Difference between revisions of "Zones of Influence"
(Created page with "David Rosenboom <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is d...") |
|||
| (One intermediate revision by the same user not shown) | |||
| Line 14: | Line 14: | ||
==Movements== | ==Movements== | ||
| − | + | I. The Winding of a Spring<br> | |
| + | II. Closed Attracting Trajectories<br> | ||
| + | III. Given the Senses the Real Pre-geometry<br> | ||
| + | IV. Epigenesis, Ontogenesis, Phylogenesis, Parthenogenesis<br> | ||
| + | V. The Buckling of a Spring<br> | ||
<!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | <!-- Enter the title and duration of individual movements. Make sure the movements are listed by number, and use a line break <nowiki>( <br /> )</nowiki> at the end of each line. If this is a single movement work, please delete the entire category. You may delete this text once this is done. --> | ||
| Line 36: | Line 40: | ||
written for: William Winant; premiere: 1984, San Francisco, California, W. Winant, soloist, composer on electronics | written for: William Winant; premiere: 1984, San Francisco, California, W. Winant, soloist, composer on electronics | ||
| − | + | Zones of Influence is in five parts: I. The Winding of a Spring, II. Closed Attracting Trajectories, III. Given the Senses the Real Pre-geometry, IV. Epigenesis, Ontogenesis, Phylogenesis, Parthenogenesis, and V. The Buckling of a Spring. The compositional processes are inspired by models of morphogenesis, parametric shape mutation, catastrophe theory, and morphological evolution, realized with real–time composition and performance algorithms. The complete, fully-realized version is available on a double-CD with accompanying booklet containing an article about the work and its history from Pogus Productions, P21074-2, Chester, NY, (2014). A concert recording of Part I was released on a cassette anthology, Roundup: A Live Electro–acoustic Retrospective (1968–1984), Slowscan Editions, Vol. 7, 's–Hertogenbosch, Holland, (1987). This was re-released on a double-CD from the Art Into Life label in Japan, called Roundup Two—Music with Electro-acoustic Landscapes 1968-1984 (2012). Zones of Influence was composed originally for percussion virtuoso, William "Willie" Winant. ——PHOTO—— William "Willie" Winant (left) and David Rosenboom (right) at Mills College in Oakland, CA in the mid-1980s. | |
=== Review === | === Review === | ||
| Line 88: | Line 92: | ||
| − | [[Category: | + | [[Category:Solo Works]] |
| − | [[Category:Percussion | + | [[Category:Multiple Percussion Works]] |
[[Category:with Tape Works]] | [[Category:with Tape Works]] | ||
[[Category:Electronics Works]] | [[Category:Electronics Works]] | ||
Latest revision as of 13:35, 16 July 2018
General Info
Year: 1983
Duration: c. 60:00
Difficulty: (see Ratings for explanation)
Publisher: Manuscript
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
I. The Winding of a Spring
II. Closed Attracting Trajectories
III. Given the Senses the Real Pre-geometry
IV. Epigenesis, Ontogenesis, Phylogenesis, Parthenogenesis
V. The Buckling of a Spring
Instrumentation
multi-percussion: snare drums(3), marimba, xylophone, metalophones, a "Tarong" of 8 tuned hand drums (tablas, Chinese tom-toms, etc.), timpani, spring coil, log drum; with 1 keyboard/computer music symstem; auxiliary keyboard; melody instrument capable of continous glissando
Program Notes
written for: William Winant; premiere: 1984, San Francisco, California, W. Winant, soloist, composer on electronics
Zones of Influence is in five parts: I. The Winding of a Spring, II. Closed Attracting Trajectories, III. Given the Senses the Real Pre-geometry, IV. Epigenesis, Ontogenesis, Phylogenesis, Parthenogenesis, and V. The Buckling of a Spring. The compositional processes are inspired by models of morphogenesis, parametric shape mutation, catastrophe theory, and morphological evolution, realized with real–time composition and performance algorithms. The complete, fully-realized version is available on a double-CD with accompanying booklet containing an article about the work and its history from Pogus Productions, P21074-2, Chester, NY, (2014). A concert recording of Part I was released on a cassette anthology, Roundup: A Live Electro–acoustic Retrospective (1968–1984), Slowscan Editions, Vol. 7, 's–Hertogenbosch, Holland, (1987). This was re-released on a double-CD from the Art Into Life label in Japan, called Roundup Two—Music with Electro-acoustic Landscapes 1968-1984 (2012). Zones of Influence was composed originally for percussion virtuoso, William "Willie" Winant. ——PHOTO—— William "Willie" Winant (left) and David Rosenboom (right) at Mills College in Oakland, CA in the mid-1980s.
Review
Errata
Awards
Commercial Discography
Online Recordings
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
"mississippippississim" - Percussion Ensemble (32 Players) - 32 Pairs of Claves, plus speaking parts
A Precipice in Time - Percussion Duo
Continental Divide - Percussion Duo
She Loves Me, She Loves Me Not,... - Percussion Duo, Theater, with Tape
To that Predestined Dancing Place - Percussion Quartet
Zones of Influence - Multiple Percussion, Computer
Additional Resources
References