathes through phrases. The third movement, Fugue, is written in two voices. The mutation and counterpoint is not technically difficult, but creates a
    6 KB (868 words) - 00:58, 21 April 2018
  • ...orimba, bass marimba (percussionists must also sing - both instruments and voices are to be amplified)<br/>
    3 KB (481 words) - 23:36, 16 February 2012
  • Others: large bag of dry leaves & toy piano & bucket & speaking voices <br/>
    5 KB (668 words) - 01:06, 28 March 2024
  • ...rs. They were quite famous; more famous than the actors for whom they gave voices. For the benzi, the film was a vehicle for improvisation. A plot might insi
    4 KB (656 words) - 19:45, 28 May 2015
  • ...on keeping most of the musical activity within the same register. All four voices serve as equal members of one collective image. Vespertine Formations is de
    4 KB (617 words) - 04:08, 11 April 2021
  • Cantata Nr.1 “Anesti”, for 6 instruments, 6 voices and synthetic orchestra, Cantata Nr. 2 “Nevu’ah”, for 6 part chorus,
    3 KB (512 words) - 15:42, 6 June 2023
  • ...estiny (2001) for soprano and organ; and Startled Grass (2001), for female voices and small ensemble. Holt's most recent major work is Who Put Bella in the W
    5 KB (784 words) - 15:19, 24 August 2013
  • ...y poetry led him to write a large body of solo vocal music, much of it for voices with instruments. Benson set to music the poetry of many recognized poets i
    5 KB (724 words) - 00:17, 20 June 2022
  • ...nts: membranes, metals and woods. A 4th family is created with the players voices whispering intensely various syllables from the word "Sizzle." The piece is
    1 KB (147 words) - 23:47, 20 March 2023
  • ...list Maya Beiser. Also for Kronos, The Sad Park, written in 2006, uses the voices of child witnesses to September 11th as its subject. Gordon's monumental, 5
    7 KB (1,107 words) - 13:31, 22 May 2015
  • ...d in the piece. Where the fugue theme can be approached as if there are 4 voices, it presents an opportunity for the performer to showcase mallet control.
    4 KB (603 words) - 02:32, 7 June 2023
  • ...ition to the solo voice part, the percussionists are required to use their voices throughout as well.
    4 KB (559 words) - 02:46, 26 January 2019
  • ...ngs tell of the farm chores, nature and ghosts and are arranged for unison voices, piano, recorders and pitched or unpitched percussion. The songs can be use
    2 KB (309 words) - 03:58, 13 September 2022
  • Adams' methods have included percussion ensembles, Alaska Native voices, orchestral residencies, sound and light installations, and elegant prose w
    3 KB (507 words) - 02:50, 12 October 2013