Difference between revisions of "Three Phases"

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== General Info ==
 
== General Info ==
  
'''Year''': 19 <br /-->
+
'''Year''': 1996<br /-->
'''Duration''':  c. <br /-->
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'''Duration''':  c.<br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
 
'''Difficulty''':  (see [[Ratings]] for explanation)<br /-->
'''Publisher''': CPP/Belwin<br /-->
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'''Publisher''': [[Columbia]]<br /-->
'''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
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'''Cost''': Score and Parts - $0.00 &nbsp;&nbsp;|&nbsp;&nbsp; Score Only - $0.00<br /-->
  
 
==Movements==
 
==Movements==
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== Instrumentation ==
 
== Instrumentation ==
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Player I: [[Marimba]]<br>
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Player II: Marimba<br>
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Player III: Marimba<br>
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Player IV: Marimba<br>
  
Player I: <br/>
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<!--for copying and pasting
Player II: <br/>
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Player I: <br>  
Player III: <br/>
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Player II: <br>  
Player IV: <br/>
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Player III: <br>  
Player V: <br/>
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Player IV: <br>  
Player VI: <br/>
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Player V: <br>  
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Player VI: <br>
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Player VII: <br>
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Player VIII: <br>    -->
  
<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.-->
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== Program Notes ==
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=== Review ===
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The "three phases" of this marimba quartet for college-level students (revealed in the titles to its three movements) are "distress," "melancholy" and "relief." The entire first movement is developed contrapuntally using an eight-note bass melody set in octaves and presented in fugue-like fashion. This eight-note "theme" is heard in various voices and guises (including inversions) throughout the movement. In the second movement, several chromatic motives are woven into a polyphonic fabric. The third movement features a two-bar ostinato and a lilting rhythm pattern set in 5/8 meter. The work is effectively scored, and should display the full tonal spectrum of the marimba ensemble. The publication contributes to the substantive literature for a genre that is not overburdened with good material. - John R. Raush, April 1997<ref>[http://www.pas.org PAS.ORG]</ref>
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== Errata ==
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<!-- Enter errata...if there is none, enter this: {{none}}  You may delete this text once this is done.-->
  
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== Awards ==
  
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<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.-->
 
== Commercial Discography==
 
== Commercial Discography==
  
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== Works for Percussion by this Composer ==
 
== Works for Percussion by this Composer ==
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{{Cirone Anthony}}<br/>
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{{Cirone Anthony}}<br/>
 
  
 
<!-- Enter the composer's other works for percussion. You may delete this text once this is done.
 
<!-- Enter the composer's other works for percussion. You may delete this text once this is done.
ie:  {{Brand, Morris Works}}  -->
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ie:  {{Becerra-Schmidt, Gustavo Works}}  -->
  
 
== Additional Resources ==
 
== Additional Resources ==
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<br /-->
 
<br /-->
  
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== References ==
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<references/>
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<!-- Enter any resources...if there are none, enter this: {{none}} -->
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<br />
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<br />
  
 
[[Category:Template]]
 
[[Category:Template]]

Latest revision as of 02:10, 17 November 2013

Anthony Cirone


General Info

Year: 1996
Duration: c.
Difficulty: (see Ratings for explanation)
Publisher: Columbia
Cost: Score and Parts - $0.00   |   Score Only - $0.00

Movements

Instrumentation

Player I: Marimba
Player II: Marimba
Player III: Marimba
Player IV: Marimba


Program Notes

Review

The "three phases" of this marimba quartet for college-level students (revealed in the titles to its three movements) are "distress," "melancholy" and "relief." The entire first movement is developed contrapuntally using an eight-note bass melody set in octaves and presented in fugue-like fashion. This eight-note "theme" is heard in various voices and guises (including inversions) throughout the movement. In the second movement, several chromatic motives are woven into a polyphonic fabric. The third movement features a two-bar ostinato and a lilting rhythm pattern set in 5/8 meter. The work is effectively scored, and should display the full tonal spectrum of the marimba ensemble. The publication contributes to the substantive literature for a genre that is not overburdened with good material. - John R. Raush, April 1997[1]


Errata

Awards

Commercial Discography

Recent Performances

To submit a performance please join the TEK Percussion Database


Works for Percussion by this Composer

  1. REDIRECT Template:Anthony Cirone Works



Additional Resources



References