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...mber, often carved into the shape of Tiger, would be scraped with a bamboo stick in order to produce a sound. They also had crafted a clapper made from fla ...These crotales have also been found attached to split bamboo, or a wooden stick, they were perhaps called cymbals, or clappers. Bells also began to be cra

...//www.pas.org/About/the-society/halloffame/FirthVic.aspx PAS.org] Accessed March 27, 2015</ref> ...t $2,000 to $10,000 on a bow, he though it strange that a superior quality stick was not widely available for symphonic percussionists. He began with timpan

| 3 || #Stick Insect || [[Snare Drum]] & Low [[Tom-tom]] || [[Kevin Hathway]] || [[Percus | 7 || Little March & Dance || [[Snare Drum]] Only || [[Gert Bomhof]] || [[21 Solos for Snare D

| 2 || Step 'n' March || [[William Edwards]] || [[Percussion Exam Pieces & Studies, ABRSM Grade | 4 || Madison March || [[David Hext]] || [[Percussion Exam Pieces & Studies, ABRSM Grade 1]] ||

...it makes it a samba marusa or bolero, and the song ends with a bolero. The stick work of the three snare players is shown, including the wire brush that app

I. Cretan Dance involves the use of snares turned off and stick clicks to create a folky sound. ...ndango is somewhat of a march, featuring the old 'smack the stick to roll' stick trick.

2. The Duke of Gloucester's March <br/> 5. Middlesex March <br/>

| 5 || March Triumphant || [[Murray Houllif]] || [[March Triumphant]] || [[Kendor Music]] Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to

4. Little March & Dance<br/> 9. Quick-Stick<br/>

| 3 || #Stick Insect || [[Snare Drum]] & Low [[Tom-tom]] || [[Kevin Hathway]] || [[Percus | 7 || Little March & Dance || [[Snare Drum]] Only || [[Gert Bomhof]] || [[21 Solos for Snare D

| 3 || #March of the Octopus || [[Snare Drum]] & [[Piano]] || [[Damien Harron]] || [[Perc Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to

| 8 || March || [[Carol Barratt]] || [[Bravo! Percussion (Book 2)]] || [[Boosey & Hawkes | 10 || March in Time || [[Michael Skinner]] & [[Jan Faulkner]] || [[Percussion Exam Piec

...and expanded [[vibraphone]] and [[marimba]] performance by introducing six-stick playing and the vibra-midi.<ref name=Oberlin/> He began to compose around t ...web/20160305015758/http://brahms.ircam.fr/works/work/12690/ |archivedate=5 March 2016 }}</ref>

4. Puppy’s March / Foreign tune <br/> 6. Military March Op.51 No.1 / Franz Schubert<br/>

6. United Way March<br/> 7. Celebration March<br/>

| 5 || Turkish March || [[Ann Lindsay]] || [[FIRST RECITAL SERIES (Snare Drum)]] || [[Curnow Mus | 8 || Nimble Stick || [[Jackie Kendle]] || [[Percussion World: Timpani]] || [[Trinity College

2. March <br/> 2. Another Stick Insect! <br/>

| 2 || Step 'n' March || [[Snare Drum]] Only || [[William Edwards]] || [[Percussion Exam Pieces | 4 || #Madison March || [[Snare Drum]] & [[Piano]] || [[David Hext]] || [[Percussion Exam Pieces

...h was played with the foot. This arrangement made it nearly impossible for stick playing. Gene's first recording session was a historical one. It occurred i Gene departed on March 3, 1938 and less than 2 months later formed his own orchestra. His band was

| 1 || #March || [[Simon Archer]] || [[Percussion Exam Pieces & Studies, ABRSM Grade 1]] | 7 || #Majestic March || [[Matthew Hardy]] || [[Concert and Audition Pieces for the Young Percuss

| 5 || March Triumphant || [[Murray Houllif]] || [[March Triumphant]] || [[Kendor Music]] Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to

| 8 || March || [[Carol Barratt]] || [[Bravo! Percussion (Book 2)]] || [[Boosey & Hawkes | 10 || March in Time || [[Michael Skinner]] & [[Jan Faulkner]] || [[Percussion Exam Piec

* Mischievous March 1. Majestic March <br/>

| 3 || #March of the Octopus || [[Snare Drum]] & [[Piano]] || [[Damien Harron]] || [[Perc Studies are important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to

dedication: to Leonard Raver; premiere: 12 March 1981, Alice Tully Hall, New York City, L. Raver, organ, Gordon Gottlieb, pe ...The instrument requirements are indicated by drawings, and the mallet and stick requirements are clearly marked. A vast array of colors are produced via ru

...xt, the pieces include dead strokes as a technical precursor to subsequent stick dampening, and finally culminate in a four-mallet composition that combines 1. MARCH MIXO<br/>

| 1 || March Past Kiev || [[Carol Barratt]] || [[Bravo! Percussion (Book 1)]] || [[Boose | 4 || Basic posture || Show me your basic stick grip || Candidate Demonstrate

| 8 || Nimble Stick || [[Jackie Kendle]] || [[Percussion World: Timpani]] || [[Trinity College | 1 || Regal March || [[Lorne Pearcey]] || Timpani || [[Timpani Studies]] || [[Mark Aldous]]

1. Diddle-Didle March: Composed by [[Jackie Kendle]] <br/> 5. Stick With It!: Composed by [[Jackie Kendle]] <br/>

2. Stick with the Click <br/> 3. Tumbling Toms March <br/>

3. Stick Game <br/> ...setting. Three of the dances, “Peasant Costume, ” “Standing Still, ” and “Stick Game” are included in this collection, each offering unique challenges wh

Player VI: Siren, [[slap stick]], [[guiro]]<br> premiere: 6 March 1933, Carnegie Hall, New York City, Nicolas Slonimsky, cond.

...iel, chimes, and vibraphone), and drum set. It teaches one how to hold the stick, where the playing area is, how to hold the instrument, how to tune, and th ...cymbals, and an approach to keeping time with the bass drum, such as in a march. Suspended cymbals are briefly covered, explaining rolls, single notes and

Player 8: [[Rain Stick]] & [[Bass Drum]] <br/> ...Festival supported by the New York State Music Fund, and was premiered on March 2008 by the E.S.Y.O Percussion Ensemble.