Difference between revisions of "Vespertine Formations"
| Line 42: | Line 42: | ||
<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | <!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | ||
| + | |||
== Commercial Discography== | == Commercial Discography== | ||
| + | <!-- Enter any COMMERCIALLY available recordings or downloads...if there are none, enter this: {{none}} You may delete this text once this is done.--> | ||
===Online Recordings=== | ===Online Recordings=== | ||
| − | + | <embedvideo service="youtube">https://www.youtube.com/watch?v=xq3zhgk8SiY</embedvideo> | |
| − | |||
| − | |||
| Line 83: | Line 83: | ||
[[Category:Template]] | [[Category:Template]] | ||
| − | [[Category:Percussion Ensemble Works] | + | [[Category:Percussion Ensemble Works]] |
[[Category:Percussion Quartet Works]] | [[Category:Percussion Quartet Works]] | ||
[[Category:Marimba Quartet Works]] | [[Category:Marimba Quartet Works]] | ||
Revision as of 22:57, 30 November 2017
General Info
Year: 2003
Duration: c. 9:00
Difficulty: (see Ratings for explanation)
Publisher: Christopher Deane, distributed by Innovative Percussion
Cost: Score and Parts - $0.00 | Score Only - $0.00
Instrumentation
Player I: Marimba
Player II: Marimba
Player III: Marimba
Player IV: Marimba
Program Notes
The concept for the piece was to explore ways of creating a sense of sustain on four marimbas through extensive use of stretto and imitation. Rather than approaching an ensemble such as this in a traditional choral configuration of soprano, alto, tenor and bass, this piece focuses on keeping most of the musical activity within the same register. All four voices serve as equal members of one collective image. Vespertine Formations is dedicated to Harold Jones who was the professor of percussion at East Carolina University for many years. The motivation for this work comes from a phenomenon in nature. It is a common sight to see huge flocks of birds performing amazing aerial maneuvers in the evening sky over North Texas especially in the Autumn. The ornitholigical sky forms witnessed during one particular sunset in Fall of 2001 served as an undeniable point of inspiration during the compositional process for this piece. The wing motions of so many birds suggested the texture of constant sixteenth notes. As the brilliant orange sunset diminished to dusk, the birds settled into trees around the campus. The fantastic choreography created by this flock of birds and the natural chronology of events guided the structure and form of this piece.[1]
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Emporia State University Percussion Ensemble - November 29, 2017 - Albert Taylor Concert Hall - "Doomsday" Concert
Works for Percussion by this Composer
Template:Deanne, Christopher Works
Additional Resources
References