Difference between revisions of "Symphony No. 1 for Percussion Ensemble"
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[[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]] | [[Image:changethistothecomposername.jpg|right|thumb|250px|Composer Name]] | ||
| − | [[ | + | [[Anthony Cirone]] |
<!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | <!-- fill in the name of the file (it can be a .jpg or a .gif) as well as the composer's name in the fields above. You may delete this text once this is done.--> | ||
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== General Info == | == General Info == | ||
| − | '''Year''': <br /--> | + | '''Year''': 1964<br /--> |
| − | '''Duration''': c. <br /--> | + | '''Duration''': c. 20:00<br /--> |
'''Difficulty''': (see [[Ratings]] for explanation)<br /--> | '''Difficulty''': (see [[Ratings]] for explanation)<br /--> | ||
| − | '''Publisher''': | + | '''Publisher''': [[Columbia]]<br /--> |
| − | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> | + | '''Cost''': Score and Parts - $0.00 | Score Only - $0.00<br /--> |
==Movements== | ==Movements== | ||
| − | + | 1. Presto<br /> | |
| − | + | 2. Adagio molto<br /> | |
| − | + | 3. Allegro vivo<br /> | |
== Instrumentation == | == Instrumentation == | ||
| + | Player I - VIII: [[timpani]](4), [[xylophone]], [[orchestra bells]], [[snare drums]](2), [[tom-tom]], [[tenor drum]], [[bass drum]], [[triangle]], [[tambourine]], [[wood block]], [[finger cymbal]], [[cymbals α2]], [[suspended cymbal]]<br> | ||
| − | |||
| + | <!--for copying and pasting | ||
| + | Player I: <br> | ||
| + | Player II: <br> | ||
| + | Player III: <br> | ||
| + | Player IV: <br> | ||
| + | Player V: <br> | ||
| + | Player VI: <br> | ||
| + | Player VII: <br> | ||
| + | Player VIII: <br> --> | ||
| − | == | + | == Program Notes == |
| − | + | === Review === | |
| + | This extended, three movement work for Percussion octet is marked advanced by the publisher and is scored for orchestra bells, xylophone and various standard orchestral percussion instruments (including 4 timpani). The two keyboard percussion parts include single-line writing, some double. stops, rolls and glisses, but no mallet suggestions. The cymbal and small concert percussion parts contain straight-forward writing with detailed performance directions and mallet choices. The drum parts are also straightforward and contain single-stoke writing with some rolls and flams with few Performance directions. The lead snare drum part is the most difficult of these parts. The .timpani part is difficult note-wise, but requires no pedal technique during each movement, with tuning changes occurring only between movements. Movement I (Presto) is written in 2/4 and 3/8, both sectionally and as changing meters. The 2 keyboard percussion parts seem to have the main thematic content with rhythmic counterpoint and accompaniment provided by the other instruments. (Adagio molto) is written in 5/4, again with the keyboard percussion instruments the main thematic matierals. Sustained sounds and rolls, punctuating rhythmic outbursts, hocket-like sections and pointillistic passages highlight the movement. Movement III (Allegro vivo) is written mostly in 4/4 and 2/2. A middle section starting in 8/8-with changes 7/8, 5/8, 2/8, 4/8, 3/4, 6/8, 4/4-leads to an extended timpani cadenza. The whole of the movement is very drummy, with the timpani being the dominant instrument much of the time. A section with several irregular-length ostinatos is of special interest. Suitable as an example of an extended work is symphonic form for standard instruments. The piece does not rely on gimmicks, unusual performance practics, exotic instruments, etc. Would serve nicely as the focus of a semester's work for a good high school ensemble, or as the main feature of a younger university percussion ensemble concert. - John Baldwin, December 1992<ref>[http://www.pas.org PAS.ORG]</ref> | ||
