ABRSM Grade 8 Snare Drum

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General Info

  • Candidates must play at least one piece for multiple percussion.
  • All pieces and studies should be played with the snares on unless marked otherwise in the music.
  • Candidates must choose three pieces from the repertoire list, including at least one piece marked with #.
  • Up to two pieces by the same composer may be played.
  • Candidates must play the upper part when pieces that are published as duets.
  • Candidates must provide their own accompanist(s).
  • Pieces accompanied by percussion must be played on a separate instrument from the candidates'.

Song List

Item Works Composer Publication Publisher Instrumentation Video
1 Fox Trot and Fandango Warren Benson Three Dances for Solo Snare Drum Hal Leonard Snare Drum Only
2 Dances for Five Drums Jan Bradley Dances for Five Drums Jan Bradley 3 Tom-toms & Bongos
3 Engine Room James Campbell Engine Room Row-Loff Productions Bongos & Tom-toms & Bass Drum & Headless Tambourine & Jam Block & Cowbell & Suspended Cymbal
4 Popeye Stacey Duggan Just Desserts Row-Loff Productions Optional Aerial Flip
5 It's About Time Michael Lynch Just Desserts Row-Loff Productions Optional Visual Enhancement
6 Movement 2 Guy Gauthreaux II American Suite for Unaccompanied Snare Drum Meredith Music Publications Snare Drum Only
7 Pontiac Anthony Kerr ABRSM Principal Percussion Associated Board of the Royal Schools of Music Piano Accompanied
8 Cave Dance Glenn Kotche Cave Dance Alfred Music Foot Pedal Instrument (Bass Drum or Cowbell etc.)
9 Gorymdaith Alex Neal Gorymdaith Southern Percussion Tenor Drum & Pedal Bass Drum
10 Antrieb Cameron Sinclair Antrieb Scottish Music Centre Snare Drum Only

Technical Requirements

Candidates prepare two studies at each grade and examiners will request which one is to be played in the exam. Each Study is based on a set of rudiments; these are listed on the sheet music.

List Publications Notes Video Performance
Study A Percussion Studies, ABRSM Grades 6-8 Studies are in important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to develop tone, pulse and dynamic control, and familiarity with rudimental patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others.
Study B Percussion Studies, ABRSM Grades 6-8 Studies are in important way to develop technical skills such as stick control, balance between hands, fluency and articulation. They also help to develop tone, pulse and dynamic control, and familiarity with rudimental patterns. This leads to greater confidence and security when sight-reading, learning new pieces and performing - from a score or from memory, as a solo musician or with others.

Sight Reading

Sight-reading is a valuable skill with many benefits. Learning to sight-read helps to develop quick recognition of common rhythm patterns and tonality. Strong Sight-reading skills make learning new pieces quicker and easier, and also help when making music with others, so that playing in an ensemble becomes more rewarding and enjoyable.
Candidates will be asked to play a short unaccompanied piece of music which they have not seen before. They will be given half a minute to look through and, if they wish, try out all or any part of the test before they are asked to play it for assessment.

Reference