| − | |||
| − | + | == Errata == | |
| + | <!-- Enter errata...if there is none, enter this: {{none}} You may delete this text once this is done.--> | ||
| − | ==Awards== | + | == Awards == |
<!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | <!-- Enter any awards this composition may have won. If there are none, then delete the entire category. You may delete this text once this is done.--> | ||
| − | |||
| − | |||
== Commercial Discography== | == Commercial Discography== | ||
| − | + | *'''Audio:''' [https://www.youtube.com/watch?v=A5znOlJGflk Reference recording. Schlagwerk Linz (Movement 1)] <br/> | |
| − | + | *'''Audio:''' [https://www.youtube.com/watch?v=0er4IRjUROA Reference recording. Schlagwerk Linz (Movement 2)] <br/> | |
| − | + | *'''Audio:''' [https://www.youtube.com/watch?v=r1CAr1VaazU Reference recording. Schlagwerk Linz (Movement 3)] <br/> | |
==Recent Performances== | ==Recent Performances== | ||
| Line 51: | Line 59: | ||
== Works for Percussion by this Composer == | == Works for Percussion by this Composer == | ||
| + | {{Anthony Cirone Works}}<br/> | ||
| − | + | == Books for Percussion by this Composer == | |
| + | {{Anthony Cirone Books}}<br/> | ||
| + | <!-- Enter the composer's other works for percussion. You may delete this text once this is done. | ||
| + | ie: {{Becerra-Schmidt, Gustavo Works}} --> | ||
== Additional Resources == | == Additional Resources == | ||
| Line 61: | Line 73: | ||
<br /--> | <br /--> | ||
<br /--> | <br /--> | ||
| + | |||
| + | == References == | ||
| + | <references/> | ||
| + | <!-- Enter any resources...if there are none, enter this: {{none}} --> | ||
| + | |||
| + | <br /> | ||
| + | <br /> | ||
| + | |||
| + | [[Category: Percussion Ensemble Works]] | ||
| + | [[Category: Percussion Octet Works]] | ||
| + | |||
| − | |||
<!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | <!-- Don't forget to add categories, literature, instruments, history, pedagogy, sticks, etc. Also delete the Template category. To see what categories are available, see: http://www.tekpercussion.com/Special:Categories --> | ||
<!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. --> | <!-- Don't forget to add categories, such as overtures, symphonies, etc., and also add the grade of the work. --> | ||
Latest revision as of 10:46, 3 January 2022
General Info
Year: 1964
Duration: c. 20:00
Difficulty: (see Ratings for explanation)
Publisher: Columbia
Cost: Score and Parts - $0.00 | Score Only - $0.00
Movements
1. Presto
2. Adagio molto
3. Allegro vivo
Instrumentation
Player I - VIII: timpani(4), xylophone, orchestra bells, snare drums(2), tom-tom, tenor drum, bass drum, triangle, tambourine, wood block, finger cymbal, cymbals α2, suspended cymbal
Program Notes
Review
This extended, three movement work for Percussion octet is marked advanced by the publisher and is scored for orchestra bells, xylophone and various standard orchestral percussion instruments (including 4 timpani). The two keyboard percussion parts include single-line writing, some double. stops, rolls and glisses, but no mallet suggestions. The cymbal and small concert percussion parts contain straight-forward writing with detailed performance directions and mallet choices. The drum parts are also straightforward and contain single-stoke writing with some rolls and flams with few Performance directions. The lead snare drum part is the most difficult of these parts. The .timpani part is difficult note-wise, but requires no pedal technique during each movement, with tuning changes occurring only between movements. Movement I (Presto) is written in 2/4 and 3/8, both sectionally and as changing meters. The 2 keyboard percussion parts seem to have the main thematic content with rhythmic counterpoint and accompaniment provided by the other instruments. (Adagio molto) is written in 5/4, again with the keyboard percussion instruments the main thematic matierals. Sustained sounds and rolls, punctuating rhythmic outbursts, hocket-like sections and pointillistic passages highlight the movement. Movement III (Allegro vivo) is written mostly in 4/4 and 2/2. A middle section starting in 8/8-with changes 7/8, 5/8, 2/8, 4/8, 3/4, 6/8, 4/4-leads to an extended timpani cadenza. The whole of the movement is very drummy, with the timpani being the dominant instrument much of the time. A section with several irregular-length ostinatos is of special interest. Suitable as an example of an extended work is symphonic form for standard instruments. The piece does not rely on gimmicks, unusual performance practics, exotic instruments, etc. Would serve nicely as the focus of a semester's work for a good high school ensemble, or as the main feature of a younger university percussion ensemble concert. - John Baldwin, December 1992[1]
Errata
Awards
Commercial Discography
- Audio: Reference recording. Schlagwerk Linz (Movement 1)
- Audio: Reference recording. Schlagwerk Linz (Movement 2)
- Audio: Reference recording. Schlagwerk Linz (Movement 3)
Recent Performances
To submit a performance please join the TEK Percussion Database
Works for Percussion by this Composer
Ensemble
Duet
Advanced Marimba Duets, Volume III
Double Concerto for Two Percussion and Orchestra
Trio
Quartet
4/4 for Four
A Sacred Mass for Chorus and Percussion
Four/Four for Four
Fugue - Cirone
Pentadic Striations
Samba Classico
Three Phases
Triptych
Quintet
Five Items for Solo Marimba and Percussion Ensemble
Five Items for Soprano and Percussion
Japanese Impressions
Overture in Percussion
Percussionality
Sextet
A Little Song
Assimilation
Boom-Whap
Drums Galore
Finale
Fugue for Percussion Sextet
Gliding Along
March Right In
Nervous Notes
Processional
Large Ensemble
Cairo Suite - Percussion Ensemble (9)
Dichotomy - Percussion Ensemble (8)
Double Fanfare - Percussion Ensemble (12) - Harrison/Cirone
Solo
4-Mallet Etudes for Marimba
4-Mallet Marimba Solos
4-Mallet Studies for Marimba, Volume VI
NYSD: Orchestral Suite for Solo Snare Drum
Unaccompanied Solos for Marimba
Sonata
Sonata No. 1 for Timpani and Piano - Timpani; Piano
Sonata No. 2 for Trumpet and Percussion - Percussion; Trumpet
Sonata No. 3 for Clarinet and Percussion - Percussion; Clarinet
Sonata No. 4 for Violin and Percussion - Percussion; Violin; Piano
Symphony
Symphony No. 1 for Percussion Ensemble - Percussion Ensemble (8)
Symphony No. 2 for Percussion - Percussion Ensemble (9)
Symphony No. 3 (Sacred) - Percussion Sextet
Books for Percussion by this Composer
Cirone's Pocket Dictionary of Foreign Musical Terms
Master Technique Builders for Snare Drum
Master Technique Builders for Vibraphone and Marimba
On Musical Interpretation in Percussion Performance
Portraits Series
Portraits for Drum Set
Portraits for Multiple Percussion
Portraits in Melody
Portraits in Rhythm
Portraits in Rhythm – Complete Study Guide
Portraits in Rhythm – Spanish Language Edition (Traducción al Español por Omar Ruiz-Oliver)
Portraits in Rhythm – With Japanese Subtitles
Portraits for Timpani
Simple Steps Series
Simple Steps to Keyboard Percussion
Simple Steps to Percussion Ensemble
Simple Steps to Snare Drum
Simple Steps to Timpani
Orchestral Technique
The Orchestral Mallet Player
The Orchestral Snare Drummer
The Orchestral Timpanist
Orchestral Techniques of the Standard Percussion Instruments
The Art of Bass Drum and Cymbal Playing
The Art of Percussion Playing
The Art of Percussion Accessory Playing
The Great American Symphony Orchestra
The Logic of it All: Professional Secrets Applying Imagination to Percussion Techniques
Symphonic Repertoire for Cymbals
Symphonic Repertoire for Keyboard Percussion
Symphonic Repertoire for Percussion Accessories
Symphonic Repertoire for Snare Drum
Additional Resources
References